This spunky heroine sees dead people, to readers’ delight.

THE HAUNTING OF ELMWOOD MANOR

From the Pekin Dewlap series , Vol. 1

A debut YA novel features the message that ghosts have problems too.

In this series opener, McCord introduces a feisty protagonist. Pekin Dewlap, 15, is starting her own ghost-hunting business and plans to draft her best friends, Amber and Scout, for this venture. She has chosen to clean up haunted houses because, up until middle school, she was able to communicate with spirits. As she explains to her mother, Melissa, who used to have that same ability, “I want to be special again.” Pekin already has a client, Elonia Collins, who says the property she inherited at 12 Elmwood is haunted. Elonia suspects the apparition is Miranda Talbert, who was 14 when she disappeared in the house in 1918. Pekin, accompanied by her two reluctant friends, encounters Miranda on her first visit to Elmwood Manor. After Miranda gets comfortable with the trio, she admits she was murdered. During the attack, Miranda bit off and swallowed one of the killer’s fingers, keeping him from crossing over when he died. Since then, the culprit, imprisoned at Elmwood Manor, has been tormenting Miranda. So the three friends, aided by local psychic Mildred “Mildew” Willingham, must determine how to banish the killer and help Miranda find peace. In this novel, McCord certainly knows how to reach her target audience. Pekin is dealing with emotional changes in her life, including a growing attraction to Scout. In her thoughts, Pekin debates whether he really likes her. Amber is even more boy crazy while Scout is sometimes a typical, monosyllabic male teen when expressing his feelings. But, while acknowledging the teens’ daily struggles, this volume is primarily about solving the mystery. Pekin and company get away with pluck and ingenuity for a time, finally gathering enough knowledge to put them in danger. When the three friends inevitably get in over their heads, they wisely seek help from the adults in their lives, especially Mildew. What results is a winning, lighthearted paranormal tale for all ages.

This spunky heroine sees dead people, to readers’ delight.

Pub Date: March 1, 2019

ISBN: 978-1-947392-46-5

Page Count: 214

Publisher: Acorn Publishing

Review Posted Online: Oct. 21, 2019

Kirkus Reviews Issue: Dec. 1, 2019

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Unrelenting gloom relieved only occasionally by wrenching trauma; somehow, though, Hannah’s storytelling chops keep the...

FLY AWAY

Hannah’s sequel to Firefly Lane (2008) demonstrates that those who ignore family history are often condemned to repeat it.

When we last left Kate and Tully, the best friends portrayed in Firefly Lane, the friendship was on rocky ground. Now Kate has died of cancer, and Tully, whose once-stellar TV talk show career is in free fall, is wracked with guilt over her failure to be there for Kate until her very last days. Kate’s death has cemented the distrust between her husband, Johnny, and daughter Marah, who expresses her grief by cutting herself and dropping out of college to hang out with goth poet Paxton. Told mostly in flashbacks by Tully, Johnny, Marah and Tully’s long-estranged mother, Dorothy, aka Cloud, the story piles up disasters like the derailment of a high-speed train. Increasingly addicted to prescription sedatives and alcohol, Tully crashes her car and now hovers near death, attended by Kate’s spirit, as the other characters gather to see what their shortsightedness has wrought. We learn that Tully had tried to parent Marah after her father no longer could. Her hard-drinking decline was triggered by Johnny’s anger at her for keeping Marah and Paxton’s liaison secret. Johnny realizes that he only exacerbated Marah’s depression by uprooting the family from their Seattle home. Unexpectedly, Cloud, who rebuffed Tully’s every attempt to reconcile, also appears at her daughter’s bedside. Sixty-nine years old and finally sober, Cloud details for the first time the abusive childhood, complete with commitments to mental hospitals and electroshock treatments, that led to her life as a junkie lowlife and punching bag for trailer-trash men. Although powerful, Cloud’s largely peripheral story deflects focus away from the main conflict, as if Hannah was loath to tackle the intractable thicket in which she mired her main characters.

Unrelenting gloom relieved only occasionally by wrenching trauma; somehow, though, Hannah’s storytelling chops keep the pages turning even as readers begin to resent being drawn into this masochistic morass.

Pub Date: April 23, 2013

ISBN: 978-0-312-57721-6

Page Count: 416

Publisher: St. Martin's

Review Posted Online: Feb. 18, 2013

Kirkus Reviews Issue: March 1, 2013

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THE COLDEST WINTER EVER

Debut novel by hip-hop rap artist Sister Souljah, whose No Disrespect (1994), which mixes sexual history with political diatribe, is popular in schools country-wide. In its way, this is a tour de force of black English and underworld slang, as finely tuned to its heroine’s voice as Alice Walker’s The Color Purple. The subject matter, though, has a certain flashiness, like a black Godfather family saga, and the heroine’s eventual fall develops only glancingly from her character. Born to a 14-year-old mother during one of New York’s worst snowstorms, Winter Santiaga is the teenaged daughter of Ricky Santiaga, Brooklyn’s top drug dealer, who lives like an Arab prince and treats his wife and four daughters like a queen and her princesses. Winter lost her virginity at 12 and now focuses unwaveringly on varieties of adolescent self-indulgence: sex and sugar-daddies, clothes, and getting her own way. She uses school only as a stepping-stone for getting out of the house—after all, nobody’s paying her to go there. But if there’s no money in it, why go? Meanwhile, Daddy decides it’s time to move out of Brooklyn to truly fancy digs on Long Island, though this places him in the discomfiting position of not being absolutely hands-on with his dealers; and sure enough the rise of some young Turks leads to his arrest. Then he does something really stupid: he murders his wife’s two weak brothers in jail with him on Riker’s Island and gets two consecutive life sentences. Winter’s then on her own, especially with Bullet, who may have replaced her dad as top hood, though when she selfishly fails to help her pregnant buddy Simone, there’s worse—much worse—to come. Thinness aside: riveting stuff, with language so frank it curls your hair. (Author tour)

Pub Date: April 1, 1999

ISBN: 0-671-02578-3

Page Count: 320

Publisher: Pocket

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Feb. 1, 1999

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