A captivating world, a tragic tale, and a dangerous future. This story must go on.

REMOTE CONTROL

A young Ghanaian girl is forever changed when a delicate artifact falls from the sky and finds its way to her family’s shea tree farm.

The story begins with Sankofa, a young traveler who's feared by many—she is said to be the adopted daughter of death. Sankofa’s touch will kill, and she can wipe out an entire town with a single glance, but she was not always this way. Until the day the meteors fell and she gained this power to take life, she was Fatima, an ordinary and ever curious girl. After she loses everything, including her own name, she begins the journey to understand herself and the powers beyond her control. Aside from her furry companion, a fox named Movenpick, Sankofa must travel alone to reclaim the artifact given to her by the stars. Rich with West African culture and history, including the magical healing powers of shea butter, this book reads more like a folktale than science fiction, though it does include questions about the advancement of surveillance technology, the ever growing presence of American pharmaceutical giants, and the ways they might be connected. With this new novel, Okorafor’s career continues in the same vein as her previous Nebula– and Hugo Award–winning Binti novella trilogy; she has a rare ability to open the reader's mind to various futures while creating complex characters and communities. Though Sankofa's story is short, it's gripping, and readers will likely find themselves rooting for her to find peace.

A captivating world, a tragic tale, and a dangerous future. This story must go on.

Pub Date: Jan. 19, 2021

ISBN: 978-1-250-77280-0

Page Count: 160

Publisher: Tor

Review Posted Online: Jan. 13, 2021

Kirkus Reviews Issue: Feb. 1, 2021

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A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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DEVOLUTION

Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z (2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 10, 2020

Kirkus Reviews Issue: March 1, 2020

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An impressive beginning to what looks to be an ambitious series.

A DECLARATION OF THE RIGHTS OF MAGICIANS

From the The Shadow Histories series , Vol. 1

An alternate history in the style of Naomi Novik and Susanna Clarke explores the French and Haitian revolutions with a magical twist.

This series opener has three plotlines. One follows Fina, a young enslaved woman who eventually joins with Toussaint Louverture and plays a pivotal role in the revolution against slavery and French rule in Saint-Domingue; the second follows Camille Desmoulins and Maximilien Robespierre as they stir up the bloody Reign of Terror; and the third follows friends William Pitt and William Wilberforce as they rise in the ranks of the British Parliament. Parry is working with historical events and (mostly) real characters here, but this is a world where some people are born with magical abilities. Some can control the weather, some can manipulate metal, some can even control others through “mesmerism.” Some magicians have abilities that are wholly outlawed, like necromancy, and “vampires”—here meaning human magicians who can ingest blood to give themselves eternal life—have been wiped out altogether (supposedly). But who is allowed to use their magic? Only White aristocrats, of course, and with the aid of magic, White slave owners literally control slaves’ every movement, trapping them inside their minds. But enslaved people, like Fina, are finding ways to break free and fight back, and in Europe, politicians like Pitt and Wilberforce are working to abolish the slave trade and give people of all classes the right to use their gifts. Desmoulins and Robespierre start out fighting for freedom, but as the French Revolution descends into pure violence, it becomes clear that someone is manipulating Robespierre to cause as much death as possible. The story leans too heavily on dialogue, which, unfortunately, is not Parry’s strongest suit. Her real talent lies in immersive worldbuilding and meticulous plotting, and she does an expert job of setting the scene for the rest of the series while simultaneously constructing a story that’s engaging in its own right.

An impressive beginning to what looks to be an ambitious series.

Pub Date: Sept. 15, 2020

ISBN: 978-0-316-45908-2

Page Count: 544

Publisher: Redhook/Orbit

Review Posted Online: July 1, 2020

Kirkus Reviews Issue: July 15, 2020

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