Boldt (123 versus ABC, 2013) continues to mix things up; this time, colors and shapes audition to be the stars of a book.
Team 1 consists of colors—blobs with arms, legs and faces. They are invited to take the stage first, but they’re interrupted by Team 2—white anthropomorphized shapes with big attitudes: “Clearly we’re going to win this contest….So you may as well just skip those fellas.” Well, them’s fightin’ words. The colors begin to show off, mixing primaries to make secondaries (blue and yellow combine, and green is the result—but all three still exist separately, which may puzzle readers). Meanwhile, two triangles make a square, the only combination; from there, they simply add angles and sides. The yelling escalates until red and octagon accidently collide. Cooperation leads to a colorful, wordless spread that showcases colorful objects built from basic shapes, though not all of them are easily individuated (the three sections of an apple-tree trunk, for instance); Stella Blackstone’s Ship Shapes (2006) did a much better job with regard to combining shapes into scenes. In the end, the judges (the stars of 123 versus ABC) give colors a 10 and shapes an A+, and obviously, they are both the stars of this book. Boldt’s digital illustrations are just as colorful and zany as those in his previous book, but readers may have some trouble following the numerous, crowded speech bubbles.
Not nearly as much fun as the showdown between letters and numbers. (Picture book. 4-8)Pub Date: Aug. 26, 2014
ISBN: 978-0-06-210303-1
Page Count: 40
Publisher: Harper/HarperCollins
Review Posted Online: June 10, 2014
Kirkus Reviews Issue: July 1, 2014
Categories: CHILDREN'S CONCEPTS
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To the consternation of the other six days of the week, Sunday quits in protest, tired of being unappreciated for her consistent delivery of a weekly “beautiful free day.”
Sunday’s abrupt decision prompts the others to look for her replacement with an advertisement inviting auditions before the remaining six days. The competition quickly grows increasingly fierce as ideas are broached for DogDay, Big-BurpDay, PieDay, Band-AidDay, and, ridiculously, FirepoleSlidingIntoPoolsOfCottonCandyDay. Amid all this boisterous and frenzied rivalry, a little girl approaches the misunderstood Sunday with a small plant to say thank you and to suggest “simply a nice day. A day when people can show more kindness to each other.” The child’s humble gratitude is enough for Sunday to return to her important weekly position and to prompt all the days to value kindness as the key to each day’s possibilities. Bright art captures the mania, with cotton-candy hues representing each of the anthropomorphic days. Though undeniably comical as it unfolds in busy cartoon illustrations and speech balloons, the drawn-out, nonsensical, and unexpected course the narrative takes may be a stretch for youngsters who cannot always distinguish among days. Kindness as the ingredient for achieving a harmonious week is nevertheless a valuable message, however circuitously expressed. (This book was reviewed digitally with 11-by-18-inch double-page spreads viewed at 50% of actual size.)
A humorous, meandering approach to a life lesson about leading every day with benevolence. (Picture book. 5-7)Pub Date: March 2, 2021
ISBN: 978-0-525-55424-0
Page Count: 48
Publisher: Dial Books
Review Posted Online: Nov. 27, 2020
Kirkus Reviews Issue: Dec. 15, 2020
Categories: CHILDREN'S CONCEPTS | CHILDREN'S SOCIAL THEMES
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The author of The Patchwork Bike (illustrated by Van Thanh Rudd, 2016) writes to children about the meaning of the phrase Black Lives Matter.
Pastel illustrations, also by Clarke, on dark, textured paper are paired with oversized, contrasting text addressed to “Little one.” In the visuals, a family that begins as a couple expecting a baby grows into a family with a child and then becomes part of a community in protest, marching for Black lives, before a final page shows a jubilant Black boy in a cap and gown. The adult narrator explains that “when we say Black Lives Matter, / we’re saying Black people are wonderful-strong.” Other meanings of the rallying cry, when it is called out, screamed, sung, laughed, and known, include a demand for respect, a defiant joy, a channeling of ancestors, an acknowledgment of trouble, and knowing one’s worth. Clarke’s text is poignant and mesmerizing, with design elements that raise the text to an artistic level, shaping it around the art and highlighting active and emotional words in color: enough, dancing, radiant, precious. The art is truly outstanding, gripping the heart from the very first spread and not letting go. With colored shapes and stained-glass motifs, these Black figures feel real and weighty. Within this deep dive are tragedy, fear, anger, and mourning alongside hope, comfort, strength, and triumph. This slim book contains a necessary and healing exploration of our current moment that will remain relevant for decades to come.
An astonishing work of art and a crucial addition to every bookshelf. (Picture book. 4-10)Pub Date: Sept. 14, 2021
ISBN: 978-1-5362-2238-8
Page Count: 32
Publisher: Candlewick
Review Posted Online: June 29, 2021
Kirkus Reviews Issue: July 15, 2021
Categories: CHILDREN'S SOCIAL THEMES | CHILDREN'S FAMILY
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BOOK REVIEW
A class visits the pumpkin patch, giving readers a chance to count down from 20.
At the farm, Farmer Mixenmatch gives them the tour, which includes a petting zoo, an educational area, a corn maze and a tractor ride to the pumpkin patch. Holub’s text cleverly though not always successfully rhymes each child’s name within the line: “ ‘Eighteen kids get on our bus,’ says Russ. / ‘But someone’s late,’ says Kate. / ‘Wait for me!’ calls Kiri.” Pumpkins at the tops of pages contain the numerals that match the text, allowing readers to pair them with the orange-colored, spelled-out numbers. Some of the objects proffered to count are a bit of a stretch—“Guess sixteen things we’ll see,” count 14 cars that arrived at the farm before the bus—but Smith’s artwork keeps things easy to count, except for a challenging page that asks readers to search for 17 orange items (answers are at the bottom, upside down). Strangely, Holub includes one page with nothing to count—a sign marks “15 Pumpkin Street.” Charming, multicultural round-faced characters and lots of detail encourage readers to go back through the book scouring pages for the 16 things the kids guessed they might see. Endpapers featuring a smattering of pumpkin facts round out the text.
Between its autumn and field-trip themes and the fact that not many books start countdowns from 20, this may find its way to many library shelves. (Picture book. 4-7)Pub Date: July 1, 2012
ISBN: 978-0-8075-6660-2
Page Count: 32
Publisher: Whitman
Review Posted Online: May 16, 2012
Kirkus Reviews Issue: June 1, 2012
Categories: CHILDREN'S CONCEPTS
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