A pleasure for music fans and one of the best entertainment memoirs in recent years.



The amiable musician delivers a suitably good-natured account of a long life in show business.

“Contrary to popular scientific rumor, the Big Bang that gave birth to the universe did not happen ten million years ago. It happened on February 9, 1964.” So writes Van Zandt, who, like so many other of his generation, picked up a guitar after the Beatles made their U.S. debut on the Ed Sullivan Show. He had been priming himself for the moment, after which he became a connoisseur of all the things that led him to switch religions from Christianity to “Rock and Roll Pagan.” That devotion brought him into the orbit of a tough kid named Bruce Springsteen, to whom he became a Sancho Panza, always on hand to deliver opinions that, the author admits, weren’t always spot-on. For example, he hated “Dancing in the Dark” and its “terrible video,” but he allows that it sparked a new superstar phase in Springsteen’s career that would “pay my rent for quite a while.” It’s not the only disagreement with Springsteen that he recounts, but it’s clear that while not always being in concord, the two are blood brothers. Of interest to fans of The Sopranos are Van Zandt’s behind-the-screen notes on how the series came about despite the long odds and, in particular, how he came to occupy the role of Silvio Dante, which he had written independently. Of the stereotypical Mafia tropes and the controversy surrounding them, the author is of the fuggedaboudit mold: “Other than the obvious jail-and-death part, I never really had a problem with Mob stuff.” Van Zandt seldom has an unkind word, and when he does, it’s usually about inflated rock-star egotism. Otherwise, his spry autobiography reveals him to be a politically committed music lover who can’t get enough of the British Invasion and the blues.

A pleasure for music fans and one of the best entertainment memoirs in recent years.

Pub Date: Sept. 28, 2021

ISBN: 978-0-306-92542-9

Page Count: 256

Publisher: Hachette

Review Posted Online: June 23, 2021

Kirkus Reviews Issue: July 15, 2021

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A solid work of investigation that, while treading well-covered ground, offers plenty of surprises.

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An account of the last gasps of the Trump administration, completing a trilogy begun with Fear (2018) and Rage (2020).

One of Woodward and fellow Washington Post reporter Costa’s most memorable revelations comes right away: Gen. Mark Milley, chairman of the Joint Chiefs of Staff, calling his counterpart in Beijing to assure him that even after Jan. 6 and what Milley saw as an unmistakable attempt at a coup d’état, he would keep Trump from picking a war with China. This depiction has earned much attention on the talking-heads news channels, but more significant is its follow-up: Milley did so because he was concerned that Trump “might still be looking for what Milley called a ‘Reichstag moment.’ ” Milley emerges as a stalwart protector of the Constitution who constantly courted Trump’s ire and yet somehow survived without being fired. No less concerned about Trump’s erratic behavior was Paul Ryan, the former Speaker of the House, who studied the psychiatric literature for a big takeaway: “Do not humiliate Trump in public. Humiliating a narcissist risked real danger, a frantic lashing out if he felt threatened or criticized.” Losing the 2020 election was one such humiliation, and Woodward and Costa closely track the trajectory of Trump’s reaction, from depression to howling rage to the stubborn belief that the election was rigged. There are a few other modest revelations in the book, including the fact that Trump loyalist William Barr warned him that the electorate didn’t like him. “They just think you’re a fucking asshole,” Barr told his boss. That was true enough, and the civil war that the authors recount among various offices in the White House and government reveals that Trump’s people were only ever tentatively his. All the same, the authors note, having drawn on scores of “deep background” interviews, Trump still has his base, still intends vengeance by way of a comeback, and still constitutes the peril of their title.

A solid work of investigation that, while treading well-covered ground, offers plenty of surprises.

Pub Date: Sept. 21, 2021

ISBN: 978-1-982182-91-5

Page Count: 512

Publisher: Simon & Schuster

Review Posted Online: Sept. 24, 2021

Kirkus Reviews Issue: Oct. 15, 2021

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If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.


The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 1998

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