THE STONE SKY

From the The Broken Earth series , Vol. 3

Jemisin concludes her Broken Earth trilogy (The Obelisk Gate, 2016, etc.), about a vengeful Earth whose tectonic instability can be controlled by the despised and feared orogenes.

Slowly turning to stone as a result of her contact with the Obelisk Gate, Essun nevertheless must repeat that contact to magically grab the long-lost Moon, assuaging the anger of the Earth and ending the devastating Seasons that rock the planet. Meanwhile, her estranged daughter, Nassun, has her own plan to take the Gate for herself and use it to destroy the humans who have responded viciously to the earth shaking and earth-quelling powers of her orogene brethren. Threaded throughout is the story of the stone eater Hoa, who explains his origins from several millennia earlier and how his own struggle to gain his freedom led to the Earth losing the Moon in the first place. Jemisin continues to break the heart with her sensitive, cleareyed depictions of a beyond-dysfunctional family and the extraordinarily destructive force that is prejudice. She wrestles with moral issues at an extreme level: obviously, the cruel discipline and mutilation that orogenes are subjected to violate all standards of decency, and not only is it evil, it’s simply the height of idiocy to exterminate the only people capable of calming a constantly tumultuous landscape. But how does one compassionately instill the appropriate discipline in a child who can also casually and inadvertently destroy a village? Can love survive such training? Jemisin deliberately refuses to provide easy answers: they’re simply not available, in this world or ours.

Painful and powerful.

Pub Date: Aug. 15, 2017

ISBN: 978-0-316-22924-1

Page Count: 464

Publisher: Orbit/Little, Brown

Review Posted Online: July 4, 2017

Kirkus Reviews Issue: July 15, 2017

Did you like this book?

No Comments Yet

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Reader Votes

  • Readers Vote
  • 47

Our Verdict

  • Our Verdict
  • GET IT

  • New York Times Bestseller

DEVOLUTION

Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z (2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 10, 2020

Kirkus Reviews Issue: March 1, 2020

Did you like this book?

With its bug-eyed monsters, one might think Dune was written thirty years ago; it has a fantastically complex schemata and...

DUNE

This future space fantasy might start an underground craze.

It feeds on the shades of Edgar Rice Burroughs (the Martian series), Aeschylus, Christ and J.R. Tolkien. The novel has a closed system of internal cross-references, and features a glossary, maps and appendices dealing with future religions and ecology. Dune itself is a desert planet where a certain spice liquor is mined in the sands; the spice is a supremely addictive narcotic and control of its distribution means control of the universe. This at a future time when the human race has reached a point of intellectual stagnation. What is needed is a Messiah. That's our hero, called variously Paul, then Muad'Dib (the One Who Points the Way), then Kwisatz Haderach (the space-time Messiah). Paul, who is a member of the House of Atreides (!), suddenly blooms in his middle teens with an ability to read the future and the reader too will be fascinated with the outcome of this projection.

With its bug-eyed monsters, one might think Dune was written thirty years ago; it has a fantastically complex schemata and it should interest advanced sci-fi devotees.

Pub Date: Oct. 15, 1965

ISBN: 0441013597

Page Count: 411

Publisher: Chilton

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: Oct. 1, 1965

Did you like this book?

more