A teenage girl ashamed of her lack of magic must step up when she discovers evil at work in her kingdom.
Privileged Arrah has never wanted for anything—except magic. Though she comes from powerful magical lineages on both her parents’ sides, when she turns 16 without developing any gifts, she must finally admit she won’t be blessed with magic. Heartbroken, Arrah throws herself into discovering who’s behind the recent child abductions in her kingdom. The magic needed to accomplish such a task has a high cost, and her discovery of the culprit proves to be a devastating revelation. In Arrah’s West African–based world, there are orishas as well as other gods and demons, and orishas are able to converse directly with humans. Arrah, aided by her friends (including love interest Rudjek), must mine hitherto unknown depths in herself in order to stop the ascension of the Demon King, who supposedly was vanquished by the orishas long ago. Though the pace is sometimes slow and the page count perhaps higher than needed, Arrah’s a compelling heroine, relatable in her fallibility, and her story is intriguing. Most characters are black; Rudjek is biracial (his light-skinned mother and a handful of other characters hail from the north).
An imperfect but promising series opener. (Fantasy. 12-18)Pub Date: Sept. 3, 2019
ISBN: 978-0-06-287095-7
Page Count: 496
Publisher: HarperTeen
Review Posted Online: June 15, 2019
Kirkus Reviews Issue: July 1, 2019
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BOOK REVIEW
BOOK REVIEW
Engrossing, contemplative, and as heart-wrenching as the title promises.
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What would you do with one day left to live?
In an alternate present, a company named Death-Cast calls Deckers—people who will die within the coming day—to inform them of their impending deaths, though not how they will happen. The End Day call comes for two teenagers living in New York City: Puerto Rican Mateo and bisexual Cuban-American foster kid Rufus. Rufus needs company after a violent act puts cops on his tail and lands his friends in jail; Mateo wants someone to push him past his comfort zone after a lifetime of playing it safe. The two meet through Last Friend, an app that connects lonely Deckers (one of many ways in which Death-Cast influences social media). Mateo and Rufus set out to seize the day together in their final hours, during which their deepening friendship blossoms into something more. Present-tense chapters, short and time-stamped, primarily feature the protagonists’ distinctive first-person narrations. Fleeting third-person chapters give windows into the lives of other characters they encounter, underscoring how even a tiny action can change the course of someone else’s life. It’s another standout from Silvera (History Is All You Left Me, 2017, etc.), who here grapples gracefully with heavy questions about death and the meaning of a life well-lived.
Engrossing, contemplative, and as heart-wrenching as the title promises. (Speculative fiction. 13-adult).Pub Date: Sept. 5, 2017
ISBN: 978-0-06-245779-0
Page Count: 384
Publisher: HarperTeen
Review Posted Online: June 5, 2017
Kirkus Reviews Issue: June 15, 2017
Categories: TEENS & YOUNG ADULT FICTION | TEENS & YOUNG ADULT SOCIAL THEMES
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A slightly abridged graphic version of the classic that will drive off all but the artist’s most inveterate fans.
Admirers of the original should be warned away by veteran horror artist Bernie Wrightson’s introductory comments about Grimly’s “wonderfully sly stylization” and the “twinkle” in his artistic eye. Most general readers will founder on the ensuing floods of tiny faux handwritten script that fill the opening 10 pages of stage-setting correspondence (other lengthy letters throughout are presented in similarly hard-to-read typefaces). The few who reach Victor Frankenstein’s narrative will find it—lightly pruned and, in places, translated into sequences of largely wordless panels—in blocks of varied length interspersed amid sheaves of cramped illustrations with, overall, a sickly, greenish-yellow cast. The latter feature spidery, often skeletal figures that barrel over rough landscapes in rococo, steampunk-style vehicles when not assuming melodramatic poses. Though the rarely seen monster is a properly hard-to-resolve jumble of massive rage and lank hair, Dr. Frankenstein looks like a decayed Lyle Lovett with high cheekbones and an errant, outsized quiff. His doomed bride, Elizabeth, sports a white lock à la Elsa Lanchester, and decorative grotesqueries range from arrangements of bones and skull-faced flowers to bunnies and clownish caricatures.
Grimly plainly worked hard, but, as the title indicates, the result serves his own artistic vision more than Mary Shelley’s. (Graphic classic. 14 & up)Pub Date: Aug. 27, 2013
ISBN: 978-0-06-186297-7
Page Count: 208
Publisher: Balzer + Bray/HarperCollins
Review Posted Online: July 3, 2013
Kirkus Reviews Issue: July 15, 2013
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