THE HUNTER’S MOON

Against a detailed backdrop of Ireland new, old and very old, friendships form, adversaries become allies and romance blooms as an ancient evil demands its due. Hitchhiking around Ireland, Findabhair and her American cousin Gwenhyvar daringly roll out their sleeping bags in a barrow at Tara—and Gwen wakes up alone, her companion having accepted an invitation in the night from Finvarra, Faerie’s king. With both magic and mundane help from a succession of friendly strangers, Gwen pursues the seelie court to get her back, a mission that turns particularly urgent when she learns that Findabhair has really been taken as a sacrifice to Crom Cruac, a monster driven from heaven even before the time of the elves. But Finvarra has fallen in love with his new consort, as she with him, and so Gwen suddenly finds herself gathering a band of modern-day heroes (plus one immortal) to defy the looming, evil Worm. Pausing only for lush descriptions of the landscapes and food in Ireland and in Faerie both, Melling opens the first US edition of her trilogy on a strong note, with a tale, romantic on several levels, that culminates in a heavy sacrifice. (afterword, pronunciation guide) (Fantasy. 11-13)

Pub Date: April 1, 2005

ISBN: 0-8109-5857-0

Page Count: 260

Publisher: Amulet/Abrams

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: March 15, 2005

Did you like this book?

No Comments Yet

FABLEHAVEN

Witty repartee between the central characters, as well as the occasional well-done set piece, isn’t enough to hold this hefty debut together. Teenagers Seth and Kendra are dropped off by traveling parents at their grandfather’s isolated Connecticut estate, and soon discover why he’s so reluctant to have them—the place is a secret haven for magical creatures, both benign and decidedly otherwise. Those others are held in check by a complicated, unwritten and conveniently malleable Compact that is broken on Midsummer Eve, leaving everyone except Kendra captive in a hidden underground chamber with a newly released demon. Mull’s repeated use of the same device to prod the plot along comes off as more labored than comic: Over and over an adult issues a stern but vague warning; Seth ignores it; does some mischief and is sorry afterward. Sometimes Kendra joins in trying to head off her uncommonly dense brother. She comes into her own at the rousing climax, but that takes a long time to arrive; stick with Michael Buckley’s “Sisters Grimm” tales, which carry a similar premise in more amazing and amusing directions. (Fantasy. 11-13)

Pub Date: Aug. 1, 2006

ISBN: 1-59038-581-0

Page Count: 368

Publisher: Shadow Mountain

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Aug. 1, 2006

Did you like this book?

No Comments Yet

GATHERING BLUE

From the Giver Quartet series , Vol. 2

Lowry returns to the metaphorical future world of her Newbery-winning The Giver (1993) to explore the notion of foul reality disguised as fair. Born with a twisted leg, Kira faces a bleak future after her mother dies suddenly, leaving her without protection. Despite her gift for weaving and embroidery, the village women, led by cruel, scarred Vandara, will certainly drive the lame child into the forest, where the “beasts” killed her father, or so she’s been told. Instead, the Council of Guardians intervenes. In Kira’s village, the ambient sounds of voices raised in anger and children being slapped away as nuisances quiets once a year when the Singer, with his intricately carved staff and elaborately embroidered robe, recites the tale of humanity’s multiple rises and falls. The Guardians ask Kira to repair worn historical scenes on the Singer’s robe and promise her the panels that have been left undecorated. Comfortably housed with two other young orphans—Thomas, a brilliant wood-carver working on the Singer’s staff, and tiny Jo, who sings with an angel’s voice—Kira gradually realizes that their apparent freedom is illusory, that their creative gifts are being harnessed to the Guardians’ agenda. And she begins to wonder about the deaths of her parents and those of her companions—especially after the seemingly hale old woman who is teaching her to dye expires the day after telling her there really are no beasts in the woods. The true nature of her society becomes horribly clear when the Singer appears for his annual performance with chained, bloody ankles, followed by Kira’s long-lost father, who, it turns out, was blinded and left for dead by a Guardian. Next to the vividly rendered supporting cast, the gentle, kindhearted Kira seems rather colorless, though by electing at the end to pit her artistic gift against the status quo instead of fleeing, she does display some inner stuff. Readers will find plenty of material for thought and discussion here, plus a touch of magic and a tantalizing hint (stay sharp, or you’ll miss it) about the previous book’s famously ambiguous ending. A top writer, in top form. (author’s note) (Fiction. 11-13)

Pub Date: Sept. 1, 2000

ISBN: 0-618-05581-9

Page Count: 224

Publisher: Houghton Mifflin

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: June 15, 2000

Did you like this book?

No Comments Yet
more