IN THE BELLY OF AN OX

THE UNEXPECTED PHOTOGRAPHIC ADVENTURES OF RICHARD AND CHERRY KEARTON

Two brothers, Richard and Cherry Kearton, were born on a farm in late-19th-century England. They spent their childhoods exploring the Yorkshire moors, “on that thin line where the wide land meets huge sky,” delighting in nature’s patterns and possibilities. They examined every nest, every web and every footprint they found. When they grew up, the boys took serious jobs but missed their moorland fun. One afternoon, while visiting the country, Cherry took a photograph of a nest. That single snapshot opened a whole new world for the Kearton brothers. They became determined nature photographers, devising elaborate disguises and “hides” to camouflage themselves into the surroundings. Using rocks, trees, even a fake ox constructed out of a real hide, they found innovative ways to photograph birds. Bond’s watercolors enliven the rolling hills, and paneled illustrations effectively pace the chronology. The story could be tempted to take a humorous turn, focusing on each madcap disguise the brothers thought up, but instead it stays true to the Keartons’ sensibilities. A thoughtful look at two important forerunners of nature photography. (sources, photographs, endnote) (Informational picture book. 5-8)

Pub Date: Nov. 1, 2009

ISBN: 978-0-547-07675-1

Page Count: 32

Publisher: N/A

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Oct. 1, 2009

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THE WONKY DONKEY

The print version of a knee-slapping cumulative ditty.

In the song, Smith meets a donkey on the road. It is three-legged, and so a “wonky donkey” that, on further examination, has but one eye and so is a “winky wonky donkey” with a taste for country music and therefore a “honky-tonky winky wonky donkey,” and so on to a final characterization as a “spunky hanky-panky cranky stinky-dinky lanky honky-tonky winky wonky donkey.” A free musical recording (of this version, anyway—the author’s website hints at an adults-only version of the song) is available from the publisher and elsewhere online. Even though the book has no included soundtrack, the sly, high-spirited, eye patch–sporting donkey that grins, winks, farts, and clumps its way through the song on a prosthetic metal hoof in Cowley’s informal watercolors supplies comical visual flourishes for the silly wordplay. Look for ready guffaws from young audiences, whether read or sung, though those attuned to disability stereotypes may find themselves wincing instead or as well.

Hee haw. (Picture book. 5-7)

Pub Date: May 1, 2010

ISBN: 978-0-545-26124-1

Page Count: 26

Publisher: Scholastic

Review Posted Online: Dec. 29, 2018

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THE SNAIL AND THE WHALE

Like an ocean-going “Lion and the Mouse,” a humpback whale and a snail “with an itchy foot” help each other out in this cheery travelogue. Responding to a plaintive “Ride wanted around the world,” scrawled in slime on a coastal rock, whale picks up snail, then sails off to visit waters tropical and polar, stormy and serene before inadvertently beaching himself. Off hustles the snail, to spur a nearby community to action with another slimy message: “SAVE THE WHALE.” Donaldson’s rhyme, though not cumulative, sounds like “The house that Jack built”—“This is the tide coming into the bay, / And these are the villagers shouting, ‘HOORAY!’ / As the whale and the snail travel safely away. . . .” Looking in turn hopeful, delighted, anxious, awed, and determined, Scheffler’s snail, though tiny next to her gargantuan companion, steals the show in each picturesque seascape—and upon returning home, provides so enticing an account of her adventures that her fellow mollusks all climb on board the whale’s tail for a repeat voyage. Young readers will clamor to ride along. (Picture book. 6-8)

Pub Date: March 1, 2004

ISBN: 0-8037-2922-7

Page Count: 32

Publisher: Dial Books

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Feb. 15, 2004

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