Readers should indeed heed Stine’s repeated refrain and “Beware of Mary McScary!” (Picture book. 3-7)

MARY MCSCARY

Mary McScary takes her name very seriously, but will she manage to scare her unscarable cousin Harry?

The cover illustration embodies Mary’s personality: flaming red hair in braided pigtails, an obviously unique sense of style, and quirked mouth and slanted eyebrows signaling her determination. Even the white girl’s stance speaks volumes: arms flung out to open a set of double doors, legs widely spaced. The thought of tangling with Mary might bring to adult readers’ minds the boy from O. Henry’s “Ransom of Red Chief.” Indeed, Mary lives to scare, and she practices her art on her family members and pets at every opportunity. But she has yet to scare Harry, who has come for a visit. Will her hairiest monster costume work? A gorilla or jarful of spiders? What about snakes or a hippo? All fail. But just when Harry believes Mary’s pronouncement that she’s quit, she turns to him to admit defeat and puckers up. That sends him running away screaming! Brown’s illustrations just may be the bane of parents everywhere, as they are a trove of ideas for mischief-making young readers. Mary’s cat is especially expressive, and adults will chuckle at some of the artwork on the wall.

Readers should indeed heed Stine’s repeated refrain and “Beware of Mary McScary!” (Picture book. 3-7)

Pub Date: Aug. 29, 2017

ISBN: 978-1-338-03856-9

Page Count: 40

Publisher: Orchard/Scholastic

Review Posted Online: July 15, 2017

Kirkus Reviews Issue: Aug. 1, 2017

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A quiet story of sharing with no strings attached.

EXTRA YARN

A little girl in a town of white snow and soot-blackened chimneys opens a small box and discovers a never-ending gift of colorful yarn.

Annabelle knits herself a sweater, and with the leftover yarn, she knits one for her dog, and with the yarn left over from that, she knits one for a neighbor and for her classmates and for her teacher and for her family and for the birdhouse and for the buildings in town. All and everything are warm, cozy and colorful until a clotheshorse of an archduke arrives. Annabelle refuses his monetary offers, whereupon the box is stolen. The greedy archduke gets his just deserts when he opens the box to find it empty. It wends its way back to Annabelle, who ends up happily sitting in a knit-covered tree. Klassen, who worked on the film Coraline, uses inks, gouache and colorized scans of a sweater to create a stylized, linear design of dark geometric shapes against a white background. The stitches of the sweaters add a subdued rainbow. Barnett entertained middle-grade readers with his Brixton Brothers detective series. Here, he maintains a folkloric narrative that results in a traditional story arc complete with repetition, drama and a satisfying conclusion.

A quiet story of sharing with no strings attached. (Picture book. 4-7)

Pub Date: Jan. 17, 2012

ISBN: 978-0-06-195338-5

Page Count: 40

Publisher: Balzer + Bray/HarperCollins

Review Posted Online: Oct. 5, 2011

Kirkus Reviews Issue: Nov. 1, 2011

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A visually striking, compelling recollection.

FROM THE TOPS OF THE TREES

The author recounts a formative childhood experience that continues to inspire her today.

Born to Hmong refugees, Kalia has only ever known the confines of the Ban Vinai refugee camp in Thailand. Even while playing with her cousins, reminders of the hardships of their life are always present. She overhears the aunties sharing their uncertainty and fear of the future. They are a people with no home country and are still trying to find peace. Kalia asks her father why they live behind a gate and wonders what lies beyond the fences that surround the camp. The next day they climb a tall tree, and he shows her the vast expanse around them, from familiar camp landmarks to distant mountains “where the sky meets earth.” This story of resilience and generational hope is told in an expressive, straightforward narrative style. The simplicity of the text adds a level of poignancy that moves readers to reflection. The layered and heavily textured illustrations complement the text while highlighting the humanity of the refugees and providing a quiet dignity to camp life. The militarylike color palette of olive greens, golden yellows, and rich browns reinforces the guarded atmosphere but also represents the transitional period from winter to spring, a time ripe with anticipation and promise.

A visually striking, compelling recollection. (author's note, glossary, map.) (Picture book/memoir. 5-9)

Pub Date: Oct. 5, 2021

ISBN: 978-1-5415-8130-2

Page Count: 32

Publisher: Carolrhoda

Review Posted Online: June 29, 2021

Kirkus Reviews Issue: July 15, 2021

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Vital messages of self-love for darker-skinned children.

THE NIGHT IS YOURS

On hot summer nights, Amani’s parents permit her to go outside and play in the apartment courtyard, where the breeze is cool and her friends are waiting.

The children jump rope to the sounds of music as it floats through a neighbor’s window, gaze at stars in the night sky, and play hide-and-seek in the moonlight. It is in the moonlight that Amani and her friends are themselves found by the moon, and it illumines the many shades of their skin, which vary from light tan to deep brown. In a world where darkness often evokes ideas of evil or fear, this book is a celebration of things that are dark and beautiful—like a child’s dark skin and the night in which she plays. The lines “Show everyone else how to embrace the night like you. Teach them how to be a night-owning girl like you” are as much an appeal for her to love and appreciate her dark skin as they are the exhortation for Amani to enjoy the night. There is a sense of security that flows throughout this book. The courtyard is safe and homelike. The moon, like an additional parent, seems to be watching the children from the sky. The charming full-bleed illustrations, done in washes of mostly deep blues and greens, make this a wonderful bedtime story.

Vital messages of self-love for darker-skinned children. (Picture book. 3-7)

Pub Date: July 2, 2019

ISBN: 978-0-525-55271-0

Page Count: 32

Publisher: Dial Books

Review Posted Online: March 17, 2019

Kirkus Reviews Issue: April 1, 2019

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