The result is a reading experience that carries the impact of an Ingmar Bergman film based on a novel by Thomas Mann. It’s...


The ordeals and sacrifices of two remarkable women are analyzed with penetrating intensity in the Swedish master’s latest.

Following the method employed throughout his oeuvre, and with particular success in his recent fictions The Royal Physician’s Visit (2001) and Lewi’s Journey (2005), Enquist connects his own history and sensibility to the stories of Nobel Prize–winning physicist Marie Curie and her ill-fated research assistant (and eventual soulmate), Blanche Wittman. Those stories are told in three “Books” composed by Blanche after her lethal exposure to radiation, both during Mme. Curie’s experiments and in earlier years when she was a patient treated for “hysteria” by eminent neurologist J.M. Charcot, and also his assistant, then his adulterous lover. Moving backward and forward in time, Enquist presents Blanche’s ruminations on her treatment at Saltpêtriére Hospital (a filthy, overcrowded “black castle in the middle of Paris”), where she became a de facto emblem of the “madness” of love; Polish-born Marie Curie’s self-destructive affair with a married scientist, which evoked outraged anti-Semitic protests and drove her from France; and the sad final years of both women, when Marie became a disgraced outsider in the land where she had earned unprecedented honors, and Blanche a (still sentient, forever impassioned) torso “living” in a wooden cart. In a masterly display of concision, Enquist packs an imposing enormity of historical and scientific information into a searching exploration of the phenomenon of love; a complex meditation on the riddles that challenge his characters’ ingenuity—how do we manage to love, given the fragility and impermanence of the body, and how can human emotion and experience be measured and quantified, much less comprehended?

The result is a reading experience that carries the impact of an Ingmar Bergman film based on a novel by Thomas Mann. It’s astonishing, and it’s unforgettable.

Pub Date: March 23, 2006

ISBN: 1-58567-668-3

Page Count: 224

Publisher: Overlook

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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A charming and persuasive entry that will leave readers impatiently awaiting the concluding volume.


Book 2 of Hearne's latest fantasy trilogy, The Seven Kennings (A Plague of Giants, 2017), set in a multiracial world thrust into turmoil by an invasion of peculiar giants.

In this world, most races have their own particular magical endowment, or “kenning,” though there are downsides to trying to gain the magic (an excellent chance of being killed instead) and using it (rapid aging and death). Most recently discovered is the sixth kenning, whose beneficiaries can talk to and command animals. The story canters along, although with multiple first-person narrators, it's confusing at times. Some characters are familiar, others are new, most of them with their own problems to solve, all somehow caught up in the grand design. To escape her overbearing father and the unreasoning violence his kind represents, fire-giant Olet Kanek leads her followers into the far north, hoping to found a new city where the races and kennings can peacefully coexist. Joining Olet are young Abhinava Khose, discoverer of the sixth kenning, and, later, Koesha Gansu (kenning: air), captain of an all-female crew shipwrecked by deep-sea monsters. Elsewhere, Hanima, who commands hive insects, struggles to free her city from the iron grip of wealthy, callous merchant monarchists. Other threads focus on the Bone Giants, relentless invaders seeking the still-unknown seventh kenning, whose confidence that this can defeat the other six is deeply disturbing. Under Hearne's light touch, these elements mesh perfectly, presenting an inventive, eye-filling panorama; satisfying (and, where appropriate, well-resolved) plotlines; and tensions between the races and their kennings to supply much of the drama.

A charming and persuasive entry that will leave readers impatiently awaiting the concluding volume.

Pub Date: Feb. 4, 2020

ISBN: 978-0-345-54857-3

Page Count: 592

Publisher: Del Rey/Ballantine

Review Posted Online: Nov. 25, 2019

Kirkus Reviews Issue: Dec. 15, 2019

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Self-assured, entertaining debut novel that blends genres and crosses continents in quest of magic.

The world’s not big enough for two wizards, as Tolkien taught us—even if that world is the shiny, modern one of the late 19th century, with its streetcars and electric lights and newfangled horseless carriages. Yet, as first-time novelist Morgenstern imagines it, two wizards there are, if likely possessed of more legerdemain than true conjuring powers, and these two are jealous of their turf. It stands to reason, the laws of the universe working thus, that their children would meet and, rather than continue the feud into a new generation, would instead fall in love. Call it Romeo and Juliet for the Gilded Age, save that Morgenstern has her eye on a different Shakespearean text, The Tempest; says a fellow called Prospero to young magician Celia of the name her mother gave her, “She should have named you Miranda...I suppose she was not clever enough to think of it.” Celia is clever, however, a born magician, and eventually a big hit at the Circus of Dreams, which operates, naturally, only at night and has a slightly sinister air about it. But what would you expect of a yarn one of whose chief setting-things-into-action characters is known as “the man in the grey suit”? Morgenstern treads into Harry Potter territory, but though the chief audience for both Rowling and this tale will probably comprise of teenage girls, there are only superficial genre similarities. True, Celia’s magical powers grow, and the ordinary presto-change-o stuff gains potency—and, happily, surrealistic value. Finally, though, all the magic has deadly consequence, and it is then that the tale begins to take on the contours of a dark thriller, all told in a confident voice that is often quite poetic, as when the man in the grey suit tells us, “There’s magic in that. It’s in the listener, and for each and every ear it will be different, and it will affect them in ways they can never predict.” Generous in its vision and fun to read. Likely to be a big book—and, soon, a big movie, with all the franchise trimmings.


Pub Date: Sept. 13, 2011

ISBN: 978-0-385-53463-5

Page Count: 384

Publisher: Doubleday

Review Posted Online: April 5, 2011

Kirkus Reviews Issue: April 15, 2011

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