In the wake of Everything Awesome About Dinosaurs and Other Prehistoric Beasts! (2019), Lowery spins out likewise frothy arrays of facts and observations about sharks, whales, giant squid, and smaller but no less extreme (or at least extremely interesting) sea life.
He provides plenty of value-added features, from overviews of oceanic zones and environments to jokes, drawing instructions, and portrait galleries suitable for copying or review. While not one to pass up any opportunity to, for instance, characterize ambergris as “whale vomit perfume” or the clownfish’s protective coating as “snot armor,” he also systematically introduces members of each of the eight orders of sharks, devotes most of a page to the shark’s electroreceptive ampullae of Lorenzini, and even sheds light on the unobvious differences between jellyfish and the Portuguese man-of-war or the reason why the blue octopus is said to have “arms” rather than “tentacles.” He also argues persuasively that sharks have gotten a bad rap (claiming that more people are killed each year by…vending machines) and closes with pleas to be concerned about plastic waste, to get involved in conservation efforts, and (cannily) to get out and explore our planet because (quoting Jacques-Yves Cousteau) “People protect what they love.” Human figures, some with brown skin, pop up occasionally to comment in the saturated color illustrations. (This book was reviewed digitally with 10-by-17-inch double-page spreads viewed at 45% of actual size.)
An immersive dunk into a vast subject—and on course for shorter attention spans. (bibliography, list of organizations) (Nonfiction. 7-10)Pub Date: Oct. 6, 2020
ISBN: 978-1-338-35973-2
Page Count: 128
Publisher: Orchard/Scholastic
Review Posted Online: June 30, 2020
Kirkus Reviews Issue: July 15, 2020
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A highlights reel of the great scientist’s life and achievements, from clandestine early schooling to the founding of Warsaw’s Radium Institute.
In big sequential panels Bayarri dashes through Curie’s career, barely pausing at significant moments (“Mother! A letter just arrived. It’s from Sweden,” announces young Irène. “Oh, really?…They’re awarding me another Nobel!”) in a seeming rush to cover her youth, family life, discoveries, World War I work, and later achievements (with only a closing timeline noting her death, of “aplastic anemia”). Button-eyed but recognizable figures in the panels pour out lecture-ish dialogue. This is well stocked with names and scientific terms but offered with little or no context—characteristics shared by co-published profiles on Albert Einstein and the Theory of Relativity (“You and your thought experiments, Albert!” “We love it! The other day, Schrödinger thought up one about a cat”), Charles Darwin and the Theory of Evolution, and Isaac Newton and the Laws of Motion. Dark-skinned Tierra del Fuegans make appearances in Darwin, prompting the young naturalist to express his strong anti-slavery views; otherwise the cast is white throughout the series. Engagingly informal as the art and general tone of the narratives are, the books will likely find younger readers struggling to keep up, but kids already exposed to the names and at least some of the concepts will find these imports, translated from the Basque, helpful if, at times, dry overviews.
Together with its companions, too rushed to be first introductions but suitable as second ones. (glossary, index, resource list) (Graphic biography. 7-9)Pub Date: Jan. 1, 2020
ISBN: 978-1-5415-7821-0
Page Count: 40
Publisher: Graphic Universe
Review Posted Online: Oct. 9, 2019
Kirkus Reviews Issue: Nov. 1, 2019
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Creatively stylized images of flora and fauna native to some 15 deserts around the world.
Interspersing her examination with closer looks at camels and at sand dunes, the bird communities associated with acacia trees, and like intriguing sidelights, Tzomaka poses groups of select residents from all three types of desert (hot, cold, and coastal) against sere backdrops, with pithily informative comments on characteristic behaviors and survival strategies. But significant bits of her presentation are only semilegible, with black type placed on deep blue or purple backgrounds. And rarely (if ever) have desert animals looked so…floral. Along with opting for a palette of bright pinks, greens, and purples rather than natural hues for her flat, screen-print–style figures, Tzomaka decorates them with contrasting whirls of petals and twining flourishes, stars, scallops, pinwheels, and geometric lines or tessellations. Striking though these fancies are, artistic license has led her into some serious overgeneralizations, as she claims to be drawing on regional folk motifs for inspiration—justifying the ornate ruffs and borders on creatures of the Kalahari with a vague note that “African tribes make accessories and jewelry…decorated with repeated lines, circles and dots,” for instance, and identifying a Northwest Coastal pattern on an arctic fox as “Inuit.” Readers may find less shifty footing in more conventional outings like Jim Arnosky’s Watching Desert Wildlife (1998).
A promising debut spoiled by a design issue and cultural insensitivity. (map, index) (Informational picture book. 7-9)Pub Date: April 21, 2020
ISBN: 978-0-500-65198-8
Page Count: 56
Publisher: Thames & Hudson
Review Posted Online: Feb. 26, 2020
Kirkus Reviews Issue: March 15, 2020
Categories: CHILDREN'S ANIMALS | CHILDREN'S SCIENCE & TECHNOLOGY
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