Impressive world-building, breathtaking action and clear philosophical concerns make this volume, the beginning of a planned...

THE HUNGER GAMES

From the Hunger Games series , Vol. 1

Katniss Everdeen is a survivor.

She has to be; she’s representing her District, number 12, in the 74th Hunger Games in the Capitol, the heart of Panem, a new land that rose from the ruins of a post-apocalyptic North America. To punish citizens for an early rebellion, the rulers require each district to provide one girl and one boy, 24 in all, to fight like gladiators in a futuristic arena. The event is broadcast like reality TV, and the winner returns with wealth for his or her district. With clear inspiration from Shirley Jackson’s “The Lottery” and the Greek tale of Theseus, Collins has created a brilliantly imagined dystopia, where the Capitol is rich and the rest of the country is kept in abject poverty, where the poor battle to the death for the amusement of the rich. However, poor copyediting in the first printing will distract careful readers—a crying shame. [Note: Errors have been corrected in subsequent printings, so we are now pleased to apply the Kirkus star.]

Impressive world-building, breathtaking action and clear philosophical concerns make this volume, the beginning of a planned trilogy, as good as The Giver and more exciting. (Science fiction. 11 & up)

Pub Date: Oct. 1, 2008

ISBN: 978-0-439-02348-1

Page Count: 394

Publisher: Scholastic

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Sept. 1, 2008

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An immersive tale of brave, vulnerable teens facing threats both real and fantastic.

ALL OUR HIDDEN GIFTS

An Irish teen grapples with past misdeeds and newfound ties to magic.

When 16-year-old Maeve discovers a deck of tarot cards stashed with a mixtape of moody indie music from 1990, she starts giving readings for her classmates at her all-girls private school. Though her shame over dumping her strange friend Lily during an attempt to climb the social ladder at St. Bernadette’s is still palpable, it doesn’t stop her from trying to use the tarot in her favor to further this goal. However, after speaking harsh words to Lily during a reading, Maeve is horrified when her former friend later disappears. As she struggles to understand the forces at play within her, classmate Fiona proves to be just the friend Maeve needs. Detailed, interesting characters carry this contemporary story of competing energy and curses. Woven delicately throughout are chillingly eerie depictions of the Housekeeper, a figure who shows up on an extra card in the deck, echoing the White Lady legend from Irish folklore. Even more disturbing is an organization of young people led by a homophobic but charismatic figurehead intent on provoking backlash against Ireland’s recent civil rights victories. Most characters are White; Fiona is biracial, with a Filipina mother and White Irish father. Roe, Maeve’s love interest and Lily’s sibling, is a bisexual, genderqueer person who is a target for intolerance in their small city of Kilbeg.

An immersive tale of brave, vulnerable teens facing threats both real and fantastic. (Paranormal. 14-18)

Pub Date: June 8, 2021

ISBN: 978-1-5362-1394-2

Page Count: 384

Publisher: Walker US/Candlewick

Review Posted Online: Dec. 10, 2020

Kirkus Reviews Issue: Jan. 1, 2021

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Engrossing, contemplative, and as heart-wrenching as the title promises.

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THEY BOTH DIE AT THE END

What would you do with one day left to live?

In an alternate present, a company named Death-Cast calls Deckers—people who will die within the coming day—to inform them of their impending deaths, though not how they will happen. The End Day call comes for two teenagers living in New York City: Puerto Rican Mateo and bisexual Cuban-American foster kid Rufus. Rufus needs company after a violent act puts cops on his tail and lands his friends in jail; Mateo wants someone to push him past his comfort zone after a lifetime of playing it safe. The two meet through Last Friend, an app that connects lonely Deckers (one of many ways in which Death-Cast influences social media). Mateo and Rufus set out to seize the day together in their final hours, during which their deepening friendship blossoms into something more. Present-tense chapters, short and time-stamped, primarily feature the protagonists’ distinctive first-person narrations. Fleeting third-person chapters give windows into the lives of other characters they encounter, underscoring how even a tiny action can change the course of someone else’s life. It’s another standout from Silvera (History Is All You Left Me, 2017, etc.), who here grapples gracefully with heavy questions about death and the meaning of a life well-lived.

Engrossing, contemplative, and as heart-wrenching as the title promises. (Speculative fiction. 13-adult).

Pub Date: Sept. 5, 2017

ISBN: 978-0-06-245779-0

Page Count: 384

Publisher: HarperTeen

Review Posted Online: June 5, 2017

Kirkus Reviews Issue: June 15, 2017

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