A journey into familiar territory with a skilled guide; but here’s hoping that future trips head into the unknown.

WHERE THE DROWNED GIRLS GO

In the seventh Wayward Children tale, students plan to escape from a brutal institution designed to crush the magic out of them.

Cora, a strong swimmer constantly tormented by her peers for her weight, went through an underwater door to the Trenches, a magical undersea world where she was a mermaid and a hero, valued for her bulk and her strength. But a whirlpool spat her out again into our world, leaving her bereft. Eleanor West’s Home for Wayward Children brought her among other young people who had traveled through a door and returned here, often unwillingly. Cora then passed through another door leading to the creepy world of the Moors, where the sinister Drowned Gods claimed her for their own. Even back at the school, Cora can’t block out their voices or deny their marks on her skin, so she makes the desperate choice to switch to the Whitethorn Institute, which, rather than helping children while they wait for their doors to reappear, encourages them to reject their magical pasts and accept this world as home. Sadly, Cora almost immediately understands that Whitethorn’s philosophy is less about giving its students the strength to move on with their lives and more about breaking their spirits and ruthlessly molding them into a miserable conformity. But dropping out isn’t an option the school offers, and Cora and her friends realize that Whitethorn has more than mundane means at its disposal to keep them there. McGuire’s themes—let people be themselves and don’t treat being fat as some kind of moral failing or physical issue that’s easily addressed—won’t surprise readers of this series and her other works, but her usual arguments remain sound, and she tells a good story. There are also some deeply chilling moments in the experiences of the other students, particularly in the case of a girl cursed by the Rat King to shrink into a nameless rat.

A journey into familiar territory with a skilled guide; but here’s hoping that future trips head into the unknown.

Pub Date: Jan. 4, 2022

ISBN: 978-1-250-21362-4

Page Count: 160

Publisher: Tordotcom

Review Posted Online: Oct. 27, 2021

Kirkus Reviews Issue: Nov. 15, 2021

Did you like this book?

No Comments Yet

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Reader Votes

  • Readers Vote
  • 70

Our Verdict

  • Our Verdict
  • GET IT

  • New York Times Bestseller

DEVOLUTION

Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z (2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 10, 2020

Kirkus Reviews Issue: March 1, 2020

Did you like this book?

Combine Straub's usual warmth and insight with the fun of time travel and you have a winner.

THIS TIME TOMORROW

A woman who's been drifting through life wakes up the morning after her 40th birthday to discover that she's just turned 16 again.

Alice Stern wouldn't say she's unhappy. She lives in a studio apartment in Brooklyn; has a job in the admissions office of the Upper West Side private school she attended as a kid; still hangs out with Sam, her childhood best friend; and has a great relationship with her father, Leonard, the famous author of a time-travel novel, Time Brothers. Alice's mother left her and Leonard when Alice was a kid, and father and daughter formed a tight, loving unit along with their freakishly long-lived cat, Ursula. But now Leonard is in a coma, and as she visits him in the hospital every day, Alice is forced to reckon with her life. After a drunken birthday evening with Sam, Alice returns to her childhood house on Pomander Walk, a one-block-long gated street running between two avenues on the UWS—but when she wakes up the next morning, she hears Leonard in the kitchen and finds herself heading off to SAT tutoring and preparing for her 16th birthday party that night. Straub's novel has echoes of Thornton Wilder's play Our Town: Every prosaic detail of her earlier life is almost unbearably poignant to Alice, and the chance to spend time with her father is priceless. As she moves through her day, she tries to figure out how to get back to her life as a 40-year-old and whether there's anything she can do in the past to improve her future—and save her father's life. As always, Straub creates characters who feel fully alive, exploring the subtleties of their thoughts, feelings, and relationships. It's hard to say more without giving away the delightful surprises of the book's second half, but be assured that Straub's time-travel shenanigans are up there with Kate Atkinson's Life After Life and the TV show Russian Doll.

Combine Straub's usual warmth and insight with the fun of time travel and you have a winner.

Pub Date: May 17, 2022

ISBN: 978-0-525-53900-1

Page Count: 320

Publisher: Riverhead

Review Posted Online: April 13, 2022

Kirkus Reviews Issue: May 1, 2022

Did you like this book?

more