BEAUTY AND THE BEAST

In a briefer recasting of Leprince Beaumont's beloved tale than McKinley's fine novelization (1978), Willard grounds the story in the opulent materialism of the late 19th century, with Beauty's father as a wealthy New York merchant; their country retreat is in the Hudson Valley, where the Beast's magical Victorian mansion fits right in with a region renowned for supernatural happenings. Willard's telling is brisk but lyrical, of course, the lovely romantic touches delicately balanced with wry humor. There are but two sisters here, as self-serving as Cinderella's; in an abruptly vengeful conclusion, they become a pair of andirons. Otherwise, the tone is gentle, with much of the interest in the enchanting details of the Beast's magical home and garden. Moser provides 14 wood engravings, handsome but rather austere for attracting much of the book's natural audience. There are telling (but distancing) portraits of Beauty and her sisters; a poignant take on the beast—deformed face, haunted eyes; the brooding mansion; and, representing the denouement, a chaste pair of hands, not quite clasped. A felicitous retelling, in an elegant format that leaves plenty of ``scope for the imagination.'' (Fiction. 6+)

Pub Date: Oct. 1, 1992

ISBN: 0-15-206052-9

Page Count: 74

Publisher: Harcourt

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Oct. 15, 1992

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MORNING GIRL

Like the quiet lap of waves on the sand, the alternating introspections of two Bahamian island children in 1492. Morning Girl and her brother Star Boy are very different: she loves the hush of pre-dawn while he revels in night skies, noise, wind. In many ways they are antagonists, each too young and subjective to understand the other's perspective—in contrast to their mother's appreciation for her brother. In the course of these taut chapters concerning such pivotal events as their mother's losing a child, the arrival of a hurricane, or Star Boy's earning the right to his adult name, they grow closer. In the last, Morning Girl greets— with cordial innocence—a boat full of visitors, unaware that her beautifully balanced and textured life is about to be catalogued as ``very poor in everything,'' her island conquered by Europeans. This paradise is so intensely and believably imagined that the epilogue, quoted from Columbus's diary, sickens with its ominous significance. Subtly, Dorris draws parallels between the timeless chafings of sibs set on changing each other's temperaments and the intrusions of states questing new territory. Saddening, compelling—a novel to be cherished for its compassion and humanity. (Fiction. 8+)

Pub Date: Sept. 14, 1992

ISBN: 1-56282-284-5

Page Count: 80

Publisher: Hyperion

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Aug. 15, 1992

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NIM'S ISLAND

A child finds that being alone in a tiny tropical paradise has its ups and downs in this appealingly offbeat tale from the Australian author of Peeling the Onion (1999). Though her mother is long dead and her scientist father Jack has just sailed off on a quick expedition to gather plankton, Nim is anything but lonely on her small island home. Not only does she have constant companions in Selkie, a sea lion, and a marine iguana named Fred, but Chica, a green turtle, has just arrived for an annual egg-laying—and, through the solar-powered laptop, she has even made a new e-mail friend in famed adventure novelist Alex Rover. Then a string of mishaps darkens Nim’s sunny skies: her father loses rudder and dish antenna in a storm; a tourist ship that was involved in her mother’s death appears off the island’s reefs; and, running down a volcanic slope, Nim takes a nasty spill that leaves her feverish, with an infected knee. Though she lives halfway around the world and is in reality a decidedly unadventurous urbanite, Alex, short for “Alexandra,” sets off to the rescue, arriving in the midst of another storm that requires Nim and companions to rescue her. Once Jack brings his battered boat limping home, the stage is set for sunny days again. Plenty of comic, freely-sketched line drawings help to keep the tone light, and Nim, with her unusual associates and just-right mix of self-reliance and vulnerability, makes a character young readers won’t soon tire of. (Fiction. 10-12)

Pub Date: March 1, 2001

ISBN: 0-375-81123-0

Page Count: 144

Publisher: Knopf

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Dec. 15, 2000

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