In an era when writers of color are broadening the space in which class and culture as well as race are examined,...

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HEADS OF THE COLORED PEOPLE

A bold new voice, at once insolently sardonic and incisively compassionate, asserts itself amid a surging wave of young African-American fiction writers.

In her debut story collection, Thompson-Spires flashes fearsome gifts for quirky characterization, irony-laden repartee, and edgy humor. All these traits are evident in an epistolary narrative entitled “Belles Lettres,” which tells its story through a series of increasingly snarky notes exchanged between two African-American mothers via the backpacks of their young daughters, the only two black students in their class at a California private school, who are engaged in some stressful and, at times, physical conflict with each other. The next story, “The Body’s Defenses Against Itself,” follows these girls, Christinia and Fatima, through high school and into adulthood as they continue to needle each other over issues of appearance and weight. (Yoga appears to be the answer. Or at least an answer.) The theme of self-image carries into the third story of this cycle, “Fatima, the Biloquist: A Transformation Story,” in which youthful romantic rituals, awkward as ever, are further complicated by presumptions of racial “authenticity.” In these and other stories, Thompson-Spires is attentive to telling details of speech, comportment, and milieu, sometimes to devastating effect. The title story carries a subhead, “Four Fancy Sketches, Two Chalk Outlines, and No Apology,” that only hints at the audacity, drollness, and, in the end, desolation compressed into this account of an altercation outside a comic book convention between two young black men, a flamboyantly costumed fan and an ill-tempered street entrepreneur. It seems difficult for even the most experienced storyteller to achieve an appealing balance of astringency and poignancy, and yet Thompson-Spires hits that balance repeatedly, whether in the darkly antic “Suicide, Watch,” in which an especially self-conscious young woman named Jilly struggles with how best to commit suicide (and to tell her friends about it on social media), or in the deeply affecting “Wash Clean the Bones,” whose churchgoing protagonist struggles with her soul over whether she should raise her newborn son in a racist society.

In an era when writers of color are broadening the space in which class and culture as well as race are examined, Thompson-Spires’ auspicious beginnings augur a bright future in which she could set new standards for the short story.

Pub Date: April 10, 2018

ISBN: 978-1-5011-6799-7

Page Count: 208

Publisher: 37 Ink/Simon & Schuster

Review Posted Online: Jan. 23, 2018

Kirkus Reviews Issue: Feb. 1, 2018

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THE THINGS THEY CARRIED

It's being called a novel, but it is more a hybrid: short-stories/essays/confessions about the Vietnam War—the subject that O'Brien reasonably comes back to with every book. Some of these stories/memoirs are very good in their starkness and factualness: the title piece, about what a foot soldier actually has on him (weights included) at any given time, lends a palpability that makes the emotional freight (fear, horror, guilt) correspond superbly. Maybe the most moving piece here is "On The Rainy River," about a draftee's ambivalence about going, and how he decided to go: "I would go to war—I would kill and maybe die—because I was embarrassed not to." But so much else is so structurally coy that real effects are muted and disadvantaged: O'Brien is writing a book more about earnestness than about war, and the peekaboos of this isn't really me but of course it truly is serve no true purpose. They make this an annoyingly arty book, hiding more than not behind Hemingwayesque time-signatures and puerile repetitions about war (and memory and everything else, for that matter) being hell and heaven both. A disappointment.

Pub Date: March 28, 1990

ISBN: 0618706410

Page Count: 256

Publisher: Houghton Mifflin

Review Posted Online: Oct. 2, 2011

Kirkus Reviews Issue: Feb. 15, 1990

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BEYOND THE GREAT SNOW MOUNTAINS

Superb stylist L’Amour returns (End of the Drive, 1997, etc.), albeit posthumously, with ten stories never seen before in book form—and narrated in his usual hard-edged, close-cropped sentences, jutting up from under fierce blue skies. This is the first of four collections of L’Amour material expected from Bantam, edited by his daughter Angelique, featuring an eclectic mix of early historicals and adventure stories set in China, on the high seas, and in the boxing ring, all drawing from the author’s exploits as a carnival barker and from his mysterious and sundry travels. During this period, L’Amour was trying to break away from being a writer only of westerns. Also included is something of an update on Angelique’s progress with her father’s biography: i.e., a stunningly varied list of her father’s acquaintances from around the world whom she’d like to contact for her research. Meanwhile, in the title story here, a missionary’s daughter who crashes in northern Asia during the early years of the Sino-Japanese War is taken captive by a nomadic leader and kept as his wife for 15 years, until his death. When a plane lands, she must choose between taking her teenaged son back to civilization or leaving him alone with the nomads. In “By the Waters of San Tadeo,” set on the southern coast of Chile, Julie Marrat, whose father has just perished, is trapped in San Esteban, a gold field surrounded by impassable mountains, with only one inlet available for anyone’s escape. “Meeting at Falmouth,” a historical, takes place in January 1794 during a dreadful Atlantic storm: “Volleys of rain rattled along the cobblestones like a scattering of broken teeth.” In this a notorious American, unnamed until the last paragraph, helps Talleyrand flee to America. A master storyteller only whets the appetite for his next three volumes.

Pub Date: May 11, 1999

ISBN: 0-553-10963-4

Page Count: 288

Publisher: Bantam

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: March 1, 1999

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