A love letter to fans who will forgive (and even revel in) its excesses and indulgences.

MIDNIGHT SUN

From the Twilight series , Vol. 5

A long-awaited Twilight (2005) companion novel told from vampire Edward’s point of view.

Edward Cullen, a 104-year-old vampire (and eternal 17-year-old), finds his world turned upside down when new girl Bella Swan’s addictive scent drives a primal hunger, launching the classic story of vampire-meets-girl, vampire-wants-to-eat-girl, vampire-falls-in-love-with-girl. Edward’s broody inner monologue allows readers to follow every beat of his falling in love. The glacial pace and already familiar plot points mean that instead of surprise twists, characterization reigns. Meyer doesn’t shy away from making Edward far less sympathetic than Bella’s view of him (and his mind reading confirms that Bella’s view of him isn’t universal). Bella benefits from being seen without the curtain of self-deprecation from the original book, as Edward analyzes her every action for clues to her personality. The deeper, richer characterization of the leads comes at the expense of the secondary cast, who (with a few exceptions) alternate primarily along gender lines, between dimwitted buffoons and jealous mean girls. Once the vampiric threat from James’ storyline kicks off, vampire maneuvering and strategizing show off the interplay of the Cullens’ powers in a fresh way. After the action of the climax starts in earnest, though, it leans more into summary and monologue to get to the well-known ending. Aside from the Quileutes and the occasional background character, the cast defaults to White.

A love letter to fans who will forgive (and even revel in) its excesses and indulgences. (Paranormal romance. 12-adult)

Pub Date: Aug. 4, 2020

ISBN: 978-0-316-70704-6

Page Count: 672

Publisher: Little, Brown

Review Posted Online: Aug. 8, 2020

Kirkus Reviews Issue: Sept. 1, 2020

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Grimly plainly worked hard, but, as the title indicates, the result serves his own artistic vision more than Mary Shelley’s.

GRIS GRIMLY'S FRANKENSTEIN

A slightly abridged graphic version of the classic that will drive off all but the artist’s most inveterate fans.

Admirers of the original should be warned away by veteran horror artist Bernie Wrightson’s introductory comments about Grimly’s “wonderfully sly stylization” and the “twinkle” in his artistic eye. Most general readers will founder on the ensuing floods of tiny faux handwritten script that fill the opening 10 pages of stage-setting correspondence (other lengthy letters throughout are presented in similarly hard-to-read typefaces). The few who reach Victor Frankenstein’s narrative will find it—lightly pruned and, in places, translated into sequences of largely wordless panels—in blocks of varied length interspersed amid sheaves of cramped illustrations with, overall, a sickly, greenish-yellow cast. The latter feature spidery, often skeletal figures that barrel over rough landscapes in rococo, steampunk-style vehicles when not assuming melodramatic poses. Though the rarely seen monster is a properly hard-to-resolve jumble of massive rage and lank hair, Dr. Frankenstein looks like a decayed Lyle Lovett with high cheekbones and an errant, outsized quiff. His doomed bride, Elizabeth, sports a white lock à la Elsa Lanchester, and decorative grotesqueries range from arrangements of bones and skull-faced flowers to bunnies and clownish caricatures.

Grimly plainly worked hard, but, as the title indicates, the result serves his own artistic vision more than Mary Shelley’s. (Graphic classic. 14 & up)

Pub Date: Aug. 27, 2013

ISBN: 978-0-06-186297-7

Page Count: 208

Publisher: Balzer + Bray/HarperCollins

Review Posted Online: July 3, 2013

Kirkus Reviews Issue: July 15, 2013

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An inventive, character-driven twist breathes new life into tired fantasy trends.

RED QUEEN

From the Red Queen series , Vol. 1

Amid a war and rising civil unrest, a young thief discovers the shocking power within her that sparks a revolution.

At 17, Mare knows that without an apprenticeship or job, her next birthday will bring a conscription to join the war. She contributes to her poor family’s income the only way she can, stealing from the Silvers, who possess myriad powers and force her and her fellow Reds into servitude. The Silvers literally bleed silver, and they can manipulate metal, plants and animals, among many other talents. When Mare’s best friend, Kilorn, loses his job and is doomed to conscription, she is determined to change his fate. She stumbles into a mysterious stranger after her plan goes awry and is pulled out of her village and into the world of Silver royalty. Once inside the palace walls, it isn’t long before Mare learns that powers unknown to red-blooded humans lie within her, powers that could lead a revolution. Familiar tropes abound. Mare is revealed as a great catalyst for change among classes and is groomed from rags to riches, and of course, seemingly kind characters turn out to be foes. However, Aveyard weaves a compelling new world, and Mare and the two men in her life evolve intriguingly as class tension rises. Revolution supersedes romance, setting the stage for action-packed surprises.

An inventive, character-driven twist breathes new life into tired fantasy trends. (Fantasy. 13 & up)

Pub Date: Feb. 10, 2015

ISBN: 978-0-06-231063-7

Page Count: 400

Publisher: HarperTeen

Review Posted Online: Nov. 11, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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