A tightly strung, finely tuned memoir about life with her mother.

MOM & ME & MOM

Angelou (Letters to My Daughter, 2008, etc.) has given us the opportunity to read much of her life, but here she unveils her relationship with her mother for the first time.

True to her style, the writing cuts to the chase with compression and simplicity, and there in the background is a calypso smoothness, flurries and showers of musicality between the moments of wickedness. And wickedness abounds, for Angelou had a knack for picking bad men. But the pivot of the book is her mother—first called lady, then mother and finally mom—who sent Angelou and her brother to live with their grandmother when Angelou was 3. By the time her older brother was capable of getting into serious trouble as an independent-minded black man in the American South, they were shipped back to their mother, who was as ready as she would ever be. She had been around, ran a few gambling houses and picked up plenty of worldly wisdom, which she dispensed to Angelou: “Power and determination…[w]ith those two things, you can go anywhere and everywhere”; “If you don’t protect yourself, you look like a fool asking somebody else to protect you.” Though readers may not sense that her mother was not the most reliable force in her life, Angelou knew enough to grab the most from what she had: “[S]he was there with me. She had my back, supported me. This is the role of the mother….She stands between the known and the unknown.” Strung through the narrative are intense episodes in Angelou’s personal progress, from those disappointing-to-terrifying boyfriends, a seriously ugly meeting with her father and stepmother, her days as a prostitute and her incandescent relationships with her brother and her son.

A tightly strung, finely tuned memoir about life with her mother.

Pub Date: April 2, 2013

ISBN: 978-1-4000-6611-7

Page Count: 224

Publisher: Random House

Review Posted Online: Feb. 4, 2013

Kirkus Reviews Issue: Feb. 15, 2013

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If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

THE 48 LAWS OF POWER

The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 1998

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The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

NIGHT

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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