A white-bearded grandfather imparts his gentle wisdom to his grandchildren—a girl and a boy—as they meander through a placid green space.
Together, the grandfather and children make note of the bustling natural world. The birds are flying, the dog is running; everyone seems to be in a hurry. The grandfather suggests that the children try another way of being with him, sitting quietly on a bench. The creatures around them respond to their stillness, also taking a moment to rest. As the book draws toward its close, each child is featured in a full-page portrait illustration, gazing out as they note what the quiet and stillness offers to them: “I can think, when I’m quiet. / I can see, when I’m still.” It seems as though the prolific author and illustrator dePaola is speaking directly to readers on these pages, passing on his own insight. His signature illustration style is so simple that it feels fresh. Thick outlines separate individual shapes, and the muted palette epitomizes softness. A single white lotus floats in a small pond on the final page, perhaps paying homage to contemplative practices such as mindfulness that encourage making space for quiet reflection in our busy lives. Children and grandfather have light skin, the girl with straight black hair and the boy with a curly red mop.
A lovely, simple reminder to pause and notice this life. (Picture book. 4-8)Pub Date: Oct. 9, 2018
ISBN: 978-1-4814-7754-3
Page Count: 32
Publisher: Simon & Schuster
Review Posted Online: June 25, 2018
Kirkus Reviews Issue: July 15, 2018
Categories: CHILDREN'S CONCEPTS | CHILDREN'S SCIENCE & TECHNOLOGY
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A grouchy sapling on a Christmas tree farm finds that there are better things than lights and decorations for its branches.
A Grinch among the other trees on the farm is determined never to become a sappy Christmas tree—and never to leave its spot. Its determination makes it so: It grows gnarled and twisted and needle-less. As time passes, the farm is swallowed by the suburbs. The neighborhood kids dare one another to climb the scary, grumpy-looking tree, and soon, they are using its branches for their imaginative play, the tree serving as a pirate ship, a fort, a spaceship, and a dragon. But in winter, the tree stands alone and feels bereft and lonely for the first time ever, and it can’t look away from the decorated tree inside the house next to its lot. When some parents threaten to cut the “horrible” tree down, the tree thinks, “Not now that my limbs are full of happy children,” showing how far it has come. Happily for the tree, the children won’t give up so easily, and though the tree never wished to become a Christmas tree, it’s perfectly content being a “trick or tree.” Martinez’s digital illustrations play up the humorous dichotomy between the happy, aspiring Christmas trees (and their shoppers) and the grumpy tree, and the diverse humans are satisfyingly expressive.
Just the thing for anyone with a Grinch-y tree of their own in the yard. (Picture book. 4-8)Pub Date: Aug. 6, 2019
ISBN: 978-1-4926-7335-4
Page Count: 32
Publisher: Sourcebooks Jabberwocky
Review Posted Online: July 14, 2019
Kirkus Reviews Issue: Aug. 1, 2019
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BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Ferry and the Fans portray a popular seasonal character’s unlikely friendship.
Initially, the protagonist is shown in his solitary world: “Scarecrow stands alone and scares / the fox and deer, / the mice and crows. / It’s all he does. It’s all he knows.” His presence is effective; the animals stay outside the fenced-in fields, but the omniscient narrator laments the character’s lack of friends or places to go. Everything changes when a baby crow falls nearby. Breaking his pole so he can bend, the scarecrow picks it up, placing the creature in the bib of his overalls while singing a lullaby. Both abandon natural tendencies until the crow learns to fly—and thus departs. The aabb rhyme scheme flows reasonably well, propelling the narrative through fall, winter, and spring, when the mature crow returns with a mate to build a nest in the overalls bib that once was his home. The Fan brothers capture the emotional tenor of the seasons and the main character in their panoramic pencil, ballpoint, and digital compositions. Particularly poignant is the close-up of the scarecrow’s burlap face, his stitched mouth and leaf-rimmed head conveying such sadness after his companion goes. Some adults may wonder why the scarecrow seems to have only partial agency, but children will be tuned into the problem, gratified by the resolution.
A welcome addition to autumnal storytelling—and to tales of traditional enemies overcoming their history. (Picture book. 4-6)Pub Date: Sept. 3, 2019
ISBN: 978-0-06-247576-3
Page Count: 40
Publisher: Harper/HarperCollins
Review Posted Online: May 8, 2019
Kirkus Reviews Issue: June 1, 2019
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