An entertaining, down-to-earth remembrance and a fine guide for actors seeking to master their craft.



Davis’ second memoir focuses less on the actor’s time on The X-Files and more on the theory and practice that make good actors great.

This charismatic follow-up to Where There’s Smoke…The Musings of a Cigarette Smoking Man (2011) is half personal recollections and half acting handbook, though acting theory weaves through the former and memory colors the latter to great effect. Davis starred in radio programs as a child and later studied at LAMDA theater school in London; his signature role came years later, when he appeared as a shady villain on The X-Files, but he’s had a long and busy career in TV and films. He writes with directorial verve and delivers his wisdom with the confidence of a seasoned professional who’s had a lifetime to figure out what works and what falls flat. In the section “Tricks, Traps, and Techniques,” he asserts that “an actor must be selfish. You must do it to please yourself.” One imagines that, with this book, he’s following his own advice, yet there’s no navel-gazing here; he writes with his audience in mind, never dwelling too much on the past or falling prey to nostalgia or sentimentalism, although he does allow himself occasional moments of well-earned “back in my day” derision. From tips on learning lines and what to do with one’s hands on stage (“find a truthful activity”) to how to engage with directors, Davis combines lessons he’s learned during a 60-year career with advice from teachers and colleagues who influenced him. Curious readers with a casual interest in theater will find this to be a charming, unpretentious, and pithy work from a cleareyed practitioner. Students of acting will find it an entertaining and useful reference that focuses on the concrete over the abstract and the practical over the rhapsodic to create convincing performances. Davis, it turns out, has the chops to be successful onscreen, in the director’s chair, and on the page.

An entertaining, down-to-earth remembrance and a fine guide for actors seeking to master their craft.

Pub Date: N/A

ISBN: 978-1-03-912427-1

Page Count: 293

Publisher: FriesenPress

Review Posted Online: Jan. 24, 2022

Kirkus Reviews Issue: March 1, 2022

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If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.


The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 1998

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A conversational, pleasurable look into McConaughey’s life and thought.

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All right, all right, all right: The affable, laconic actor delivers a combination of memoir and self-help book.

“This is an approach book,” writes McConaughey, adding that it contains “philosophies that can be objectively understood, and if you choose, subjectively adopted, by either changing your reality, or changing how you see it. This is a playbook, based on adventures in my life.” Some of those philosophies come in the form of apothegms: “When you can design your own weather, blow in the breeze”; “Simplify, focus, conserve to liberate.” Others come in the form of sometimes rambling stories that never take the shortest route from point A to point B, as when he recounts a dream-spurred, challenging visit to the Malian musician Ali Farka Touré, who offered a significant lesson in how disagreement can be expressed politely and without rancor. Fans of McConaughey will enjoy his memories—which line up squarely with other accounts in Melissa Maerz’s recent oral history, Alright, Alright, Alright—of his debut in Richard Linklater’s Dazed and Confused, to which he contributed not just that signature phrase, but also a kind of too-cool-for-school hipness that dissolves a bit upon realizing that he’s an older guy on the prowl for teenage girls. McConaughey’s prep to settle into the role of Wooderson involved inhabiting the mind of a dude who digs cars, rock ’n’ roll, and “chicks,” and he ran with it, reminding readers that the film originally had only three scripted scenes for his character. The lesson: “Do one thing well, then another. Once, then once more.” It’s clear that the author is a thoughtful man, even an intellectual of sorts, though without the earnestness of Ethan Hawke or James Franco. Though some of the sentiments are greeting card–ish, this book is entertaining and full of good lessons.

A conversational, pleasurable look into McConaughey’s life and thought.

Pub Date: Oct. 20, 2020

ISBN: 978-0-593-13913-4

Page Count: 304

Publisher: Crown

Review Posted Online: Oct. 27, 2020

Kirkus Reviews Issue: Dec. 1, 2020

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