LIONHEART

A boy and a lion go on a journey to conquer fear.

In the bedroom, a shadow makes a menacing sound. “Richard hug[s] his Lionheart,” a small stuffed lion with a tidy yarn mane and a tag (emphasizing its toyness). But danger threatens, so Richard takes off. Clutching his Lionheart, he runs across a stone bridge, past a town, and into a field. “All around him the grass grew thick, and turned into sticks, and the sticks grew tall, and turned into trees.” That sequence pays loving homage to Sendak’s Where the Wild Things Are, as do Richard’s pajamas-cum–lion-suit, with tail and leonine hood. Richard’s journey is vast: there are animals of all sorts, toadstools, a magical jungle, tall pointed rocks, a waterfall, and a lost city. It looks like Chichén Itzá, unfortunately relying on the trope of including an indigenous creation to enrich a white child’s adventure. Collingridge’s magnificent paintings employ realism, abstraction, and shifting scale. Grand landscapes harmonize with small, supplementary black-and-white drawings. With posture, texture, and sumptuous, glowing colors, Collingridge maintains a delicate balance between high drama and comfort, risk and safety. Richard loses his Lionheart, then meets him along the way as a full-grown, fully alive lion—enormous and powerful but only a companion and ally rather than savior—when they finally, unforgettably confront the monster.

Spellbinding if flawed. (Picture book. 3-8)

Pub Date: Feb. 23, 2016

ISBN: 978-0-545-83321-9

Page Count: 32

Publisher: David Fickling/Scholastic

Review Posted Online: Nov. 3, 2015

Kirkus Reviews Issue: Nov. 15, 2015

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Hee haw.

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THE WONKY DONKEY

The print version of a knee-slapping cumulative ditty.

In the song, Smith meets a donkey on the road. It is three-legged, and so a “wonky donkey” that, on further examination, has but one eye and so is a “winky wonky donkey” with a taste for country music and therefore a “honky-tonky winky wonky donkey,” and so on to a final characterization as a “spunky hanky-panky cranky stinky-dinky lanky honky-tonky winky wonky donkey.” A free musical recording (of this version, anyway—the author’s website hints at an adults-only version of the song) is available from the publisher and elsewhere online. Even though the book has no included soundtrack, the sly, high-spirited, eye patch–sporting donkey that grins, winks, farts, and clumps its way through the song on a prosthetic metal hoof in Cowley’s informal watercolors supplies comical visual flourishes for the silly wordplay. Look for ready guffaws from young audiences, whether read or sung, though those attuned to disability stereotypes may find themselves wincing instead or as well.

Hee haw. (Picture book. 5-7)

Pub Date: May 1, 2010

ISBN: 978-0-545-26124-1

Page Count: 26

Publisher: Scholastic

Review Posted Online: Dec. 29, 2018

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A charming blend of whimsy and medieval heroism highlighting the triumph of brains over brawn.

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KNIGHT OWL

A young owl achieves his grand ambition.

Owl, an adorably earnest and gallant little owlet, dreams of being a knight. He imagines himself defeating dragons and winning favor far and wide through his brave exploits. When a record number of knights go missing, Owl applies to Knight School and is surprisingly accepted. He is much smaller than the other knights-in-training, struggles to wield weapons, and has “a habit of nodding off during the day.” Nevertheless, he graduates and is assigned to the Knight Night Watch. While patrolling the castle walls one night, a hungry dragon shows up and Owl must use his wits to avoid meeting a terrible end. The result is both humorous and heartwarming, offering an affirmation of courage and clear thinking no matter one’s size…and demonstrating the power of a midnight snack. The story never directly addresses the question of the missing knights, but it is hinted that they became the dragon’s fodder, leaving readers to question Owl’s decision to befriend the beast. Humor is supplied by the characters’ facial expressions and accented by the fact that Owl is the only animal in his order of big, burly human knights. Denise’s accomplished digital illustrations—many of which are full bleeds—often use a warm sepia palette that evokes a feeling of antiquity, and some spreads feature a pleasing play of chiaroscuro that creates suspense and drama.

A charming blend of whimsy and medieval heroism highlighting the triumph of brains over brawn. (Picture book. 4-8)

Pub Date: March 15, 2022

ISBN: 978-0-316-31062-8

Page Count: 48

Publisher: Christy Ottaviano Books

Review Posted Online: Dec. 16, 2021

Kirkus Reviews Issue: Jan. 1, 2022

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