It’s got a few quirky bits, but it’s lackluster overall.

A DAY AT THE DINOSAUR MUSEUM

Pop-up dinosaurs, both fossilized and fully fleshed out, join Mesozoic contemporaries in a series of museum displays.

The single-topic spreads are up-to-date but designed to evoke the dusty atmosphere of old-style dinosaur halls (emphasizing this conceit, some are even labeled “Rooms”). They combine cramped blocks of information in smallish type with images of beasts and bones done in a style that resembles the faded naturalism of early-20th-century museum murals—or, in the “Fossil Room,” a desktop covered in paleontological notes with paper clips and coffee stains. Occasional inset spinners and attached booklets supply additional dino details. A tab-activated flipbook attempts to demonstrate tectonic drift, but readers have to go fairly slowly to assimilate it all, which blunts the effect. Amid pale silhouettes representing modern museum visitors, the prehistoric creatures, nearly all of which are small and drably colored, rear up individually or parade along in sedate, motley groups until a closing display and mention of genetic engineering promise a possible future with pet velociraptors.

It’s got a few quirky bits, but it’s lackluster overall. (Informational pop-up picture book. 7-9)

Pub Date: Sept. 26, 2017

ISBN: 978-0-7636-9687-0

Page Count: 14

Publisher: Candlewick

Review Posted Online: Sept. 18, 2017

Kirkus Reviews Issue: Dec. 1, 2017

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Despite choruses praising Ride’s persistence, her life is inexplicably portrayed as lacking struggle.

SALLY RIDE

From the She Persisted series

Sally Ride: from tennis-playing schoolgirl through astronaut and educator to entrepreneur.

Sally Ride stars in this entry to the chapter-book series spun off from Chelsea Clinton and Alexandra Boiger’s picture book She Persisted (2017). Long before she becomes the first woman to go to space, Sally is an athlete, a White girl born in California in 1951. She’s a tennis whiz but an inconsistent scholar, attending a prestigious private school on an athletic scholarship. Though the narrative a little ostentatiously tells readers that “Sally persisted,” the youth presented here—a child who rolls her eyes at boring teachers, a college student who drops out to play tennis, an excellent tennis player who “just did not enjoy” the effort of becoming a professional—shows the opposite. Sexism is alluded to, but no barriers are portrayed as blocking young Sally herself. Though her amazing achievements aren’t downplayed, the groundbreaking Sally Ride, in this telling, becomes simply someone who applied for a job and excelled once she liked what she was doing. Sally’s partner, Tam O’Shaughnessy, is mentioned as such, but the text avoids using any pronouns for O’Shaughnessy, which, along with her gender-neutral name, may leave many young readers ignorant that Ride silently broke sexuality barriers as well.

Despite choruses praising Ride’s persistence, her life is inexplicably portrayed as lacking struggle. (reading list, websites) (Biography. 7-9)

Pub Date: March 2, 2021

ISBN: 978-0-593-11592-3

Page Count: 80

Publisher: Philomel

Review Posted Online: Jan. 27, 2021

Kirkus Reviews Issue: Feb. 15, 2021

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Weirdly fascinating.

THE PIG WAR

HOW A PORCINE TRAGEDY TAUGHT ENGLAND AND AMERICA TO SHARE

“This is a true tale about two mighty nations, an ill-fated pig, and a most unusual war. It is also a story about sharing.”

That opening, in black, sans-serif lettering, is followed by further text that’s broken up by red-inked headings for date, setting, characters, and mood. Continuing a jaunty, lighthearted tone that proceeds throughout the text, it informs readers that the mood is “About to change, for the worse.” The verso sports an antique-looking map of the Western Hemisphere with a detail of San Juan—a Pacific Northwest coast island of, in 1859, ambiguous provenance inhabited both by British employees of the Hudson’s Bay Company and a few American settlers. (The original, Indigenous residents are relegated to a parenthetical mention in the author’s note and figure not at all in the story.) As the story begins, an American named Lyman Cutlar angrily kills Brit Charles Griffin’s pig as it eats from Cutlar’s potato patch. Cutlar apologizes and offers to pay for the pig but then refuses to pay Griffin’s exorbitant asking price. Enter authorities from both nations in an escalation that eventually involves scores of warships. When war seems inevitable, Gen. Winfield Scott is sent by President James Buchanan to mediate. The text is true to its introduction, and it also pursues the idea that hotheadedness leads to disastrous consequences. Vocabulary, verbosity, and content suit this for older elementary, independent readers. The storytelling goes a bit flat at the end, when Cutlar is mentioned but not Griffin. Colorful, stylized art against apparently distressed surfaces is an impeccable complement. (This book was reviewed digitally with 10-by-20-inch double-page spreads viewed at 42.6% of actual size.)

Weirdly fascinating. (photographs, timeline, resources, artist’s note) (Informational picture book. 7-9)

Pub Date: Nov. 10, 2020

ISBN: 978-1-68437-171-6

Page Count: 48

Publisher: Calkins Creek/Boyds Mills

Review Posted Online: Sept. 15, 2020

Kirkus Reviews Issue: Oct. 1, 2020

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