Miss Pym takes her class on a very special train that travels not only from New York west but back in time: they see Civil War uniforms in Pittsburgh and snowy mastodons beyond Ohio, finally arriving at a warm, swampy campground where they photograph and romp with various dinosaurs before starting on their return journey. In her picture-book debut, Ewart echoes Van Allsburg in her dramatic use of light and points of view; with humor and skill, she also captures the children's mixed awe and delight in their experience. A good entry in an ever-popular genre. (Picture book. 4-8)
Pub Date: Sept. 1, 1991
ISBN: 0-06-021709-X
Page Count: 32
Publisher: HarperCollins
Review Posted Online: May 20, 2010
Kirkus Reviews Issue: July 15, 1991
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Pippa conquers a fear of the creatures that emerge from her storybooks at night.
Pippa’s “wonderfully wild imagination” can sometimes run “a little TOO wild.” During the day, she wears her “armor” and is a force to be reckoned with. But in bed at night, Pippa worries about “villains and monsters and beasts.” Sharp-toothed and -taloned shadows, dragons, and pirates emerge from her storybooks like genies from a bottle, just to scare her. Pippa flees to her parents’ room only to be brought back time and again. Finally, Pippa decides that she “needs a plan” to “get rid of them once and for all.” She decides to slip a written invitation into every book, and that night, they all come out. She tries subduing them with a lasso, an eye patch, and a sombrero, but she is defeated. Next, she tries “sashes and sequins and bows,” throwing the fashion pieces on the monsters, who…“begin to pose and primp and preen.” After that success, their fashion show becomes a nightly ritual. Clever Pippa’s transformation from scared victim of her own imagination to leader of the monster pack feels fairly sudden, but it’s satisfying nonetheless. The cartoony illustrations effectively use dynamic strokes, shadow, and light to capture action on the page and the feeling of Pippa's fears taking over her real space. Pippa and her parents are brown-skinned with curls of various textures.
A delicious triumph over fear of night creatures. (Picture book. 4-7)Pub Date: Oct. 8, 2019
ISBN: 978-1-5420-9300-2
Page Count: 32
Publisher: Two Lions
Review Posted Online: June 25, 2019
Kirkus Reviews Issue: July 15, 2019
Categories: CHILDREN'S SCIENCE FICTION & FANTASY
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BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A white youth from Ohio, Sheldon Russell Curtis (Say), and a black youth from Georgia, Pinkus Aylee (Pink), meet as young soldiers with the Union army. Pink finds Say wounded in the leg after a battle and brings him home with him. Pink's mother, Moe Moe Bay, cares for the boys while Say recuperates, feeding and comforting them and banishing the war for a time. Whereas Pink is eager to go back and fight against "the sickness" that is slavery, Say is afraid to return to his unit. But when he sees Moe Moe Bay die at the hands of marauders, he understands the need to return. Pink and Say are captured by Confederate soldiers and brought to the notorious Andersonville prison camp. Say is released months later, ill and undernourished, but Pink is never released, and Polacco reports that he was hanged that very first day because he was black. Polacco (Babushka Baba Yaga, 1993, etc; My Rotten Redheaded Older Brother, above) tells this story, which was passed down for generations in her family (Say was her great-great-grandfather), carefully and without melodrama so that it speaks for itself. The stunning illustrations — reminiscent of the German expressionist Egon Shiele in their use of color and form — are completely heartbreaking. A spectacular achievement. (Nonfiction/Picture book. 4- 8)
Pub Date: Sept. 15, 1994
ISBN: 0-399-22671-0
Page Count: 48
Publisher: Philomel
Review Posted Online: May 20, 2010
Kirkus Reviews Issue: Sept. 15, 1994
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