Good fun for all little ninjas and their parents.

NAUGHTY NINJA TAKES A BATH

After swinging out from the jungle after a long day of ninja-ing, Will makes his way home just in time for a bath. But as all ninjas know, danger lurks around every corner.

Even naughty ninjas get hungry, but Dad says, “Pee-yew,” and insists his little ninja get clean before going near a morsel. Ever the Naughty Ninja, Will follows his dad into the bathroom and immediately spies danger: Poisonous flies that have followed him from the jungle! As any parent would, his dad begs him not to say, “Ninja to the rescue,” because we all know what comes after a catchphrase…chaos! Through each increasingly rough rescue, Dad finds himself more and more defeated in his quest to complete bathtime, but ultimately he starts to find the infectious joy that only the ridiculousness of children can bring out in an adult. The art is bright and finds some nifty ninja perspectives that use the space well. It also places an interracial family at its center: Dad has brown skin and dark, puffy hair, and Mom is a white redhead; when out of his ninja cowl, Will looks like a slightly lighter-skinned version of his father. Kids will laugh at everything the dad is put through, and parents will knowingly nod, because we have all had nights with little ninjas soaking the bathroom floor. The book starts out a little text heavy but finds its groove quickly, reading smoothly going forward. Lots of action means it’s best not to save this one for bedtime.

Good fun for all little ninjas and their parents. (Picture book. 4-8)

Pub Date: Jan. 1, 2020

ISBN: 978-1-5420-9433-7

Page Count: 32

Publisher: Two Lions

Review Posted Online: Sept. 15, 2019

Kirkus Reviews Issue: Oct. 1, 2019

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A multilayered, endearing treasure of a day.

MY DAY WITH GONG GONG

Spending a day with Gong Gong doesn’t sound like very much fun to May.

Gong Gong doesn’t speak English, and May doesn’t know Chinese. How can they have a good day together? As they stroll through an urban Chinatown, May’s perpetually sanguine maternal grandfather chats with friends and visits shops. At each stop, Cantonese words fly back and forth, many clearly pointed at May, who understands none of it. It’s equally exasperating trying to communicate with Gong Gong in English, and by the time they join a card game in the park with Gong Gong’s friends, May is tired, hungry, and frustrated. But although it seems like Gong Gong hasn’t been attentive so far, when May’s day finally comes to a head, it is clear that he has. First-person text gives glimpses into May’s lively thoughts as they evolve through the day, and Gong Gong’s unchangingly jolly face reflects what could be mistaken for blithe obliviousness but is actually his way of showing love through sharing the people and places of his life. Through adorable illustrations that exude humor and warmth, this portrait of intergenerational affection is also a tribute to life in Chinatown neighborhoods: Street vendors, a busker playing a Chinese violin, a dim sum restaurant, and more all combine to add a distinctive texture. 

A multilayered, endearing treasure of a day. (glossary) (Picture book. 4-8)

Pub Date: Sept. 8, 2020

ISBN: 978-1-77321-429-0

Page Count: 36

Publisher: Annick Press

Review Posted Online: June 30, 2020

Kirkus Reviews Issue: July 15, 2020

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PIRATES DON'T TAKE BATHS

Echoes of Runaway Bunny color this exchange between a bath-averse piglet and his patient mother. Using a strategy that would probably be a nonstarter in real life, the mother deflects her stubborn offspring’s string of bath-free occupational conceits with appeals to reason: “Pirates NEVER EVER take baths!” “Pirates don’t get seasick either. But you do.” “Yeesh. I’m an astronaut, okay?” “Well, it is hard to bathe in zero gravity. It’s hard to poop and pee in zero gravity too!” And so on, until Mom’s enticing promise of treasure in the deep sea persuades her little Treasure Hunter to take a dive. Chunky figures surrounded by lots of bright white space in Segal’s minimally detailed watercolors keep the visuals as simple as the plotline. The language isn’t quite as basic, though, and as it rendered entirely in dialogue—Mother Pig’s lines are italicized—adult readers will have to work hard at their vocal characterizations for it to make any sense. Moreover, younger audiences (any audiences, come to that) may wonder what the piggy’s watery closing “EUREKA!!!” is all about too. Not particularly persuasive, but this might coax a few young porkers to get their trotters into the tub. (Picture book. 4-6)

Pub Date: March 1, 2011

ISBN: 978-0-399-25425-3

Page Count: 32

Publisher: Philomel

Review Posted Online: Jan. 26, 2011

Kirkus Reviews Issue: Feb. 1, 2011

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