Intelligent, passionate and powerful, but very stark indeed.

LOST MEMORY OF SKIN

Banks (The Reserve, 2008, etc.) once again explores the plight of the dispossessed, taking a big risk this time by making his protagonist a convicted sex offender.

He hedges his bets slightly: The Kid is a 22-year-old who got jailed for showing up at a 14-year-old girl’s house with condoms, K-Y jelly, porn and beer after some sexy Internet chat. But Banks makes it clear that there are plenty of actual child molesters and “baby bangers” camped out with the Kid under a Florida causeway—because they’re prohibited from living 2,500 feet from any place children under 18 congregate, which is pretty much everywhere. It’s less clear whether the author agrees with the Professor, a sociologist specializing in the causes of homelessness, that pedophilia is a response to feelings of powerlessness and a disease of the modern media world that sexualizes children in advertising. Ambiguity rules in Banks’ knotty narrative of the Kid’s odyssey after police break up the encampment under the causeway (it’s an election year) and he loses his job as a busboy. Was the Professor really a government informer back in the 1960s? Are his former bosses trying to kill him, as he claims? Maybe, but it’s hard to tell. And Banks doesn’t make it easy to like the Kid, addicted to porn since he started watching it on the Internet at age 10 to blot out the sounds of his mother having sex with her various boyfriends, so isolated by his own wounds that other people don’t seem very real to him. Though there’s plenty of plot, including a hurricane and a dead body fished out of a canal, the slow growth of the Kid’s self-knowledge and his empathy for others is the real story, offering the only ray of hope in an otherwise bleak consideration of a broken society and the damaged people it breeds.

Intelligent, passionate and powerful, but very stark indeed.

Pub Date: Sept. 27, 2011

ISBN: 978-0-06-185763-8

Page Count: 432

Publisher: Ecco/HarperCollins

Review Posted Online: June 28, 2011

Kirkus Reviews Issue: July 1, 2011

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Romance and melodrama mix uneasily with mass murder.

THE WINTER GUEST

An 18-year-old Polish girl falls in love, swoons over a first kiss, dreams of marriage—and, oh yes, we are in the middle of the Holocaust.

Jenoff (The Ambassador’s Daughter, 2013, etc.) weaves a tale of fevered teenage love in a time of horrors in the early 1940s, as the Nazis invade Poland and herd Jews into ghettos and concentration camps. A prologue set in 2013, narrated by a resident of the Westchester Senior Center, provides an intriguing setup. A woman and a policeman visit the resident and ask if she came from a small Polish village. Their purpose is unclear until they mention bones recently found there: “And we think you might know something about them.” The book proceeds in the third person, told from the points of view mostly of teenage Helena, who comes upon an injured young Jewish-American soldier, and sometimes of her twin, Ruth, who is not as adventurous as Helena but is very competitive with her. Their father is dead, their mother is dying in a hospital, and they are raising their three younger siblings amid danger and hardship. The romance between Helena and Sam, the soldier, is often conveyed in overheated language that doesn’t sit well with the era’s tragic events: “There had been an intensity to his embrace that said he was barely able to contain himself, that he also wanted more.” Jenoff, clearly on the side of tolerance, slips in a simplified historical framework for the uninformed. But she also feeds stereotypes, having Helena note that Sam has “a slight arch to his nose” and a dark complexion that “would make him suspect as a Jew immediately.” Clichés also pop up during the increasingly complex plot: “But even if they stood in place, the world around them would not.”

Romance and melodrama mix uneasily with mass murder.

Pub Date: Aug. 26, 2014

ISBN: 978-0-7783-1596-4

Page Count: 352

Publisher: Harlequin MIRA

Review Posted Online: July 1, 2014

Kirkus Reviews Issue: July 15, 2014

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This book sings with the terrible silence of dead civilizations in which once there was valor.

THINGS FALL APART

Written with quiet dignity that builds to a climax of tragic force, this book about the dissolution of an African tribe, its traditions, and values, represents a welcome departure from the familiar "Me, white brother" genre.

Written by a Nigerian African trained in missionary schools, this novel tells quietly the story of a brave man, Okonkwo, whose life has absolute validity in terms of his culture, and who exercises his prerogative as a warrior, father, and husband with unflinching single mindedness. But into the complex Nigerian village filters the teachings of strangers, teachings so alien to the tribe, that resistance is impossible. One must distinguish a force to be able to oppose it, and to most, the talk of Christian salvation is no more than the babbling of incoherent children. Still, with his guns and persistence, the white man, amoeba-like, gradually absorbs the native culture and in despair, Okonkwo, unable to withstand the corrosion of what he, alone, understands to be the life force of his people, hangs himself. In the formlessness of the dying culture, it is the missionary who takes note of the event, reminding himself to give Okonkwo's gesture a line or two in his work, The Pacification of the Primitive Tribes of the Lower Niger.

This book sings with the terrible silence of dead civilizations in which once there was valor.

Pub Date: Jan. 23, 1958

ISBN: 0385474547

Page Count: 207

Publisher: McDowell, Obolensky

Review Posted Online: April 23, 2013

Kirkus Reviews Issue: Jan. 1, 1958

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