THE IRON WOMAN

A gigantic Iron Woman rises out of a swamp in order to destroy a factory that is poisoning rivers and killing fish. She befriends Lucy, whose father works at the factory, and who is therefore anxious to find a less violent way to stop the pollution of the environment. Lucy enlists the help of the Iron Man (from The Iron Giant, 1988). He and Iron Woman turn the men who work at the factory into fish so they will learn what it's like to live in poisoned water. The scenes of transformation are followed by a bewildering chain of supernatural events that is finally resolved in a utopian ending (in a place where industrial waste turns magically into fuel). At the service of a primitively moralizing theme, Hughes puts a sophisticated descriptive apparatus capable of producing subtle atmospheric effects and delicate metaphors. Punctuating the novel are Moser's black-and-white engravings, a welcome addition to Hughes's verbal images, but with few pictures and even fewer conversations, the book makes for slow reading. The plot is dwarfed by extended metaphors that constitute the central thread of the novel (the Iron Woman rising from the mud, the men turning into fish). These images are evocative enough, but the bluntness with which they all point to the same unimaginative moralprotect the environment!makes them hard to swallow. (Fiction. 10+)

Pub Date: Sept. 1, 1995

ISBN: 0-8037-1796-2

Page Count: 103

Publisher: Dial Books

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Aug. 1, 1995

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A YEAR DOWN YONDER

From the Grandma Dowdel series , Vol. 2

Set in 1937 during the so-called “Roosevelt recession,” tight times compel Mary Alice, a Chicago girl, to move in with her grandmother, who lives in a tiny Illinois town so behind the times that it doesn’t “even have a picture show.”

This winning sequel takes place several years after A Long Way From Chicago (1998) leaves off, once again introducing the reader to Mary Alice, now 15, and her Grandma Dowdel, an indomitable, idiosyncratic woman who despite her hard-as-nails exterior is able to see her granddaughter with “eyes in the back of her heart.” Peck’s slice-of-life novel doesn’t have much in the way of a sustained plot; it could almost be a series of short stories strung together, but the narrative never flags, and the book, populated with distinctive, soulful characters who run the gamut from crazy to conventional, holds the reader’s interest throughout. And the vignettes, some involving a persnickety Grandma acting nasty while accomplishing a kindness, others in which she deflates an overblown ego or deals with a petty rivalry, are original and wildly funny. The arena may be a small hick town, but the battle for domination over that tiny turf is fierce, and Grandma Dowdel is a canny player for whom losing isn’t an option. The first-person narration is infused with rich, colorful language—“She was skinnier than a toothpick with termites”—and Mary Alice’s shrewd, prickly observations: “Anybody who thinks small towns are friendlier than big cities lives in a big city.”

Year-round fun. (Fiction. 11-13)

Pub Date: Oct. 1, 2000

ISBN: 978-0-8037-2518-8

Page Count: 144

Publisher: Dial Books

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Sept. 15, 2000

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THE CLAY MARBLE

Drawing on her experience with a relief organization on the Thai border, Ho tells the story of a Cambodian family, fleeing the rival factions of the 80's while hoping to gather resources to return to farming in their homeland. Narrator Dara, 12, and the remnants of her family have arrived at a refugee camp soon after her father's summary execution. At first, the camp is a haven: food is plentiful, seed rice is available, and they form a bond with another family- -brother Sarun falls in love with Nea, and Dara makes friends with Nea's cousin, Jantu, who contrives marvelous toys from mud and bits of scrap; made wise by adversity, Jantu understands that the process of creation outweighs the value of things, and that dead loved ones may live on in memory. The respite is brief: Vietnamese bombing disrupts the camp, and the family is temporarily but terrifyingly separated. Later, Jantu is wounded by friendly fire and doesn't survive; but her tragic death empowers Dara to confront Sarun, who's caught up in mindless militarism instigated by a charismatic leader, and persuade him to travel home with the others—to plant rice and build a family instead of waging war. Again, Ho (Rice Without Rain, 1990) skillfully shapes her story to dramatize political and humanitarian issues. The easily swayed Sarun lacks dimension, but the girls are more subtly drawn—Dara's growing courage and assertiveness are especially convincing and admirable. Touching, authentic, carefully wrought- -and with an unusually appealing jacket. (Fiction. 11-15)

Pub Date: Oct. 1, 1991

ISBN: 0-374-31340-7

Page Count: 163

Publisher: Farrar, Straus and Giroux

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Oct. 1, 1991

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