Daniela’s “número uno best friend,” Evelyn Del Rey, is moving away. But today, for one last time, they’ll play. Just like they always do.
Daniela and Evelyn are two Latinx girls who live across the street from each other in apartments that are almost identical. One has a bedroom with “sunny yellow” walls and lives with both her parents and a cat; the other has a bedroom with “cotton candy” pink walls and lives with her mother and a hamster. But they “are mostly the same, just like [their] apartments. But not after today.” As the grown-ups pack and the moving truck is loaded, the girls enjoy one last day together. When the time comes to say goodbye, plans are made and big hugs are given. The ending hints at a friendship that lasts into future years, but the beauty of the book lies in the sheer pleasure and exhilaration exhibited by the girls as they enjoy the present moment. Newbery Medalist Medina’s versatility is in evidence here, showing she’s as much in tune with the picture-book audience as she is with older readers. With lines that go at angles and splashes of bold colors and patterns, Sánchez’s artwork is as lively and full of movement as the two girls. Layered applications of color create texture, and the interiors of their apartments are cozily beckoning. Evelyn is depicted with brown skin and locs, and Daniela with pale skin and two puffy pigtails.
A tender story of friendship and change. (Picture book. 4-7)Pub Date: Sept. 8, 2020
ISBN: 978-1-5362-0704-0
Page Count: 32
Publisher: Candlewick
Review Posted Online: June 16, 2020
Kirkus Reviews Issue: July 1, 2020
Categories: CHILDREN'S SOCIAL THEMES
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SEEN & HEARD
Whimsy, intelligence, and a subtle narrative thread make this rise to the top of a growing list of self-love titles.
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Employing a cast of diverse children reminiscent of that depicted in Another (2019), Robinson shows that every living entity has value.
After opening endpapers that depict an aerial view of a busy playground, the perspective shifts to a black child, ponytails tied with beaded elastics, peering into a microscope. So begins an exercise in perspective. From those bits of green life under the lens readers move to “Those who swim with the tide / and those who don’t.” They observe a “pest”—a mosquito biting a dinosaur, a “really gassy” planet, and a dog whose walker—a child in a pink hijab—has lost hold of the leash. Periodically, the examples are validated with the titular refrain. Textured paint strokes and collage elements contrast with uncluttered backgrounds that move from white to black to white. The black pages in the middle portion foreground scenes in space, including a black astronaut viewing Earth; the astronaut is holding an image of another black youngster who appears on the next spread flying a toy rocket and looking lonely. There are many such visual connections, creating emotional interest and invitations for conversation. The story’s conclusion spins full circle, repeating opening sentences with new scenarios. From the microscopic to the cosmic, word and image illuminate the message without a whiff of didacticism.
Whimsy, intelligence, and a subtle narrative thread make this rise to the top of a growing list of self-love titles. (Picture book. 4-7)Pub Date: June 2, 2020
ISBN: 978-1-5344-2169-1
Page Count: 40
Publisher: Atheneum
Review Posted Online: March 15, 2020
Kirkus Reviews Issue: April 1, 2020
Categories: CHILDREN'S SOCIAL THEMES | CHILDREN'S SCIENCE & TECHNOLOGY
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With ample emotional subtext, a young girl recalls everyday details about her beloved grandfather the day after his death.
The child bites her mother’s toe to wake her up, wishing that she could have done the same for her baba bozorg, her beloved grandfather, who had forgotten to wake up the day before. She kisses a pancake that reminds her of her grandfather’s face. Her mother, who had been admonishing her for playing with her food, laughs and kisses the pancake’s forehead. Returning to Baba Bozorg’s home, the child sees minute remnants of her grandfather: a crumpled-up tissue, smudgy eyeglasses, and mint wrappers in his coat pockets. From these artifacts the narrator transitions to less tangible, but no less vivid, memories of playing together and looks of love that transcend language barriers. Deeply evocative, Hrab’s narrative captures a child’s understanding of loss with gentle subtlety, and gives space for processing those feelings. Kazemi’s chalk pastel art pairs perfectly with the text and title: Pink cherry hues, smoky grays, and hints of green plants appear throughout the book, concluding in an explosion of vivid green that brings a sense of renewal, joy, and remembrance to the heartfelt ending. Though the story is universally relevant, cultural cues and nods to Iranian culture will resonate strongly with readers of Iranian/Persian heritage. (This book was reviewed digitally.)
A beautifully poignant celebration of memories of a loved one that live on in those that remain. (Picture book. 4-8)Pub Date: Oct. 15, 2021
ISBN: 978-1-77147-414-6
Page Count: 32
Publisher: Owlkids Books
Review Posted Online: July 14, 2021
Kirkus Reviews Issue: Aug. 1, 2021
Categories: CHILDREN'S SOCIAL THEMES | CHILDREN'S FAMILY
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BOOK REVIEW
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A ghost learns to appreciate his differences.
The little ghost protagonist of this title is unusual. He’s a quilt, not a lightweight sheet like his parents and friends. He dislikes being different despite his mom’s reassurance that his ancestors also had unconventional appearances. Halloween makes the little ghost happy, though. He decides to watch trick-or-treaters by draping over a porch chair—but lands on a porch rail instead. A mom accompanying her daughter picks him up, wraps him around her chilly daughter, and brings him home with them! The family likes his looks and comforting warmth, and the little ghost immediately feels better about himself. As soon as he’s able to, he flies out through the chimney and muses happily that this adventure happened only due to his being a quilt. This odd but gently told story conveys the importance of self-respect and acceptance of one’s uniqueness. The delivery of this positive message has something of a heavy-handed feel and is rushed besides. It also isn’t entirely logical: The protagonist could have been a different type of covering; a blanket, for instance, might have enjoyed an identical experience. The soft, pleasing illustrations’ palette of tans, grays, white, black, some touches of color, and, occasionally, white text against black backgrounds suggest isolation, such as the ghost feels about himself. Most humans, including the trick-or-treating mom and daughter, have beige skin. (This book was reviewed digitally with 11-by-16.6-inch double-page spreads viewed at 66.2% of actual size.)
Halloween is used merely as a backdrop; better holiday titles for young readers are available. (Picture book. 4-7)Pub Date: Sept. 1, 2020
ISBN: 978-0-7352-6447-2
Page Count: 48
Publisher: Tundra Books
Review Posted Online: July 14, 2020
Kirkus Reviews Issue: Aug. 1, 2020
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