For storytime or laptime, another beautiful rendition of the natural world.

DAYLIGHT STARLIGHT WILDLIFE

An album of contrasts introduces diurnal and nocturnal animals. 

The attraction of this invitation to explore daytime and nighttime worlds is visual: appealing gouache-and-watercolor animal portraits display Minor's characteristic use of light and color, meticulous detail, and appreciation for nature. An opening spread shows most of the creatures described. Then each one is introduced, usually paired with contrasting animals on a spread, though there are occasional expansive double-page images. A red-tailed hawk is followed by a barn owl; rabbit and possum families face each other, as do a tiger swallowtail butterfly and luna moth, and so forth. Two or three lines of text explain each luminous painting, identifying the creature, the activity, and, often, the time of day: “Sprightly deer mouse scampers / down a log and finds a firefly. // As the sun rises, stealthy bobcat and her / kitten scope out the summer landscape.” The line breaks support the design rather than the sense of the text; these are captions, not poems, but the language is interesting. Curiously, the introductory spread shows a bat, but the airborne nocturnal mammal described is a flying squirrel—a better companion for the gray squirrel that “scurries / all day.” The book concludes with a spread of “fun facts,” not seen.

For storytime or laptime, another beautiful rendition of the natural world. (Picture book. 2-7)

Pub Date: May 19, 2015

ISBN: 978-0-399-246623

Page Count: 32

Publisher: Nancy Paulsen Books

Review Posted Online: Feb. 16, 2015

Kirkus Reviews Issue: March 1, 2015

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A forgettable tale.

THE LITTLEST REINDEER

Dot, the smallest reindeer at the North Pole, is too little to fly with the reindeer team on Christmas Eve, but she helps Santa in a different, unexpected way.

Dot is distressed because she can’t jump and fly like the other, bigger reindeer. Her family members encourage her and help her practice her skills, and her mother tells her, “There’s always next year.” Dot’s elf friend, Oliver, encourages her and spends time playing with her, doing things that Dot can do well, such as building a snowman and chasing their friend Yeti (who looks like a fuzzy, white gumdrop). On Christmas Eve, Santa and the reindeer team take off with their overloaded sleigh. Only Dot notices one small present that’s fallen in the snow, and she successfully leaps into the departing sleigh with the gift. This climactic flying leap into the sleigh is not adequately illustrated, as Dot is shown just starting to leap and then already in the sleigh. A saccharine conclusion notes that being little can sometimes be great and that “having a friend by your side makes anything possible.” The story is pleasant but predictable, with an improbably easy solution to Dot’s problem. Illustrations in a muted palette are similarly pleasant but predictable, with a greeting-card flavor that lacks originality. The elf characters include boys, girls, and adults; all the elves and Santa and Mrs. Claus are white.

A forgettable tale. (Picture book. 3-5)

Pub Date: Sept. 26, 2017

ISBN: 978-1-338-15738-3

Page Count: 24

Publisher: Cartwheel/Scholastic

Review Posted Online: Aug. 21, 2017

Kirkus Reviews Issue: Sept. 1, 2017

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A visually striking, compelling recollection.

FROM THE TOPS OF THE TREES

The author recounts a formative childhood experience that continues to inspire her today.

Born to Hmong refugees, Kalia has only ever known the confines of the Ban Vinai refugee camp in Thailand. Even while playing with her cousins, reminders of the hardships of their life are always present. She overhears the aunties sharing their uncertainty and fear of the future. They are a people with no home country and are still trying to find peace. Kalia asks her father why they live behind a gate and wonders what lies beyond the fences that surround the camp. The next day they climb a tall tree, and he shows her the vast expanse around them, from familiar camp landmarks to distant mountains “where the sky meets earth.” This story of resilience and generational hope is told in an expressive, straightforward narrative style. The simplicity of the text adds a level of poignancy that moves readers to reflection. The layered and heavily textured illustrations complement the text while highlighting the humanity of the refugees and providing a quiet dignity to camp life. The militarylike color palette of olive greens, golden yellows, and rich browns reinforces the guarded atmosphere but also represents the transitional period from winter to spring, a time ripe with anticipation and promise.

A visually striking, compelling recollection. (author's note, glossary, map.) (Picture book/memoir. 5-9)

Pub Date: Oct. 5, 2021

ISBN: 978-1-5415-8130-2

Page Count: 32

Publisher: Carolrhoda

Review Posted Online: June 29, 2021

Kirkus Reviews Issue: July 15, 2021

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Hee haw.

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THE WONKY DONKEY

The print version of a knee-slapping cumulative ditty.

In the song, Smith meets a donkey on the road. It is three-legged, and so a “wonky donkey” that, on further examination, has but one eye and so is a “winky wonky donkey” with a taste for country music and therefore a “honky-tonky winky wonky donkey,” and so on to a final characterization as a “spunky hanky-panky cranky stinky-dinky lanky honky-tonky winky wonky donkey.” A free musical recording (of this version, anyway—the author’s website hints at an adults-only version of the song) is available from the publisher and elsewhere online. Even though the book has no included soundtrack, the sly, high-spirited, eye patch–sporting donkey that grins, winks, farts, and clumps its way through the song on a prosthetic metal hoof in Cowley’s informal watercolors supplies comical visual flourishes for the silly wordplay. Look for ready guffaws from young audiences, whether read or sung, though those attuned to disability stereotypes may find themselves wincing instead or as well.

Hee haw. (Picture book. 5-7)

Pub Date: May 1, 2010

ISBN: 978-0-545-26124-1

Page Count: 26

Publisher: Scholastic

Review Posted Online: Dec. 29, 2018

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