A worthy addition to the shelf of books about the immigrant experience.

SWEDE HOLLOW

Several families emigrate from Sweden to Minnesota in the final years of the 19th century in Swedish journalist and novelist Larsmo's affecting, scrupulously detailed novel.

Anna and Gustaf Klar and their three children travel in steerage from England to New York and along the way make friends with reticent widowed Mrs. Lundgren, her strange son, David, and chatty Inga. After a short stint in New York, they all make their way to St. Paul, where they settle in a small immigrant community down in a ravine. Larsmo follows the members of the group and some of their new neighbors through the next couple of decades. As the novel goes on, the two Klar daughters, Elisabet and particularly Ellen, emerge as its central characters. Most of the novel consists of the stuff of daily life. Characters go to school, get temporary and then more permanent jobs, fall in love and marry, and sometimes die. The mysterious David gets a more dramatic storyline. Chapters called “The Tragic Story of Agnes Karin, David, and Horrible Hans”—rather than the place names Larsmo normally uses as chapter titles—detail a story that includes a murder and a stint in prison. The novel also veers off course to include the story of a lynching and edited transcripts of actual newspaper features about St. Paul generally and Swede Hollow specifically. Those looking for a conventional plot won't find it here: Larsmo writes believable scenes grounded in sensory experience, with relatively complicated characters, in some sort of chronological order, but also seems content to branch out into what are essentially self-contained short stories about characters peripheral to the main intertwined family saga.

A worthy addition to the shelf of books about the immigrant experience.

Pub Date: Oct. 1, 2019

ISBN: 978-1-5179-0451-7

Page Count: 312

Publisher: Univ. of Minnesota

Review Posted Online: July 15, 2019

Kirkus Reviews Issue: Aug. 1, 2019

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THE TATTOOIST OF AUSCHWITZ

An unlikely love story set amid the horrors of a Nazi death camp.

Based on real people and events, this debut novel follows Lale Sokolov, a young Slovakian Jew sent to Auschwitz in 1942. There, he assumes the heinous task of tattooing incoming Jewish prisoners with the dehumanizing numbers their SS captors use to identify them. When the Tätowierer, as he is called, meets fellow prisoner Gita Furman, 17, he is immediately smitten. Eventually, the attraction becomes mutual. Lale proves himself an operator, at once cagey and courageous: As the Tätowierer, he is granted special privileges and manages to smuggle food to starving prisoners. Through female prisoners who catalog the belongings confiscated from fellow inmates, Lale gains access to jewels, which he trades to a pair of local villagers for chocolate, medicine, and other items. Meanwhile, despite overwhelming odds, Lale and Gita are able to meet privately from time to time and become lovers. In 1944, just ahead of the arrival of Russian troops, Lale and Gita separately leave the concentration camp and experience harrowingly close calls. Suffice it to say they both survive. To her credit, the author doesn’t flinch from describing the depravity of the SS in Auschwitz and the unimaginable suffering of their victims—no gauzy evasions here, as in Boy in the Striped Pajamas. She also manages to raise, if not really explore, some trickier issues—the guilt of those Jews, like the tattooist, who survived by doing the Nazis’ bidding, in a sense betraying their fellow Jews; and the complicity of those non-Jews, like the Slovaks in Lale’s hometown, who failed to come to the aid of their beleaguered countrymen.

The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as nonfiction. Still, this is a powerful, gut-wrenching tale that is hard to shake off.

Pub Date: Sept. 4, 2018

ISBN: 978-0-06-279715-5

Page Count: 272

Publisher: Harper/HarperCollins

Review Posted Online: July 17, 2018

Kirkus Reviews Issue: Aug. 1, 2018

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ANIMAL FARM

A FAIRY STORY

A modern day fable, with modern implications in a deceiving simplicity, by the author of Dickens. Dali and Others (Reynal & Hitchcock, p. 138), whose critical brilliance is well adapted to this type of satire. This tells of the revolt on a farm, against humans, when the pigs take over the intellectual superiority, training the horses, cows, sheep, etc., into acknowledging their greatness. The first hints come with the reading out of a pig who instigated the building of a windmill, so that the electric power would be theirs, the idea taken over by Napoleon who becomes topman with no maybes about it. Napoleon trains the young puppies to be his guards, dickers with humans, gradually instigates a reign of terror, and breaks the final commandment against any animal walking on two legs. The old faithful followers find themselves no better off for food and work than they were when man ruled them, learn their final disgrace when they see Napoleon and Squealer carousing with their enemies... A basic statement of the evils of dictatorship in that it not only corrupts the leaders, but deadens the intelligence and awareness of those led so that tyranny is inevitable. Mr. Orwell's animals exist in their own right, with a narrative as individual as it is apt in political parody.

Pub Date: Aug. 26, 1946

ISBN: 0452277507

Page Count: 114

Publisher: Harcourt, Brace

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: Aug. 1, 1946

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