Will no doubt appeal to those fans who think that period clothes and happy romantic endings constitute an authentic...

MIDNIGHT IN AUSTENLAND

In a sequel to her bestselling Austenland (2007, etc.), Hale sends another 21st-century American to play Regency heroine at Pembrook Park.

Charlotte Kinder could certainly use a vacation at the English estate that promises its female visitors the complete Jane Austen experience, right down to the corsets and attentive gentlemen (actors) to provide a chaste 19th-century romance during their two-week stay. Husband James has taken up with another woman, leaving Charlotte’s self-confidence and self-esteem shattered despite the millions she’s made as the creator of a web-based landscaping business. Post-divorce, while the kids spend time with their father and his fiancée, Charlotte heads for Kent, where she finds a house full of male “eye candy” and other guests recovering from modern traumas. “Miss Charming” (the ladies all take Austenish sobriquets) has also been dumped by a cheating spouse; “Miss Gardenside” is a recognizable 20-year-old pop star whose case of “consumption” masks the symptoms of drug withdrawal. Charlotte (“Mrs. Cordial”) finds her designated Romantic Interest, Mr. Mallery, pleasingly smoldering, and she grows very fond of Eddie, who is playing her brother while paying suit to Miss Gardenside. The agreeable pretend mystery set up for the guests turns disagreeably real when Charlotte stumbles on a body while playing Bloody Murder. The body vanishes, but resourceful Charlotte eventually finds it again and identifies the miscreant, even as flashbacks fill in the details of her failed marriage and her lifelong failure to stand up for herself. Of course, she finally tells off rotten James and finds true love with a handsome actor happy to be her real-life Romantic Interest. A smartly plotted mystery somewhat compensates for the fact that Charlotte’s psychological problems are entirely predictable, the rest of the characters sketchily portrayed and the arch narration a huge comedown from the real Jane’s sharp, sardonic tone.

Will no doubt appeal to those fans who think that period clothes and happy romantic endings constitute an authentic re-creation of Austen’s hard-edged novels.

Pub Date: Feb. 1, 2012

ISBN: 978-1-60819-625-8

Page Count: 288

Publisher: Bloomsbury

Review Posted Online: Dec. 5, 2011

Kirkus Reviews Issue: Dec. 15, 2011

Did you like this book?

No Comments Yet

Miller makes Homer pertinent to women facing 21st-century monsters.

Our Verdict

  • Our Verdict
  • GET IT

  • Kirkus Reviews'
    Best Books Of 2018

  • New York Times Bestseller

CIRCE

A retelling of ancient Greek lore gives exhilarating voice to a witch.

“Monsters are a boon for gods. Imagine all the prayers.” So says Circe, a sly, petulant, and finally commanding voice that narrates the entirety of Miller’s dazzling second novel. The writer returns to Homer, the wellspring that led her to an Orange Prize for The Song of Achilles (2012). This time, she dips into The Odyssey for the legend of Circe, a nymph who turns Odysseus’ crew of men into pigs. The novel, with its distinctive feminist tang, starts with the sentence: “When I was born, the name for what I was did not exist.” Readers will relish following the puzzle of this unpromising daughter of the sun god Helios and his wife, Perse, who had negligible use for their child. It takes banishment to the island Aeaea for Circe to sense her calling as a sorceress: “I will not be like a bird bred in a cage, I thought, too dull to fly even when the door stands open. I stepped into those woods and my life began.” This lonely, scorned figure learns herbs and potions, surrounds herself with lions, and, in a heart-stopping chapter, outwits the monster Scylla to propel Daedalus and his boat to safety. She makes lovers of Hermes and then two mortal men. She midwifes the birth of the Minotaur on Crete and performs her own C-section. And as she grows in power, she muses that “not even Odysseus could talk his way past [her] witchcraft. He had talked his way past the witch instead.” Circe’s fascination with mortals becomes the book’s marrow and delivers its thrilling ending. All the while, the supernatural sits intriguingly alongside “the tonic of ordinary things.” A few passages coil toward melodrama, and one inelegant line after a rape seems jarringly modern, but the spell holds fast. Expect Miller’s readership to mushroom like one of Circe’s spells.

Miller makes Homer pertinent to women facing 21st-century monsters.

Pub Date: April 10, 2018

ISBN: 978-0-316-55634-7

Page Count: 400

Publisher: Little, Brown

Review Posted Online: Jan. 23, 2018

Kirkus Reviews Issue: Feb. 1, 2018

Did you like this book?

With frank language and patient plotting, this gangly teen crush grows into a confident adult love affair.

LOVE AND OTHER WORDS

Eleven years ago, he broke her heart. But he doesn’t know why she never forgave him.

Toggling between past and present, two love stories unfold simultaneously. In the first, Macy Sorensen meets and falls in love with the boy next door, Elliot Petropoulos, in the closet of her dad’s vacation home, where they hide out to discuss their favorite books. In the second, Macy is working as a doctor and engaged to a single father, and she hasn’t spoken to Elliot since their breakup. But a chance encounter forces her to confront the truth: what happened to make Macy stop speaking to Elliot? Ultimately, they’re separated not by time or physical remoteness but by emotional distance—Elliot and Macy always kept their relationship casual because they went to different schools. And as a teen, Macy has more to worry about than which girl Elliot is taking to the prom. After losing her mother at a young age, Macy is navigating her teenage years without a female role model, relying on the time-stamped notes her mother left in her father’s care for guidance. In the present day, Macy’s father is dead as well. She throws herself into her work and rarely comes up for air, not even to plan her upcoming wedding. Since Macy is still living with her fiance while grappling with her feelings for Elliot, the flashbacks offer steamy moments, tender revelations, and sweetly awkward confessions while Macy makes peace with her past and decides her future.

With frank language and patient plotting, this gangly teen crush grows into a confident adult love affair.

Pub Date: April 10, 2018

ISBN: 978-1-5011-2801-1

Page Count: 416

Publisher: Gallery Books/Simon & Schuster

Review Posted Online: Jan. 23, 2018

Kirkus Reviews Issue: Feb. 1, 2018

Did you like this book?

more