This cleverly layered fantasy leaves more questions than it answers, but fortunately, it’s only the first of what promises...

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THE READER

From the The Reader Trilogy series , Vol. 1

In her debut for teens, Chee takes readers on a heart-racing adventure.

In the land of Kelanna, Sefia and her aunt Nin have been on the run for years, avoiding detection and the people who murdered her father. But when Nin is kidnapped, Sefia knows what they want: the mysterious package she salvaged from the wreckage of her home all those years ago. Determined to stop running, Sefia opens the package and finds a book: a foreign object known to a dangerous few and possibly the key to her past and finding Nin. On her quest to uncover the truth, Sefia encounters a silent boy trained to kill, powers she never knew she had, and forces who will go to great lengths to acquire the book. Chee weaves Sefia’s story with multiple narratives, such as the book-within-the-book tale of the legendary Capt. Reed and his colorful crew and the story of Lon, a boy inducted into a secret world as Apprentice Librarian. Commanding storytelling and vivid details, particularly of the magical process of reading, bring the story to life. Also, tucked within the pages of the book are surprises like a blotted-out paragraph, a disappearing sentence, and ink splatters that sometimes resolve into fingerprints. Kelanna is a racially and ethnically diverse land; Sefia herself has East Asian features and coloring.

This cleverly layered fantasy leaves more questions than it answers, but fortunately, it’s only the first of what promises to be an enchanting series. (Fantasy. 14 & up)

Pub Date: Sept. 13, 2016

ISBN: 978-0-399-17677-7

Page Count: 448

Publisher: Putnam

Review Posted Online: June 1, 2016

Kirkus Reviews Issue: June 15, 2016

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Grimly plainly worked hard, but, as the title indicates, the result serves his own artistic vision more than Mary Shelley’s.

GRIS GRIMLY'S FRANKENSTEIN

A slightly abridged graphic version of the classic that will drive off all but the artist’s most inveterate fans.

Admirers of the original should be warned away by veteran horror artist Bernie Wrightson’s introductory comments about Grimly’s “wonderfully sly stylization” and the “twinkle” in his artistic eye. Most general readers will founder on the ensuing floods of tiny faux handwritten script that fill the opening 10 pages of stage-setting correspondence (other lengthy letters throughout are presented in similarly hard-to-read typefaces). The few who reach Victor Frankenstein’s narrative will find it—lightly pruned and, in places, translated into sequences of largely wordless panels—in blocks of varied length interspersed amid sheaves of cramped illustrations with, overall, a sickly, greenish-yellow cast. The latter feature spidery, often skeletal figures that barrel over rough landscapes in rococo, steampunk-style vehicles when not assuming melodramatic poses. Though the rarely seen monster is a properly hard-to-resolve jumble of massive rage and lank hair, Dr. Frankenstein looks like a decayed Lyle Lovett with high cheekbones and an errant, outsized quiff. His doomed bride, Elizabeth, sports a white lock à la Elsa Lanchester, and decorative grotesqueries range from arrangements of bones and skull-faced flowers to bunnies and clownish caricatures.

Grimly plainly worked hard, but, as the title indicates, the result serves his own artistic vision more than Mary Shelley’s. (Graphic classic. 14 & up)

Pub Date: Aug. 27, 2013

ISBN: 978-0-06-186297-7

Page Count: 208

Publisher: Balzer + Bray/HarperCollins

Review Posted Online: July 3, 2013

Kirkus Reviews Issue: July 15, 2013

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This story is necessary. This story is important.

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THE HATE U GIVE

Sixteen-year-old Starr Carter is a black girl and an expert at navigating the two worlds she exists in: one at Garden Heights, her black neighborhood, and the other at Williamson Prep, her suburban, mostly white high school.

Walking the line between the two becomes immensely harder when Starr is present at the fatal shooting of her childhood best friend, Khalil, by a white police officer. Khalil was unarmed. Khalil’s death becomes national news, where he’s called a thug and possible drug dealer and gangbanger. His death becomes justified in the eyes of many, including one of Starr’s best friends at school. The police’s lackadaisical attitude sparks anger and then protests in the community, turning it into a war zone. Questions remain about what happened in the moments leading to Khalil’s death, and the only witness is Starr, who must now decide what to say or do, if anything. Thomas cuts to the heart of the matter for Starr and for so many like her, laying bare the systemic racism that undergirds her world, and she does so honestly and inescapably, balancing heartbreak and humor. With smooth but powerful prose delivered in Starr’s natural, emphatic voice, finely nuanced characters, and intricate and realistic relationship dynamics, this novel will have readers rooting for Starr and opening their hearts to her friends and family.

This story is necessary. This story is important. (Fiction. 14-adult)

Pub Date: Feb. 28, 2017

ISBN: 978-0-06-249853-3

Page Count: 464

Publisher: Balzer + Bray/HarperCollins

Review Posted Online: Dec. 6, 2016

Kirkus Reviews Issue: Dec. 15, 2016

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