After a Brooklyn teen is murdered, his sister and best friends set out to launch his rap career.
Stephon “Steph” Davis could’ve been one of the hottest emcees to come out of Brooklyn, just like his inspiration and fellow Bed-Stuy rapper, the Notorious B.I.G. Unfortunately, like Biggie, Steph was murdered. His grieving best friends, Quadir and Jarrell, discover a treasure trove of tapes and CDs of Steph’s music in his bedroom. With the help of Jasmine, his socially conscious sister, Quadir and Jarrell hatch a plan to promote Steph’s music. With lyrical finesse (penned for the novel by Sharif) and beats that can rock a party, Steph is “killing them while he’s dead.” Soon, Steph’s demo catches the attention of a well-known rep for a major record label who wants to meet hip-hop’s newest rising star. The three teens must keep up the charade while also trying to uncover the truth about his murder. Exceptional storytelling, well-crafted, true-to-life dialogue, and the richly drawn Brooklyn landscape will draw readers into this fast-paced blend of mystery, budding romance, and social commentary. Quadir, Jarrell, and Jasmine are endearing, tenacious, and memorable. Hip-hop lovers of all ages will appreciate this homage to rap legends from a bygone—but not forgotten—era.
Thoroughly engrossing and as infectious as Steph’s lyrics: a testament to the unbreakable bonds of friendship and a love letter to Brooklyn and hip-hop in the late ’90s. (Fiction. 13-18)Pub Date: May 21, 2019
ISBN: 978-0-06-284032-5
Page Count: 384
Publisher: Katherine Tegen/HarperCollins
Review Posted Online: Feb. 21, 2019
Kirkus Reviews Issue: March 15, 2019
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Engrossing, contemplative, and as heart-wrenching as the title promises.
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What would you do with one day left to live?
In an alternate present, a company named Death-Cast calls Deckers—people who will die within the coming day—to inform them of their impending deaths, though not how they will happen. The End Day call comes for two teenagers living in New York City: Puerto Rican Mateo and bisexual Cuban-American foster kid Rufus. Rufus needs company after a violent act puts cops on his tail and lands his friends in jail; Mateo wants someone to push him past his comfort zone after a lifetime of playing it safe. The two meet through Last Friend, an app that connects lonely Deckers (one of many ways in which Death-Cast influences social media). Mateo and Rufus set out to seize the day together in their final hours, during which their deepening friendship blossoms into something more. Present-tense chapters, short and time-stamped, primarily feature the protagonists’ distinctive first-person narrations. Fleeting third-person chapters give windows into the lives of other characters they encounter, underscoring how even a tiny action can change the course of someone else’s life. It’s another standout from Silvera (History Is All You Left Me, 2017, etc.), who here grapples gracefully with heavy questions about death and the meaning of a life well-lived.
Engrossing, contemplative, and as heart-wrenching as the title promises. (Speculative fiction. 13-adult).Pub Date: Sept. 5, 2017
ISBN: 978-0-06-245779-0
Page Count: 384
Publisher: HarperTeen
Review Posted Online: June 5, 2017
Kirkus Reviews Issue: June 15, 2017
Categories: TEENS & YOUNG ADULT FICTION | TEENS & YOUNG ADULT SOCIAL THEMES
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BOOK TO SCREEN
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.
17
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After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.
Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)Pub Date: Aug. 30, 2016
ISBN: 978-1-101-93471-5
Page Count: 416
Publisher: Delacorte
Review Posted Online: May 4, 2016
Kirkus Reviews Issue: May 15, 2016
Categories: TEENS & YOUNG ADULT FICTION | TEENS & YOUNG ADULT SOCIAL THEMES
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