“Yummy” may be highly subjective, but friendship is transcendent.

I REALLY LIKE SLOP!

From the Elephant & Piggie series

“Pigs really, really, really, really, really like slop!”

In fact, “eating slop is part of pig culture,” so when Gerald the elephant turns up his trunk at best friend Piggie’s reeking, green bowlful (“The flies are how you know it is ripe!”), she takes it very personally. Seeing her devastation, Gerald steels himself to “try a small taste,” using his trunk to transfer a tiny globule to a very reluctant tongue. A comedic four-page sequence ensues, in which Gerald’s disgust is dramatized with very un-elephantlike coloration, contortions, and many repetitions of “Urk!” (Turns out old shoes are the secret ingredient.) Willems exploits his audience’s familiarity with the beloved characters to deliver a humorous update of Green Eggs and Ham, combining it with a message about not just friendship and trying new things, but cross-cultural understanding. With cultural awareness an ever more prominent element of school curricula, it’s likely kids will understand it immediately. Picky eaters will see themselves in Gerald, and they will appreciate his bravery and generosity of spirit. Once he’s tasted it, Gerald confesses that he does not particularly like slop, but he’s glad he tried it: “Because I really like you,” he tells a pleased Piggie.

“Yummy” may be highly subjective, but friendship is transcendent. (Early reader. 4-8)

Pub Date: Oct. 27, 2015

ISBN: 978-1-4847-2262-6

Page Count: 64

Publisher: Hyperion

Review Posted Online: Oct. 6, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among

PETE THE CAT'S 12 GROOVY DAYS OF CHRISTMAS

Pete, the cat who couldn’t care less, celebrates Christmas with his inimitable lassitude.

If it weren’t part of the title and repeated on every other page, readers unfamiliar with Pete’s shtick might have a hard time arriving at “groovy” to describe his Christmas celebration, as the expressionless cat displays not a hint of groove in Dean’s now-trademark illustrations. Nor does Pete have a great sense of scansion: “On the first day of Christmas, / Pete gave to me… / A road trip to the sea. / GROOVY!” The cat is shown at the wheel of a yellow microbus strung with garland and lights and with a star-topped tree tied to its roof. On the second day of Christmas Pete gives “me” (here depicted as a gray squirrel who gets on the bus) “2 fuzzy gloves, and a road trip to the sea. / GROOVY!” On the third day, he gives “me” (now a white cat who joins Pete and the squirrel) “3 yummy cupcakes,” etc. The “me” mentioned in the lyrics changes from day to day and gift to gift, with “4 far-out surfboards” (a frog), “5 onion rings” (crocodile), and “6 skateboards rolling” (a yellow bird that shares its skateboards with the white cat, the squirrel, the frog, and the crocodile while Pete drives on). Gifts and animals pile on until the microbus finally arrives at the seaside and readers are told yet again that it’s all “GROOVY!”

Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among . (Picture book. 4-8)

Pub Date: Sept. 18, 2018

ISBN: 978-0-06-267527-9

Page Count: 48

Publisher: Harper/HarperCollins

Review Posted Online: Aug. 20, 2018

Kirkus Reviews Issue: Sept. 1, 2018

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Hee haw.

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THE WONKY DONKEY

The print version of a knee-slapping cumulative ditty.

In the song, Smith meets a donkey on the road. It is three-legged, and so a “wonky donkey” that, on further examination, has but one eye and so is a “winky wonky donkey” with a taste for country music and therefore a “honky-tonky winky wonky donkey,” and so on to a final characterization as a “spunky hanky-panky cranky stinky-dinky lanky honky-tonky winky wonky donkey.” A free musical recording (of this version, anyway—the author’s website hints at an adults-only version of the song) is available from the publisher and elsewhere online. Even though the book has no included soundtrack, the sly, high-spirited, eye patch–sporting donkey that grins, winks, farts, and clumps its way through the song on a prosthetic metal hoof in Cowley’s informal watercolors supplies comical visual flourishes for the silly wordplay. Look for ready guffaws from young audiences, whether read or sung, though those attuned to disability stereotypes may find themselves wincing instead or as well.

Hee haw. (Picture book. 5-7)

Pub Date: May 1, 2010

ISBN: 978-0-545-26124-1

Page Count: 26

Publisher: Scholastic

Review Posted Online: Dec. 29, 2018

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