Resplendent with Anderson’s trademark dry, sarcastic wit, this brief, complicated read serves as a scathing social...

LANDSCAPE WITH INVISIBLE HAND

Humans inhabit the bottom echelons in this brief satirical novel of alien invasion that envisions a scenario more whimper than bang.

Adam, a talented artist, lives with his mother and sister after his father abandons the family. When the 1950s-culture–obsessed vuvv landed years before, people were taken in by their promises to supply advanced technology and medicine, not understanding that they’d soon be obsolete, impoverished, and, like Adam, who suffers from a debilitating intestinal illness, without any means to pay for medical care. In short vignettes titled as if they are pieces of fine art, the bleakness of this new reality is expertly rendered—as in an early chapter in which his mother is roughed up by a fellow job seeker who threatens to burn her “motherfucking house down” if she persists in applying for the same part-time position. When they decide to rent out part of their house to another family, Adam and their daughter, Chloe, fall for each other. Monetizing their connection by broadcasting their 1950s-styled romance for the vuvv becomes mightily complicated when the relationship sours. The ethnicities of the main characters are not specified—the only time race is textually indicated is a passage where white people are shown rioting on television and blaming Mexican workers for stealing their jobs—but references to European art and the way Adam and Chloe slide into a clichéd movie vision of the 1950s both imply they are white and add further layers of interpretive complexity to the book.

Resplendent with Anderson’s trademark dry, sarcastic wit, this brief, complicated read serves as a scathing social commentary and, as the title indicates, an interrogation of free market economics. (Science fiction. 14-adult)

Pub Date: Sept. 12, 2017

ISBN: 978-0-7636-8789-2

Page Count: 160

Publisher: Candlewick

Review Posted Online: May 15, 2017

Kirkus Reviews Issue: June 1, 2017

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This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.

GIRL IN PIECES

After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.

Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.

This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)

Pub Date: Aug. 30, 2016

ISBN: 978-1-101-93471-5

Page Count: 416

Publisher: Delacorte

Review Posted Online: May 4, 2016

Kirkus Reviews Issue: May 15, 2016

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Black is building a complex mythology; now is a great time to tune in.

THE CRUEL PRINCE

From the Folk of the Air series , Vol. 1

Black is back with another dark tale of Faerie, this one set in Faerie and launching a new trilogy.

Jude—broken, rebuilt, fueled by anger and a sense of powerlessness—has never recovered from watching her adoptive Faerie father murder her parents. Human Jude (whose brown hair curls and whose skin color is never described) both hates and loves Madoc, whose murderous nature is true to his Faerie self and who in his way loves her. Brought up among the Gentry, Jude has never felt at ease, but after a decade, Faerie has become her home despite the constant peril. Black’s latest looks at nature and nurture and spins a tale of court intrigue, bloodshed, and a truly messed-up relationship that might be the saving of Jude and the titular prince, who, like Jude, has been shaped by the cruelties of others. Fierce and observant Jude is utterly unaware of the currents that swirl around her. She fights, plots, even murders enemies, but she must also navigate her relationship with her complex family (human, Faerie, and mixed). This is a heady blend of Faerie lore, high fantasy, and high school drama, dripping with description that brings the dangerous but tempting world of Faerie to life.

Black is building a complex mythology; now is a great time to tune in. (Fantasy. 14-adult)

Pub Date: Jan. 2, 2018

ISBN: 978-0-316-31027-7

Page Count: 384

Publisher: Little, Brown

Review Posted Online: Sept. 26, 2017

Kirkus Reviews Issue: Oct. 15, 2017

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