Classic (in more senses than one) Turow.

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IDENTICAL

Much-practiced legal proceduralist Turow (Innocent, 2010, etc.) steps onto Joseph Campbell turf in his latest mystery.

Turf is everything in the world Zeus Kronon—a charged name, that—has carved out for himself in Kindle County, turf that, of course, figures in Turow’s oeuvre as Yoknapatawpha County figures in Faulkner’s. Rolling in drachmas, he has just one problem: a wild maenad of a daughter, full name Aphrodite (“There have not been many occasions he has seen Dita when she is not smashed”), who has eyes not just for one of a pair of twin brothers, Paul and Cass Gianis, but both. That spells trouble, as twins in mythology always do. Fast-forward a few decades. Cass has been doing time for her murder, while Paul, “followed by two scrubbed young underlings,” re-enters the scene as a legal whiz and rising politico. Enter the Sapphic former FBI agent Evon Miller, who, working for real estate magnate Hal (that is, Herakles) Kronon—and who minds mixing Shakespeare with Aeschylus?—is determined to get to the bottom of whether Cass or Paul did poor Dita in so brutally. It would spoil the story to do more here than whisper the name Medea in what she eventually turns up. Turow has obvious fun with his mythological conceit, giving, for instance, a local GOP power the sonorous, if unlikely, name Perfectus Elder; and if sometimes the joke wears a little thin, the process of discovery takes nice and sometimes unexpected twists. Amid the supermodernity of DNA tests, the austerity of case law and the tangles of contemporary politics (Hal, horrors, even threatening to vote for Obama), Turow never loses sight of the ancient underpinnings of his story, with a conclusion that places Hal, Zeus, Hermione and Aphrodite in the vicinity of Olympus, their true neighborhood.  

Classic (in more senses than one) Turow.

Pub Date: Oct. 16, 2013

ISBN: 978-1-455-52720-5

Page Count: 416

Publisher: Grand Central Publishing

Review Posted Online: April 27, 2013

Kirkus Reviews Issue: June 1, 2013

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A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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DEVOLUTION

Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z (2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 10, 2020

Kirkus Reviews Issue: March 1, 2020

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Assembly-line legal thriller: flat characters, lame scene-setting, and short but somehow interminable action: a lifeless...

SPLIT SECOND

Two defrocked Secret Service Agents investigate the assassination of one presidential candidate and the kidnapping of another.

Baldacci (The Christmas Train, 2002, etc.) sets out with two plot strands. The first begins when something distracts Secret Service Agent Sean King and during that “split second,” presidential candidate Clyde Ritter is shot dead. King takes out the killer, but that’s not enough to save his reputation with the Secret Service. He retires and goes on to do often tedious but nonetheless always lucrative work (much like a legal thriller such as this) at a law practice. Plot two begins eight years later when another Secret Service Agent, Michelle Maxwell, lets presidential candidate John Bruno out of her sight for a few minutes at a wake for one of his close associates. He goes missing. Now Maxwell, too, gets in dutch with the SS. Though separated by time, the cases are similar and leave several questions unanswered. What distracted King at the rally? Bruno had claimed his friend’s widow called him to the funeral home. The widow (one of the few characters here to have any life) says she never called Bruno. Who set him up? Who did a chambermaid at Ritter’s hotel blackmail? And who is the man in the Buick shadowing King’s and Maxwell’s every move? King is a handsome, rich divorce, Maxwell an attractive marathon runner. Will they join forces and find each other kind of, well, appealing? But of course. The two former agents traverse the countryside, spinning endless hypotheses before the onset, at last, of a jerrybuilt conclusion that begs credibility and offers few surprises.

Assembly-line legal thriller: flat characters, lame scene-setting, and short but somehow interminable action: a lifeless concoction.

Pub Date: Sept. 30, 2003

ISBN: 0-446-53089-1

Page Count: 406

Publisher: N/A

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: July 15, 2003

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