CINDERELLA SKELETON

This fancy little piece of septet versifying works nicely as a vehicle to tell the story of the graveyard Cinderella. San Souci (Callie Ann and Mistah Bear, p. 1045, etc.) follows the original tale quite closely, substituting things from the bone orchard where appropriate: her coach is a hearse; the prince is named Charnel; her stepfamily is Skreech, Gristlene, and Bony-Jane; and, of course, she herself is a skeleton. Instead of simply losing her slipper at the ball, this Cinderella has her lower tibia snapped off. (Picture the prince traveling everywhere with the foot in a velvet case.) Yes, there are touches of the macabre here (each prospective bride pulls her own foot off to try on Cinderella’s), but never overmuch or to the point of terrifying. And most of it is hysterically funny. San Souci’s verse ultimately takes the show: “Cinderella Skeleton! / The rarest gem the world has seen! / Your gleaming skull and burnished bones, / Your teeth like polished kidney stones, / Your dampish silks and dankish hair, / There’s nothing like you anywhere! / You make each day a Halloween.” What a picture she makes. Catrow’s (The Fungus That Ate My School, p. 474, etc.) artwork is reminiscent of The Nightmare Before Christmas—perhaps that can’t be helped when skeletons are the principals—but very much its own thing, with abundant cartoony comic licks and ghoulish creatures galore. (Picture book. 3-7)

Pub Date: Sept. 1, 2000

ISBN: 0-15-202003-9

Page Count: 32

Publisher: Harcourt

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Sept. 1, 2000

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A sweet, soft conversation starter and a charming gift.

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BECAUSE I HAD A TEACHER

A paean to teachers and their surrogates everywhere.

This gentle ode to a teacher’s skill at inspiring, encouraging, and being a role model is spoken, presumably, from a child’s viewpoint. However, the voice could equally be that of an adult, because who can’t look back upon teachers or other early mentors who gave of themselves and offered their pupils so much? Indeed, some of the self-aware, self-assured expressions herein seem perhaps more realistic as uttered from one who’s already grown. Alternatively, readers won’t fail to note that this small book, illustrated with gentle soy-ink drawings and featuring an adult-child bear duo engaged in various sedentary and lively pursuits, could just as easily be about human parent- (or grandparent-) child pairs: some of the softly colored illustrations depict scenarios that are more likely to occur within a home and/or other family-oriented setting. Makes sense: aren’t parents and other close family members children’s first teachers? This duality suggests that the book might be best shared one-on-one between a nostalgic adult and a child who’s developed some self-confidence, having learned a thing or two from a parent, grandparent, older relative, or classroom instructor.

A sweet, soft conversation starter and a charming gift. (Picture book. 4-7)

Pub Date: March 1, 2017

ISBN: 978-1-943200-08-5

Page Count: 32

Publisher: Compendium

Review Posted Online: Dec. 14, 2016

Kirkus Reviews Issue: Jan. 1, 2017

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A delectable bilingual experience.

¡VAMOS! LET'S GO EAT

From the ¡Vamos! series

Little Lobo is tasked with nourishing nine famished luchadores.

Following ¡Vamos! Let’s Go to the Market (2019), author/illustrator Raúl the Third and colorist Bay create a second installment in their bilingual series, ¡Vamos!, here following Little Lobo’s journey as he provides sustenance to hungry lucha libre stars. The cheerfully energetic anthropomorphic wolf reprises his role as a bike courier when he receives a message from El Toro and makes his way to el Coliseo, winding and weaving through busy streets. A mouthwatering experience follows as Little Lobo—accompanied by dog Bernabé and rooster pal Kooky Dooky—picks up tacos, diced fruit, freshly made tortillas, flan, and buñuelos from a gathering of food trucks. As in his other work, Raúl the Third imbues his pages with real-world and pop-culture references. An homage to Picasso’s Guernica, recognizable Ciudad Juárez–El Paso landmarks, a Chavo del Ocho inside a barrel, and even a Chapulín Colorado marionette all make the cut. Readers ignorant of these specifics will not feel left out: The busy pages filled with interesting characters and intriguing bilingual signage make readers wish they could jump into the pages and experience the bustling town. Bay’s comic book–style coloring and creative textures provide a deep cultural exposure to the lavish array of Mexican food throughout the spreads. After enjoying the story, readers will keep going back to savor all the minuscule details.

A delectable bilingual experience. (Picture book. 4-7)

Pub Date: March 24, 2020

ISBN: 978-1-328-55704-9

Page Count: 48

Publisher: Versify/HMH

Review Posted Online: Dec. 22, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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