Fans will blissfully revel in the intimate if restlessly delivered details in this perceptive memoir.

THE BEAUTY OF LIVING TWICE

The celebrated actor reflects on a life of success, activism, and cleansing self-discovery.

Stone (b. 1958) begins in the hospital in 2001, when a severe brain injury nearly ended her life. She then backtracks to her youth growing up with three siblings in the “snowbelt” of northwestern Pennsylvania. She excelled at school but distanced herself from an aloof, damaged mother, a woman who never had a chance “to imagine a life where she could be whatever she chose.” As a teenager, Stone waited tables while entering local beauty pageants, which led to Manhattan modeling jobs and a move to Hollywood in the early 1980s. The author breaks down her iconic roles in Basic Instinct and Casino. Regarding the controversial interrogation scene in the former, she writes, “there have been many points of view…but since I’m the one with the vagina in question, let me say: the other points of view are bullshit.” While sharing a host of madcap episodes throughout an eventful life, she also proudly describes her impressive “life of service,” her Buddhist faith, and the adoptions of three sons. She also contributes juicier stories about co-hosting the 2008 Cannes Film Festival with Madonna and the controversy that erupted following a stray comment to reporters. Stone then moves on to her “second life,” when she endured “the loss of all things we call dear,” including her father, marriage, health, and financial security. Though the memoir is unevenly, frenetically narrated, that will only deter readers unfamiliar with Stone’s persona. Delivering a barrage of self-reflective anecdotes, she is consistently candid, alternatingly tender and feisty, and always witty. In conclusion, Stone offers thoughts on wisdom, modesty, and vulnerability as well as some startling admissions about “being sexually abused throughout my life.” Encouragingly, Stone has reconciled with her mother. “Today,” she writes, “my mother and I are at the beginning of our relationship.”

Fans will blissfully revel in the intimate if restlessly delivered details in this perceptive memoir.

Pub Date: March 30, 2021

ISBN: 978-0-525-65676-0

Page Count: 256

Publisher: Knopf

Review Posted Online: March 21, 2021

Kirkus Reviews Issue: April 1, 2021

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If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

THE 48 LAWS OF POWER

The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 1998

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A self-aware confessional from a successful and controversial musician.

REMEMBERINGS

The Grammy-winning Irish singer/songwriter looks back on her eventful life.

Promising candor and clarity, O’Connor (b. 1966) opens with a caveat that her story only details lucid periods of her life when she was psychologically “present.” Omitting hazy years in which she drifted off “somewhere else inside myself”—material some readers may wish she included—the author shares pivotal milestones (raising four children) and entertaining anecdotes. O’Connor vividly recalls an abusive Catholic childhood in Dublin with a cruel, unstable mother. As a rebellious teenager, she was sent to a reform asylum, where her love for music became the ultimate refuge, leading to band gigs and eventually a record deal in London in 1985. The Lion and the Cobra achieved gold status, and O’Connor describes the development of her persona: shaved head, baggy clothing, and stormy, antagonistic, always forthright demeanor. The author addresses her mental health challenges and experimentation with sex and drugs (“In the locked ward where they put you if you’re suicidal, there’s more class A drugs than in Shane MacGowan’s dressing room”) as well as two iconic moments in her career: her smash-hit cover of the Prince-penned “Nothing Compares 2 U” and her notorious performance on Saturday Night Live in 1992, when she ripped up a photo of Pope John Paul II. “A lot of people say or think that tearing up the pope’s photo derailed my career. That’s not how I feel about it,” she writes. Rather, it allowed her to return to her roots as a live performer instead of remaining on the pop-star trajectory (“you have to be a good girl for that”). In cathartic sections, O’Connor considers the era leading up to that appearance as a personal death, with the years following a kind of “rebirth.” Though she touches on her agoraphobia and later psychological issues, with which many of her fans will be familiar, the final third of the memoir sputters somewhat, growing less revelatory than earlier passages.

A self-aware confessional from a successful and controversial musician.

Pub Date: June 1, 2021

ISBN: 978-0-358-42388-1

Page Count: 304

Publisher: Houghton Mifflin Harcourt

Review Posted Online: March 31, 2021

Kirkus Reviews Issue: April 15, 2021

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