Eager young readers will find a kindred spirit in eager Miyuki.

PATIENCE, MIYUKI

Sometimes the surprises come when you slow down and look around you.

In this follow-up to Time for Bed, Miyuki (2018), the title character is up with the sun to greet colorful blossoms and experience the transformative magic of spring. The little Japanese girl cajoles Grandfather to hurry and join her so as not to miss a single event. But one bloom remains closed and, despite Grandfather’s assurance that the flower just needs time, Miyuki runs off to find water and help it open. Her determination soon becomes a quest, as she encounters a frog in a well, a cloud, and a waterfall, many of which admonish Miyuki to “Be patient.” When at last Miyuki’s plan goes awry and she finally does slow down, she falls asleep in a floating origami swan, returning to Grandfather just in time for Day 2 of spring and a pleasant surprise. Galliez’s lively, descriptive text pairs nicely with Ratanavanh’s bright, graphic illustrations that feature bold floral patterns in red, yellow, and green as well as iconic Japanese objects such as the swan. Throughout, natural elements such as flowers, rushing water, insects, birds, and more appear prominently both in the foreground and the background, and Ratanavanh plays a bit with perspective as well—sometimes Miyuki appears quite small next to a giant frog and a big white rabbit.

Eager young readers will find a kindred spirit in eager Miyuki. (Picture book. 5-8)

Pub Date: Oct. 1, 2019

ISBN: 978-1-61689-843-4

Page Count: 32

Publisher: Princeton Architectural Press

Review Posted Online: June 23, 2019

Kirkus Reviews Issue: July 15, 2019

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The buoyant uplift seems a bit pre-packaged but spot-on nonetheless.

THE WORLD NEEDS MORE PURPLE PEOPLE

A monohued tally of positive character traits.

Purple is a “magic color,” affirm the authors (both actors, though Hart’s name recognition is nowhere near the level of Bell’s), and “purple people” are the sort who ask questions, laugh wholeheartedly, work hard, freely voice feelings and opinions, help those who might “lose” their own voices in the face of unkindness, and, in sum, can “JUST BE (the real) YOU.” Unlike the obsessive protagonist of Victoria Kann’s Pinkalicious franchise, being a purple person has “nothing to do with what you look like”—a point that Wiseman underscores with scenes of exuberantly posed cartoon figures (including versions of the authors) in casual North American attire but sporting a wide range of ages, skin hues, and body types. A crowded playground at the close (no social distancing here) displays all this wholesome behavior in action. Plenty of purple highlights, plus a plethora of broad smiles and wide-open mouths, crank up the visual energy—and if the earnest overall tone doesn’t snag the attention of young audiences, a grossly literal view of the young narrator and a grandparent “snot-out-our-nose laughing” should do the trick. (This book was reviewed digitally with 10.4-by-20.6-inch double-page spreads viewed at 22.2% of actual size.)

The buoyant uplift seems a bit pre-packaged but spot-on nonetheless. (Picture book. 6-8)

Pub Date: June 2, 2020

ISBN: 978-0-593-12196-2

Page Count: 40

Publisher: Random House

Review Posted Online: June 3, 2020

Kirkus Reviews Issue: June 15, 2020

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The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted...

CLAYMATES

Reinvention is the name of the game for two blobs of clay.

A blue-eyed gray blob and a brown-eyed brown blob sit side by side, unsure as to what’s going to happen next. The gray anticipates an adventure, while the brown appears apprehensive. A pair of hands descends, and soon, amid a flurry of squishing and prodding and poking and sculpting, a handsome gray wolf and a stately brown owl emerge. The hands disappear, leaving the friends to their own devices. The owl is pleased, but the wolf convinces it that the best is yet to come. An ear pulled here and an extra eye placed there, and before you can shake a carving stick, a spurt of frenetic self-exploration—expressed as a tangled black scribble—reveals a succession of smug hybrid beasts. After all, the opportunity to become a “pig-e-phant” doesn’t come around every day. But the sound of approaching footsteps panics the pair of Picassos. How are they going to “fix [them]selves” on time? Soon a hippopotamus and peacock are staring bug-eyed at a returning pair of astonished hands. The creative naiveté of the “clay mates” is perfectly captured by Petty’s feisty, spot-on dialogue: “This was your idea…and it was a BAD one.” Eldridge’s endearing sculpted images are photographed against the stark white background of an artist’s work table to great effect.

The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted fun of their own . (Picture book. 5-8)

Pub Date: June 20, 2017

ISBN: 978-0-316-30311-8

Page Count: 40

Publisher: Little, Brown

Review Posted Online: March 29, 2017

Kirkus Reviews Issue: April 15, 2017

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