A marathon masterpiece that shares a holistic portrait of U.S. history that must not be dismissed or forgotten.

A SITTING IN ST. JAMES

An unblinking view into plantation life in the Deep South.

At first glance this epic seems to be focused on the ups and downs of the Guilbert family, slaveholders living in the Louisiana parish of St. James whose legacy is protected by 80-year-old matriarch Madame Sylvie Bernardin de Maret Dacier Guilbert. However, Williams-Garcia doesn’t stop in the salons and sitting rooms; she brings readers into the cabins and cookhouses of enslaved people whose perceived invisibility gives them access to ideas and knowledge that empower them in ways that few fiction writers have examined. Sixteen-year-old Thisbe is the personal servant to Madame Guilbert—treated like a pet and beaten with a hairbrush for the smallest alleged slight. Her narrative to liberation is intricately webbed within the story of the Guilberts. Thisbe’s silence helps her acquire the language to affirm her humanity to those who would deny it. With a cast of characters whose assorted genealogies feel like an ode to the mixing of peoples and cultures in Louisiana, this story broadens and emboldens interrogations of U.S. chattel slavery. Williams-Garcia’s meticulous research processes shout volumes about the importance of taking contemporary inspiration into the archives to unearth sorely needed truths as we continue to navigate questions of equity and justice for the descendants of enslaved people.

A marathon masterpiece that shares a holistic portrait of U.S. history that must not be dismissed or forgotten. (author's note, bibliography) (Historical fiction. 15-adult)

Pub Date: May 25, 2021

ISBN: 978-0-06-236729-7

Page Count: 480

Publisher: Quill Tree Books/HarperCollins

Review Posted Online: March 3, 2021

Kirkus Reviews Issue: March 15, 2021

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This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.

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GIRL IN PIECES

After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.

Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.

This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)

Pub Date: Aug. 30, 2016

ISBN: 978-1-101-93471-5

Page Count: 416

Publisher: Delacorte

Review Posted Online: May 4, 2016

Kirkus Reviews Issue: May 15, 2016

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A crackerjack thriller done in by its own dopey protagonist.

LOCK THE DOORS

A blended family seeks a fresh start in a new home.

Tom’s mother believes that the family may have finally found happiness. After years of dating losers, she’s finally settled down with a nice guy—and that nice guy, Jay, happens to have a daughter, Nia, who is just a little older than Tom. The new family has moved into a nice new house, but Tom can’t shake the feeling that something’s wrong. They discover a strange message written on the wall when they are stripping the old wallpaper, and there’s clear evidence that the previous owners had installed locks on the exteriors of the bedroom doors. Those previous owners happen to live a little farther down the street, and Tom quickly becomes obsessed with their teenage daughter, Amy, and the secrets she’s hiding. This obsession unfortunately becomes a repetitive slog involving many pages of Tom’s brooding and sulking over the same bits of information while everyone tells him to move on. Readers will be on everyone’s side. But then, a blessed breath of fresh air: The perspective shifts to Amy, and readers learn in spectacularly propulsive fashion exactly what she’s hiding. Regret and intrigue blend perfectly as Amy divulges her secrets. Alas, we return to navel-gazing Tom for the book’s final pages, and everything ends with a shrug. Main characters default to White.

A crackerjack thriller done in by its own dopey protagonist. (Thriller. 14-18)

Pub Date: March 1, 2022

ISBN: 978-1-72823-189-1

Page Count: 400

Publisher: Sourcebooks Fire

Review Posted Online: Dec. 15, 2021

Kirkus Reviews Issue: Jan. 1, 2022

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