A colorful collection of Native American and First Nations trickster tales.



Twenty-three comics show how natural phenomena from the stars to buzzards have been affected by tricksters.

The 10th-anniversary reissue of this compilation, which features an introduction to trickster tales by Joseph Bruchac (Abenaki), contains traditional stories from across Canada and the U.S. retold by Indigenous authors and illustrated by both Indigenous and non-Indigenous artists. An editor’s note explains that each author chose the artist who would illustrate their story and approved their work. Bruchac’s introduction describes how the stories serve a dual purpose, both entertaining and educating listeners and readers. Many are of the pourquoi tale type, offering etiological narratives, such as “Rabbit’s Choctaw Tail Tale” by Tim Tingle, illustrated by Pat Lewis, which explains why rabbits have short tails. The Catawba story “The Yehasuri: The Little Wild Indians” by Beckee Garris, illustrated by Andrew Cohen, tells readers about mischievous beings who trouble travelers and punish naughty children. The stories vary in length, but most are in the range of 10 pages. The full-color artwork varies dramatically in style and quality; some is exceptionally skillful, making creative use of layout and panels, while other is more static. The range of nations represented is a strength of the work, offering readers a glimpse into both common elements of trickster characters and the sheer diversity of such stories.

A colorful collection of Native American and First Nations trickster tales. (contributor biographies) (Graphic anthology. 12-18)

Pub Date: May 3, 2021

ISBN: 978-1-68275-273-9

Page Count: 242

Publisher: Chicago Review Press

Review Posted Online: March 31, 2021

Kirkus Reviews Issue: April 15, 2021

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Even so, this remains Macbeth, arguably the Bard of Avon’s most durable and multilayered tragedy, and overall, this enhanced...


From the Wordplay Shakespeare series

A pairing of the text of the Scottish Play with a filmed performance, designed with the Shakespeare novice in mind.

The left side of the screen of this enhanced e-book contains a full version of Macbeth, while the right side includes a performance of the dialogue shown (approximately 20 lines’ worth per page). This granular focus allows newcomers to experience the nuances of the play, which is rich in irony, hidden intentions and sudden shifts in emotional temperature. The set and costuming are deliberately simple: The background is white, and Macbeth’s “armor” is a leather jacket. But nobody’s dumbing down their performances. Francesca Faridany is particularly good as a tightly coiled Lady Macbeth; Raphael Nash-Thompson gives his roles as the drunken porter and a witch a garrulousness that carries an entertainingly sinister edge. The presentation is not without its hiccups. Matching the video on the right with the text on the left means routinely cutting off dramatic moments; at one point, users have to swipe to see and read the second half of a scene’s closing couplet—presumably an easy fix. A “tap to translate” button on each page puts the text into plain English, but the pop-up text covers up Shakespeare’s original, denying any attempts at comparison; moreover, the translation mainly redefines more obscure words, suggesting that smaller pop-ups for individual terms might be more meaningful.

Even so, this remains Macbeth, arguably the Bard of Avon’s most durable and multilayered tragedy, and overall, this enhanced e-book makes the play appealing and graspable to students . (Enhanced e-book. 12 & up)

Pub Date: Sept. 9, 2013


Page Count: -

Publisher: The New Book Press LLC

Review Posted Online: Nov. 7, 2013

Kirkus Reviews Issue: Dec. 1, 2013

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Hinds adds another magnificent adaptation to his oeuvre (King Lear, 2009, etc.) with this stunning graphic retelling of Homer’s epic. Following Odysseus’s journey to return home to his beloved wife, Penelope, readers are transported into a world that easily combines the realistic and the fantastic. Gods mingle with the mortals, and not heeding their warnings could lead to quick danger; being mere men, Odysseus and his crew often make hasty errors in judgment and must face challenging consequences. Lush watercolors move with fluid lines throughout this reimagining. The artist’s use of color is especially striking: His battle scenes are ample, bloodily scarlet affairs, and Polyphemus’s cave is a stifling orange; he depicts the underworld as a colorless, mirthless void, domestic spaces in warm tans, the all-encircling sea in a light Mediterranean blue and some of the far-away islands in almost tangibly growing greens. Don’t confuse this hefty, respectful adaptation with some of the other recent ones; this one holds nothing back and is proudly, grittily realistic rather than cheerfully cartoonish. Big, bold, beautiful. (notes) (Graphic classic. YA)

Pub Date: Oct. 1, 2010

ISBN: 978-0-7636-4266-2

Page Count: 256

Publisher: Candlewick

Review Posted Online: Sept. 15, 2010

Kirkus Reviews Issue: Oct. 1, 2010

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