COMING AND GOING MEN

FOUR TALES

Silhouette cutter Cyrus Snype, skilled at reading character in his subjects' shadowed profiles, travels the country in search of the devil, whom he blames for destroying his once-illustrious career. In New Canaan, Vermont, Snype is hired by a parsimonious tanner to Fred an honest woman for the tanner to wed; but the innocent girl he selects is certain that Snype is the devil himself. (Doesn't he collect people's souls with their shadows, and keep them in his scrapbook?) The cross purposes of this trio leads to further entertaining complications in "The Shade Cutter," the first of Fleischman's four proficiently turned tales about traveling men who pass through New Canaan in the year 1800. The second story, about a candle-maker's apprentice sent out to shoot crows, is enjoyably creepy. Toward the end, the apprentice learns from a ballad seller's song the terrible reason for his master's obsessive war with crows. One can easily imagine Fleischman himself as a coming-and-going man, fabricating his way through his storybook Early America and enthralling the populace with his illusionist's wordcraft.

Pub Date: April 10, 1985

ISBN: 0060218835

Page Count: 168

Publisher: Harper & Row

Review Posted Online: April 24, 2012

Kirkus Reviews Issue: March 15, 1985

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Black is building a complex mythology; now is a great time to tune in.

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THE CRUEL PRINCE

From the Folk of the Air series , Vol. 1

Black is back with another dark tale of Faerie, this one set in Faerie and launching a new trilogy.

Jude—broken, rebuilt, fueled by anger and a sense of powerlessness—has never recovered from watching her adoptive Faerie father murder her parents. Human Jude (whose brown hair curls and whose skin color is never described) both hates and loves Madoc, whose murderous nature is true to his Faerie self and who in his way loves her. Brought up among the Gentry, Jude has never felt at ease, but after a decade, Faerie has become her home despite the constant peril. Black’s latest looks at nature and nurture and spins a tale of court intrigue, bloodshed, and a truly messed-up relationship that might be the saving of Jude and the titular prince, who, like Jude, has been shaped by the cruelties of others. Fierce and observant Jude is utterly unaware of the currents that swirl around her. She fights, plots, even murders enemies, but she must also navigate her relationship with her complex family (human, Faerie, and mixed). This is a heady blend of Faerie lore, high fantasy, and high school drama, dripping with description that brings the dangerous but tempting world of Faerie to life.

Black is building a complex mythology; now is a great time to tune in. (Fantasy. 14-adult)

Pub Date: Jan. 2, 2018

ISBN: 978-0-316-31027-7

Page Count: 384

Publisher: Little, Brown

Review Posted Online: Sept. 26, 2017

Kirkus Reviews Issue: Oct. 15, 2017

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This fresh reworking of a Greek myth will resonate.

NEVER LOOK BACK

An otherworldly Latinx retelling of the Orpheus and Eurydice myth set in the South Bronx.

Pheus visits his father in the Bronx every summer. The Afro-Dominican teen is known for his mesmerizing bachata music, love of history, and smooth way with the ladies. Eury, a young Puerto Rican woman and Hurricane Maria survivor, is staying with her cousin for the summer because of a recent, unspecified traumatic event. Her family doesn’t know that she’s been plagued since childhood by the demonlike Ato. Pheus and Eury bond over music and quickly fall in love. Attacked at a dance club by Sileno, its salacious and satyrlike owner, Eury falls into a coma and is taken to el Inframundo by Ato. Pheus, despite his atheism, follows the advice of his father and a local bruja to journey to find his love in the Underworld. Rivera skillfully captures the sounds and feels of the Bronx—its unique, diverse culture and the creeping gentrification of its neighborhoods. Through an amalgamation of Greek, Roman, and Taíno mythology and religious beliefs, gaslighting, the colonization of Puerto Rico, Afro-Latinidad identity, and female empowerment are woven into the narrative. While the pacing lags in the middle, secondary characters aren’t fully developed, and the couple’s relationship borders on instalove, the rush of a summertime romance feels realistic. Rivera’s complex world is well realized, and the dialogue rings true. All protagonists are Latinx.

This fresh reworking of a Greek myth will resonate. (Fabulism. 14-adult)

Pub Date: Sept. 15, 2020

ISBN: 978-1-5476-0373-2

Page Count: 320

Publisher: Bloomsbury

Review Posted Online: June 25, 2020

Kirkus Reviews Issue: July 15, 2020

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