BELLING THE TIGER

Decked out in handsome new illustrations, this 1962 Newbery Honor–winner (originally illustrated by Beni Montresor) features twin mice who discover that they aren’t as powerless as they thought. Dispatched to bell the resident cat by fierce lead mouse Portman, Bob and Ozzie screw their courage to the sticking place, steal a collar from the pet store, then flee aboard a departing ship to escape feline pursuit. The first creature they encounter upon disembarking is a sleeping cat of monstrous size—a tiger, who, rather than eating them, admires the collar they intrepidly slip onto its tail, shows them their effect on a passing elephant, then sees them back to the ship. This experience gives them the moxie to face Portman down, on their return home. Both Stolz’s rich language and her central theme have a timeless freshness, and Pratt’s impasto scenes of dot-eyed, square-nosed mice scampering through a very large world capture the tale’s danger, comedy, and lightly satiric touches expertly. Bob, Ozzie, and the cat are renamed; the otherwise unaltered text is quite a bit longer than usual for its new format, but today’s readers will be as delighted by it as their grandparents were. (Picture book. 7-9)

Pub Date: Aug. 1, 2004

ISBN: 0-7624-1889-3

Page Count: 32

Publisher: Running Press

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 1, 2004

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RED-EYED TREE FROG

Bishop’s spectacular photographs of the tiny red-eyed tree frog defeat an incidental text from Cowley (Singing Down the Rain, 1997, etc.). The frog, only two inches long, is enormous in this title; it appears along with other nocturnal residents of the rain forests of Central America, including the iguana, ant, katydid, caterpillar, and moth. In a final section, Cowley explains how small the frog is and aspects of its life cycle. The main text, however, is an afterthought to dramatic events in the photos, e.g., “But the red-eyed tree frog has been asleep all day. It wakes up hungry. What will it eat? Here is an iguana. Frogs do not eat iguanas.” Accompanying an astonishing photograph of the tree frog leaping away from a boa snake are three lines (“The snake flicks its tongue. It tastes frog in the air. Look out, frog!”) that neither advance nor complement the action. The layout employs pale and deep green pages and typeface, and large jewel-like photographs in which green and red dominate. The combination of such visually sophisticated pages and simplistic captions make this a top-heavy, unsatisfying title. (Picture book. 7-9)

Pub Date: March 1, 1999

ISBN: 0-590-87175-7

Page Count: 32

Publisher: Scholastic

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Jan. 1, 1999

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TWENTY-ONE ELEPHANTS AND STILL STANDING

Strong rhythms and occasional full or partial rhymes give this account of P.T. Barnum’s 1884 elephant parade across the newly opened Brooklyn Bridge an incantatory tone. Catching a whiff of public concern about the new bridge’s sturdiness, Barnum seizes the moment: “’I will stage an event / that will calm every fear, erase every worry, / about that remarkable bridge. / My display will amuse, inform / and astound some. / Or else my name isn’t Barnum!’” Using a rich palette of glowing golds and browns, Roca imbues the pachyderms with a calm solidity, sending them ambling past equally solid-looking buildings and over a truly monumental bridge—which soars over a striped Big Top tent in the final scene. A stately rendition of the episode, less exuberant, but also less fictionalized, than Phil Bildner’s Twenty-One Elephants (2004), illustrated by LeUyen Pham. (author’s note, resource list) (Picture book. 7-9)

Pub Date: Sept. 26, 2005

ISBN: 0-618-44887-X

Page Count: 32

Publisher: Houghton Mifflin

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Sept. 1, 2005

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