Less pathological than Love You Forever but aimed at the same audience.

ONE MORE HUG

The reassurance of “one more hug” allows a little boy to take on fears, new challenges, and responsibilities as he grows into an older boy, adolescent, and finally young man.

Graceful gouache paintings delineate a child’s progress, from coping with the fear of a storm and a broken toy through the first time on a school bus, growing older and learning to climb a tree, ride a bike, play soccer, training with the track team, and, ultimately, driving away to life on his own. All the while, Mama is there to provide support and love, always with a special hug. Related in the past tense by Mama, the narrative reflects a nostalgic remembrance yet conveys the constant unbreakable bond between mother and child. “But even though you were older, you were still my boy. And you asked for… // one more hug before your big performance.” In a final sentimental reflection, Mama wonders if her now-adult son understands her pride and love for him and is happily rewarded with a surprise visit and “one more hug.” Children will enjoy reviewing the relatable illustrations of a growing child’s activities; however, it’s parents who will undoubtedly identify with the emotions. According to the author’s note, the intent is to assure parents that sons should be allowed to express their feelings. Both Mama and son are white.

Less pathological than Love You Forever but aimed at the same audience. (Picture book. 5-10)

Pub Date: Nov. 12, 2019

ISBN: 978-1-5344-2971-0

Page Count: 40

Publisher: Aladdin

Review Posted Online: July 14, 2019

Kirkus Reviews Issue: Aug. 1, 2019

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The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted...

CLAYMATES

Reinvention is the name of the game for two blobs of clay.

A blue-eyed gray blob and a brown-eyed brown blob sit side by side, unsure as to what’s going to happen next. The gray anticipates an adventure, while the brown appears apprehensive. A pair of hands descends, and soon, amid a flurry of squishing and prodding and poking and sculpting, a handsome gray wolf and a stately brown owl emerge. The hands disappear, leaving the friends to their own devices. The owl is pleased, but the wolf convinces it that the best is yet to come. An ear pulled here and an extra eye placed there, and before you can shake a carving stick, a spurt of frenetic self-exploration—expressed as a tangled black scribble—reveals a succession of smug hybrid beasts. After all, the opportunity to become a “pig-e-phant” doesn’t come around every day. But the sound of approaching footsteps panics the pair of Picassos. How are they going to “fix [them]selves” on time? Soon a hippopotamus and peacock are staring bug-eyed at a returning pair of astonished hands. The creative naiveté of the “clay mates” is perfectly captured by Petty’s feisty, spot-on dialogue: “This was your idea…and it was a BAD one.” Eldridge’s endearing sculpted images are photographed against the stark white background of an artist’s work table to great effect.

The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted fun of their own . (Picture book. 5-8)

Pub Date: June 20, 2017

ISBN: 978-0-316-30311-8

Page Count: 40

Publisher: Little, Brown

Review Posted Online: March 29, 2017

Kirkus Reviews Issue: April 15, 2017

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A beautifully poignant celebration of memories of a loved one that live on in those that remain.

THE SOUR CHERRY TREE

With ample emotional subtext, a young girl recalls everyday details about her beloved grandfather the day after his death.

The child bites her mother’s toe to wake her up, wishing that she could have done the same for her baba bozorg, her beloved grandfather, who had forgotten to wake up the day before. She kisses a pancake that reminds her of her grandfather’s face. Her mother, who had been admonishing her for playing with her food, laughs and kisses the pancake’s forehead. Returning to Baba Bozorg’s home, the child sees minute remnants of her grandfather: a crumpled-up tissue, smudgy eyeglasses, and mint wrappers in his coat pockets. From these artifacts the narrator transitions to less tangible, but no less vivid, memories of playing together and looks of love that transcend language barriers. Deeply evocative, Hrab’s narrative captures a child’s understanding of loss with gentle subtlety, and gives space for processing those feelings. Kazemi’s chalk pastel art pairs perfectly with the text and title: Pink cherry hues, smoky grays, and hints of green plants appear throughout the book, concluding in an explosion of vivid green that brings a sense of renewal, joy, and remembrance to the heartfelt ending. Though the story is universally relevant, cultural cues and nods to Iranian culture will resonate strongly with readers of Iranian/Persian heritage. (This book was reviewed digitally.)

A beautifully poignant celebration of memories of a loved one that live on in those that remain. (Picture book. 4-8)

Pub Date: Oct. 15, 2021

ISBN: 978-1-77147-414-6

Page Count: 32

Publisher: Owlkids Books

Review Posted Online: July 14, 2021

Kirkus Reviews Issue: Aug. 1, 2021

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A jam-packed opener sure to satisfy lovers of the princess genre.

SNOW PLACE LIKE HOME

From the Diary of an Ice Princess series

Ice princess Lina must navigate family and school in this early chapter read.

The family picnic is today. This is not a typical gathering, since Lina’s maternal relatives are a royal family of Windtamers who have power over the weather and live in castles floating on clouds. Lina herself is mixed race, with black hair and a tan complexion like her Asian-presenting mother’s; her Groundling father appears to be a white human. While making a grand entrance at the castle of her grandfather, the North Wind, she fails to successfully ride a gust of wind and crashes in front of her entire family. This prompts her stern grandfather to ask that Lina move in with him so he can teach her to control her powers. Desperate to avoid this, Lina and her friend Claudia, who is black, get Lina accepted at the Hilltop Science and Arts Academy. Lina’s parents allow her to go as long as she does lessons with grandpa on Saturdays. However, fitting in at a Groundling school is rough, especially when your powers start freak winter storms! With the story unfurling in diary format, bright-pink–highlighted grayscale illustrations help move the plot along. There are slight gaps in the storytelling and the pacing is occasionally uneven, but Lina is full of spunk and promotes self-acceptance.

A jam-packed opener sure to satisfy lovers of the princess genre. (Fantasy. 5-8)

Pub Date: June 25, 2019

ISBN: 978-1-338-35393-8

Page Count: 128

Publisher: Scholastic

Review Posted Online: March 27, 2019

Kirkus Reviews Issue: April 15, 2019

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