Stone delivers a thoughtful and polished novel about class, privilege, and relative poverty.

JACKPOT

Seventeen-year-old Rico’s family is living paycheck to paycheck and way beyond their means, even with Rico’s practically full-time job and her mother’s long hours.

When a customer purchases the winning ticket at the Gas ’n’ Go where she works but doesn’t claim it, Rico begins searching for the elderly woman she believes to be the winner. She enlists the help of Zan, the superrich heir of Macklin Enterprises in their hometown of Norcross, Georgia. Rico tentatively begins to hope in the future as her feelings for the privileged and complex Zan and her camaraderie with new friends finally start balancing out her family’s struggles. Filled with rich character development, whip-smart dialogue, and a layered exploration of financial precariousness, Stone (Odd One Out, 2018, etc.) touches on rising health care costs, the effect of illness in the family, interracial dating, and biracial identity. Intermittent passages from the perspectives of inanimate objects—including the winning ticket—around the characters add humor, and the short chapters inject the narrative with suspense. Rico is white, Latinx, and black. Zan is Latinx and white, and they live in a predominantly white neighborhood. Readers will have to suspend disbelief at the book’s conclusion, but this romantic coming-of-age novel will have them hoping for their own lucky ending.

Stone delivers a thoughtful and polished novel about class, privilege, and relative poverty. (Fiction. 14-adult)

Pub Date: Oct. 15, 2019

ISBN: 978-1-9848-2962-7

Page Count: 368

Publisher: Crown

Review Posted Online: July 24, 2019

Kirkus Reviews Issue: Aug. 15, 2019

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Riveting, brutal and beautifully told.

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WE WERE LIARS

A devastating tale of greed and secrets springs from the summer that tore Cady’s life apart.

Cady Sinclair’s family uses its inherited wealth to ensure that each successive generation is blond, beautiful and powerful. Reunited each summer by the family patriarch on his private island, his three adult daughters and various grandchildren lead charmed, fairy-tale lives (an idea reinforced by the periodic inclusions of Cady’s reworkings of fairy tales to tell the Sinclair family story). But this is no sanitized, modern Disney fairy tale; this is Cinderella with her stepsisters’ slashed heels in bloody glass slippers. Cady’s fairy-tale retellings are dark, as is the personal tragedy that has led to her examination of the skeletons in the Sinclair castle’s closets; its rent turns out to be extracted in personal sacrifices. Brilliantly, Lockhart resists simply crucifying the Sinclairs, which might make the family’s foreshadowed tragedy predictable or even satisfying. Instead, she humanizes them (and their painful contradictions) by including nostalgic images that showcase the love shared among Cady, her two cousins closest in age, and Gat, the Heathcliff-esque figure she has always loved. Though increasingly disenchanted with the Sinclair legacy of self-absorption, the four believe family redemption is possible—if they have the courage to act. Their sincere hopes and foolish naïveté make the teens’ desperate, grand gesture all that much more tragic.

Riveting, brutal and beautifully told. (Fiction. 14 & up)

Pub Date: May 13, 2014

ISBN: 978-0-385-74126-2

Page Count: 240

Publisher: Delacorte

Review Posted Online: March 17, 2014

Kirkus Reviews Issue: April 1, 2014

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This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.

GIRL IN PIECES

After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.

Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.

This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)

Pub Date: Aug. 30, 2016

ISBN: 978-1-101-93471-5

Page Count: 416

Publisher: Delacorte

Review Posted Online: May 4, 2016

Kirkus Reviews Issue: May 15, 2016

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