A harrowing story of politically motivated crime that could not have been better told.

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SAY NOTHING

A TRUE STORY OF MURDER AND MEMORY IN NORTHERN IRELAND

Half a century after the fact, a cold case in Northern Ireland provides a frame for a deeply observed history of the Troubles.

In 1972, though only 38, Jean McConville was the mother of 10, trying to raise them on a widow’s pension in a cloud of depression—a walking tale of bad luck turned all the worse when she comforted a wounded British soldier, bringing the dreaded graffito “Brit lover” to her door. Not long after, masked guerrillas took her from her home in the Catholic ghetto of Belfast; three decades later, bones found on a remote beach were identified as hers. These events are rooted in centuries of discord, but, as New Yorker staff writer Keefe (The Snakehead: An Epic Tale of the Chinatown Underworld and the American Dream, 2009, etc.) recounts, the kidnapping and killing took place in the darkest days of the near civil war between Catholics and Protestants. Another Belfast graffito of the time read, “If you’re not confused you don’t know what’s going on,” and the author does an excellent job of keeping an exceedingly complicated storyline on track. At its heart is Gerry Adams, who eventually brokered the truce between warring factions while insisting that he was never a member of the IRA, whose fighters killed McConville. “Of course he was in the IRA,” said an erstwhile comrade. “The British know it. The people on the street know it. The dogs know it on the street." Yet, as this unhappy story shows, one of the great sorrows of Northern Ireland is that naming murderers, even long after their crimes and even after their deaths, is sure to bring terrible things on a person even today. Keefe’s reconstruction of events and the players involved is careful and assured. Adams himself doubtless won’t be pleased with it, although his cause will probably prevail. As the author writes, “Adams will probably not live to see a united Ireland, but it seems that such a day will inevitably come”—perhaps as an indirect, ironic result of Brexit.

A harrowing story of politically motivated crime that could not have been better told.

Pub Date: Feb. 26, 2019

ISBN: 978-0-385-52131-4

Page Count: 496

Publisher: Doubleday

Review Posted Online: Nov. 22, 2018

Kirkus Reviews Issue: Dec. 15, 2018

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The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

NIGHT

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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Not an easy read but an essential one.

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HOW TO BE AN ANTIRACIST

Title notwithstanding, this latest from the National Book Award–winning author is no guidebook to getting woke.

In fact, the word “woke” appears nowhere within its pages. Rather, it is a combination memoir and extension of Atlantic columnist Kendi’s towering Stamped From the Beginning (2016) that leads readers through a taxonomy of racist thought to anti-racist action. Never wavering from the thesis introduced in his previous book, that “racism is a powerful collection of racist policies that lead to racial inequity and are substantiated by racist ideas,” the author posits a seemingly simple binary: “Antiracism is a powerful collection of antiracist policies that lead to racial equity and are substantiated by antiracist ideas.” The author, founding director of American University’s Antiracist Research and Policy Center, chronicles how he grew from a childhood steeped in black liberation Christianity to his doctoral studies, identifying and dispelling the layers of racist thought under which he had operated. “Internalized racism,” he writes, “is the real Black on Black Crime.” Kendi methodically examines racism through numerous lenses: power, biology, ethnicity, body, culture, and so forth, all the way to the intersectional constructs of gender racism and queer racism (the only section of the book that feels rushed). Each chapter examines one facet of racism, the authorial camera alternately zooming in on an episode from Kendi’s life that exemplifies it—e.g., as a teen, he wore light-colored contact lenses, wanting “to be Black but…not…to look Black”—and then panning to the history that informs it (the antebellum hierarchy that valued light skin over dark). The author then reframes those received ideas with inexorable logic: “Either racist policy or Black inferiority explains why White people are wealthier, healthier, and more powerful than Black people today.” If Kendi is justifiably hard on America, he’s just as hard on himself. When he began college, “anti-Black racist ideas covered my freshman eyes like my orange contacts.” This unsparing honesty helps readers, both white and people of color, navigate this difficult intellectual territory.

Not an easy read but an essential one.

Pub Date: Aug. 13, 2019

ISBN: 978-0-525-50928-8

Page Count: 320

Publisher: One World/Random House

Review Posted Online: April 28, 2019

Kirkus Reviews Issue: May 15, 2019

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