"I'm a streak of light! I'm a trick-maker! I'm Jahdu just running through!"

This free self-description is the first suggestion we get of Jahdu's identity, and it occurs after pages of Jahdu running along, shaking off his "Jahdu dust" anti gathering it back into himself; trying to put a "wing-low bird" to sleep and then trying to change into the child Lee Edward but failing in both attempts because, as both bird and boy tell him, "you have lost something and you don't know it"). Jahdu himself is absent from the pictures, and beginning readers who have not encountered him in Hamilton's previous stories will have a hard time forming any picture of her elusive figment. Those who stick with the story will be treated to some rich and snappy dialogue between Jahdu and his shadow, and some highly imaginative, playfully mythic doings off beyond the horizon. There Jahdu confronts the pesky CIGAM, which turns out to be his own magic, spelled backwards and wrapped around his rebellious shadow. The adventure is related with a spellbinding profusion of imagery, rhythm, and impish exuberance, which makes it well worth trying. In the realms to which Hamilton transports them, children might miss the orienting presence of a companion that can be either seen (to the end, we glimpse only Jahdu's shadow and a pair of sandaled feet), defined (is he an imaginary boy, a spirit, or what?), or traced somewhere (there's no storytelling Mama Luka here, no background on the passing Lee Edwards).


Pub Date: Sept. 29, 1980

ISBN: 068880246X

Page Count: 64

Publisher: Greenwillow Books

Review Posted Online: Oct. 26, 2011

Kirkus Reviews Issue: Sept. 1, 1980

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More gift book than storybook, this is a meaningful addition to nursery bookshelves


A young child explores the unlimited potential inherent in all humans.

“Have you ever wondered why you are here?” asks the second-person narration. There is no one like you. Maybe you’re here to make a difference with your uniqueness; maybe you will speak for those who can’t or use your gifts to shine a light into the darkness. The no-frills, unrhymed narrative encourages readers to follow their hearts and tap into their limitless potential to be anything and do anything. The precisely inked and colored artwork plays with perspective from the first double-page spread, in which the child contemplates a mountain (or maybe an iceberg) in their hands. Later, they stand on a ladder to place white spots on tall, red mushrooms. The oversized flora and fauna seem to symbolize the presumptively insurmountable, reinforcing the book’s message that anything is possible. This quiet read, with its sophisticated central question, encourages children to reach for their untapped potential while reminding them it won’t be easy—they will make messes and mistakes—but the magic within can help overcome falls and failures. It’s unlikely that members of the intended audience have begun to wonder about their life’s purpose, but this life-affirming mood piece has honorable intentions. The child, accompanied by an adorable piglet and sporting overalls and a bird-beaked cap made of leaves, presents white.

More gift book than storybook, this is a meaningful addition to nursery bookshelves . (Picture book. 2-8)

Pub Date: Sept. 15, 2019

ISBN: 978-1-946873-75-0

Page Count: 40

Publisher: Compendium

Review Posted Online: May 22, 2019

Kirkus Reviews Issue: June 15, 2019

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With the same delightfully irreverent spirit that he brought to his retelling of "Little Red Riding Hood" (1987), Marshall enlivens another favorite. Although completely retold with his usual pungent wit and contemporary touches ("I don't mind if I do," says Goldilocks, as she tries out porridge, chair, and bed), Marshall retains the stories well-loved pattern, including Goldilocks escaping through the window (whereupon Baby Bear inquires, "Who was that little girl?"). The illustrations are fraught with delicious humor and detail: books that are stacked everywhere around the rather cluttered house, including some used in lieu of a missing leg for Papa Bear's chair; comically exaggerated beds—much too high at the head and the foot; and Baby Bear's wonderfully messy room, which certainly brings the story into the 20th century. Like its predecessor, perfect for several uses, from picture-book hour to beginning reading.

Pub Date: Sept. 1, 1988

ISBN: 0140563660

Page Count: 36

Publisher: Dial Books

Review Posted Online: Oct. 26, 2011

Kirkus Reviews Issue: Aug. 15, 1988

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