RIN TIN TIN

THE LIFE AND THE LEGEND

New Yorker staff writer Orlean (My Kind of Place: Travel Stories from a Woman Who's Been Everywhere, 2004, etc.) follows the long and curious trail of the celebrity dog born on a World War I battlefield.

The author, who has written a cookbook for dogs (Throw Me a Bone, 2007) and about obsessiveness (The Orchid Thief, 1999), combines all her skills and passions in this astonishing story of Lee Duncan (1893–1960), a young American soldier and dog-lover who found the German shepherd puppy that became Rin Tin Tin (Rinty) in France, got the dog home and spent the rest of his life training and promoting Rinty, breeding other German shepherds and living with the belief of Rinty’s immortality. (Rinty XI now lives in Oklahoma.) Orlean—who belongs to the generation that remembers the cry “Yo ho, Rinty!” from the popular The Adventures of Rin-Tin-Tin, which premiered in 1954 and ran for 164 episodes—recalls that her grandfather kept on his desk a little Rinty figure. But the author is not interested only in the dog. She also provides the biography of Duncan, as well as Bert Leonard, writer and producer, and she includes interviews with Duncan’s daughter, the current keeper of the latest Rinty and scores of others. The author tells the story of silent films (where Rinty began his career), the transition to talkies and to color, the rise of television, the popularity of dog ownership in America (especially of German shepherds and collies—because of Lassie) and the evolving tastes of American youth. For years, Orlean chased Rinty—even to his grave in Paris—and by the end, began to question her sanity. Although occasionally excessive in its claims for the ultimate significance of it all, a terrific dog’s tale that will make readers sit up and beg for more.

 

Pub Date: Oct. 4, 2011

ISBN: 978-1-4391-9013-5

Page Count: 288

Publisher: Simon & Schuster

Review Posted Online: June 28, 2011

Kirkus Reviews Issue: July 1, 2011

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If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

THE 48 LAWS OF POWER

The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 1998

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The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

NIGHT

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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