Still, this is a pretty painless way to teach capitalization and letter writing.

THE CASE OF THE INCAPACITATED CAPITALS

Mr. Wright’s class learns the importance of capital letters in this latest from Pulver and Reed.

Feeling underused and ignored, the bandaged and splinted capital letters are not doing their job—they are incapacitated. But life goes on as usual in Mr. Wright’s class, the students not noticing the absence of the uppercases, even when they compose a letter. But Mr. Wright notices. “[W]riting a letter is not the same as texting.” His clueless class takes a while to cotton on to the problem, though, getting wrapped up in guessing Mr. Wright’s nickname. Humorous asides punctuate their teacher’s lesson on capitalization rules and the format for writing a letter (both of which are summed up in the backmatter). But when the kids try to correct their mistakes, they discover the deplorable condition of the uppercase letters. Luckily, the lowercase letters sent out an SOS, and the medics arrive to save the day. A fascinating note caps things off by explaining how capital and small letters got the monikers uppercase and lowercase. Reed’s acrylic-and-digital artwork sports her now-trademark style, childlike figures surrounded by doctored plastic fridge magnets. But this is not as strong as their other language-arts titles, Pulver taking too long setting up the story.

Still, this is a pretty painless way to teach capitalization and letter writing. (Picture book. 4-8)

Pub Date: Sept. 1, 2012

ISBN: 978-0-8234-2402-3

Page Count: 32

Publisher: Holiday House

Review Posted Online: Aug. 1, 2012

Kirkus Reviews Issue: Aug. 15, 2012

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A validating and breathtaking next chapter of a Mother Goose favorite.

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AFTER THE FALL (HOW HUMPTY DUMPTY GOT BACK UP AGAIN)

Humpty Dumpty, classically portrayed as an egg, recounts what happened after he fell off the wall in Santat’s latest.

An avid ornithophile, Humpty had loved being atop a high wall to be close to the birds, but after his fall and reassembly by the king’s men, high places—even his lofted bed—become intolerable. As he puts it, “There were some parts that couldn’t be healed with bandages and glue.” Although fear bars Humpty from many of his passions, it is the birds he misses the most, and he painstakingly builds (after several papercut-punctuated attempts) a beautiful paper plane to fly among them. But when the plane lands on the very wall Humpty has so doggedly been avoiding, he faces the choice of continuing to follow his fear or to break free of it, which he does, going from cracked egg to powerful flight in a sequence of stunning spreads. Santat applies his considerable talent for intertwining visual and textual, whimsy and gravity to his consideration of trauma and the oft-overlooked importance of self-determined recovery. While this newest addition to Santat’s successes will inevitably (and deservedly) be lauded, younger readers may not notice the de-emphasis of an equally important part of recovery: that it is not compulsory—it is OK not to be OK.

A validating and breathtaking next chapter of a Mother Goose favorite. (Picture book. 4-8)

Pub Date: Oct. 3, 2017

ISBN: 978-1-62672-682-6

Page Count: 45

Publisher: Roaring Brook Press

Review Posted Online: July 17, 2017

Kirkus Reviews Issue: Aug. 1, 2017

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An invitation to wonder, imagine and look at everything (humans included) in a new way.

NOAH CHASES THE WIND

A young boy sees things a little differently than others.

Noah can see patterns in the dust when it sparkles in the sunlight. And if he puts his nose to the ground, he can smell the “green tang of the ants in the grass.” His most favorite thing of all, however, is to read. Noah has endless curiosity about how and why things work. Books open the door to those answers. But there is one question the books do not explain. When the wind comes whistling by, where does it go? Noah decides to find out. In a chase that has a slight element of danger—wind, after all, is unpredictable—Noah runs down streets, across bridges, near a highway, until the wind lifts him off his feet. Cowman’s gusty wisps show each stream of air turning a different jewel tone, swirling all around. The ribbons gently bring Noah home, setting him down under the same thinking tree where he began. Did it really happen? Worthington’s sensitive exploration leaves readers with their own set of questions and perhaps gratitude for all types of perspective. An author’s note mentions children on the autism spectrum but widens to include all who feel a little different.

An invitation to wonder, imagine and look at everything (humans included) in a new way. (Picture book. 4-8)

Pub Date: April 14, 2015

ISBN: 978-1-60554-356-7

Page Count: 32

Publisher: Redleaf Lane

Review Posted Online: Feb. 3, 2015

Kirkus Reviews Issue: Feb. 15, 2015

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