An appealing story weighed down by its protagonist’s self-pity.

JUBILEE

Judith—called Jubilee by Aunt Cora and No-Talk-Girl by the 5-year-old brother of her former friend, Sophie—narrates her own tale of personal growth during fifth grade.

The redheaded white girl’s life on an island off Maine’s coast seems idyllic; she spends her time swimming, exploring, and drawing cartoons (which, in a nice touch, appear throughout). Adoring Aunt Cora lavishes praise on her niece and allows Jubilee such indulgences as immediate adoption of a stray dog, stealing away independently to the mainland, and even deciding whether Cora should marry the lovable ferryman, Gideon. However, Jubilee is obsessed with the apparent cause of her selective mutism: feelings of abandonment when her mother left her, as a toddler, with Cora. On Jubilee’s first day in a “regular” instead of “special” class, her amazingly supportive teacher talks about “firsts.” Jubilee thinks, “If I could have a year of firsts, I’d see my mother. Sophie and I would be friends again. I’d speak!” In Jubilee, Giff demonstrates an acute understanding of how people—especially children—can be extremely observant but at the same time misunderstand the behaviors they observe. However, until nearly the end, Jubilee’s introspection borders on self-pity, which risks alienating readers who are comfortably living in alternative families. The prose is graceful and brimming with potent physical details, but the adults are alarmingly mature—except for Jubilee’s birth mother.

An appealing story weighed down by its protagonist’s self-pity. (Fiction. 8-12)

Pub Date: Sept. 13, 2016

ISBN: 978-0-385-74486-7

Page Count: 160

Publisher: Wendy Lamb/Random

Review Posted Online: May 14, 2016

Kirkus Reviews Issue: June 1, 2016

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Readers can still rely on this series to bring laughs.

WRECKING BALL

From the Diary of a Wimpy Kid series , Vol. 14

The Heffley family’s house undergoes a disastrous attempt at home improvement.

When Great Aunt Reba dies, she leaves some money to the family. Greg’s mom calls a family meeting to determine what to do with their share, proposing home improvements and then overruling the family’s cartoonish wish lists and instead pushing for an addition to the kitchen. Before bringing in the construction crew, the Heffleys attempt to do minor maintenance and repairs themselves—during which Greg fails at the work in various slapstick scenes. Once the professionals are brought in, the problems keep getting worse: angry neighbors, terrifying problems in walls, and—most serious—civil permitting issues that put the kibosh on what work’s been done. Left with only enough inheritance to patch and repair the exterior of the house—and with the school’s dismal standardized test scores as a final straw—Greg’s mom steers the family toward moving, opening up house-hunting and house-selling storylines (and devastating loyal Rowley, who doesn’t want to lose his best friend). While Greg’s positive about the move, he’s not completely uncaring about Rowley’s action. (And of course, Greg himself is not as unaffected as he wishes.) The gags include effectively placed callbacks to seemingly incidental events (the “stress lizard” brought in on testing day is particularly funny) and a lampoon of after-school-special–style problem books. Just when it seems that the Heffleys really will move, a new sequence of chaotic trouble and property destruction heralds a return to the status quo. Whew.

Readers can still rely on this series to bring laughs. (Graphic/fiction hybrid. 8-12)

Pub Date: Nov. 5, 2019

ISBN: 978-1-4197-3903-3

Page Count: 224

Publisher: Amulet/Abrams

Review Posted Online: Nov. 19, 2019

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NIGHTBIRD

There’s a monster in Sidwell, Massachusetts, that can only be seen at night or, as Twig reveals, if passersby are near her house.

It’s her older brother, James, born with wings just like every male in the Fowler line for the last 200 years. They were cursed by the Witch of Sidwell, left brokenhearted by their forebear Lowell Fowler. Twig and James are tired of the secret and self-imposed isolation. Lonely Twig narrates, bringing the small town and its characters to life, intertwining events present and past, and describing the effects of the spell on her fractured family’s daily life. Longing for some normalcy and companionship, she befriends new-neighbor Julia while James falls in love with Julia’s sister, Agate—only to learn they are descendants of the Witch. James and Agate seem as star-crossed as their ancestors, especially when the townspeople attribute a spate of petty thefts and graffiti protesting the development of the woods to the monster and launch a hunt. The mix of romance and magic is irresistible and the tension, compelling. With the help of friends and through a series of self-realizations and discoveries, Twig grows more self-assured. She is certain she knows how to change the curse. In so doing, Twig not only changes James’ fate, but her own, for the first time feeling the fullness of family, friends and hope for the future.

Enchanting. (Magical realism. 9-12)

Pub Date: March 10, 2015

ISBN: 978-0-385-38958-7

Page Count: 208

Publisher: Wendy Lamb/Random

Review Posted Online: Dec. 22, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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