PAPERBOY

A championship fight sells newspapers, especially the 1927 rematch between the thinking man's fighter, Gene Tunney, and iron- fisted former champ, Jack Dempsey. Paperboy Willie Brinkman is so sure that Dempsey, the ``workingman's hero,'' will win his title back from ``Gentleman Gene'' (so-called because he reads a lot of books) that he signs up to hawk a late edition, the ``Fight Extra.'' (Oddly, the authors don't dispute the notion—an oversimplification of attitudes of the era—that the ``workingman's hero'' is not the one who reads.) When Dempsey loses, Willie is stuck with newspapers no one wants, but his perseverance pays off when he is rewarded with a busier street corner where he can earn more money for his family. The Brinkmans (including the four girls, all of whom have contemporary hair styles) gather around the radio for a blow-by-blow broadcast; silhouettes of Dempsey and Tunney appear in some of the illustrations for (once all the atmospherics are stripped away) a rather ordinary story of a hardworking boy who makes good. (Picture book. 6-9)

Pub Date: March 18, 1996

ISBN: 0-395-64482-8

Page Count: 32

Publisher: Clarion Books

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Feb. 15, 1996

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HELLO, HARVEST MOON

As atmospheric as its companion, Twilight Comes Twice, this tone poem pairs poetically intense writing with luminescent oils featuring widely spaced houses, open lawns, and clumps of autumnal trees, all lit by a huge full moon. Fletcher tracks that moon’s nocturnal path in language rich in metaphor: “With silent slippers / it climbs the night stairs,” “staining earth and sky with a ghostly glow,” lighting up a child’s bedroom, the wings of a small plane, moonflowers, and, ranging further afield, harbor waves and the shells of turtle hatchlings on a beach. Using creamy brushwork and subtly muted colors, Kiesler depicts each landscape, each night creature from Luna moths to a sleepless child and her cat, as well as the great moon sweeping across star-flecked skies, from varied but never vertiginous angles. Closing with moonset, as dawn illuminates the world with a different kind of light, this makes peaceful reading either in season, or on any moonlit night. (Picture book. 6-8)

Pub Date: Sept. 22, 2003

ISBN: 0-618-16451-0

Page Count: 32

Publisher: Clarion Books

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Sept. 15, 2003

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BUBBA, THE COWBOY PRINCE

A FRACTURED TEXAS TALE

A Cinderella parody features the off-the-wall, whang-dang Texas hyperbole of Ketteman (The Year of No More Corn, 1993, etc.) and the insouciance of Warhola, who proves himself only too capable of creating a fairy godcow; that she's so appealingly whimsical makes it easy to accept the classic tale's inversions. The protagonist is Bubba, appropriately downtrodden and overworked by his wicked stepdaddy and loathsome brothers Dwayne and Milton, who spend their days bossing him around. The other half of the happy couple is Miz Lurleen, who owns ``the biggest spread west of the Brazos.'' She craves male companionship to help her work the place, ``and it wouldn't hurt if he was cute as a cow's ear, either.'' There are no surprises in this version except in the hilarious way the premise plays itself out and in Warhola's delightful visual surprises. When Lurleen tracks the bootless Bubba down, ``Dwayne and Milton and their wicked daddy threw chicken fits.'' Bubba and babe, hair as big as a Texas sun, ride off to a life of happy ranching, and readers will be proud to have been along for the courtship. (Picture book/folklore. 6-8)

Pub Date: Nov. 1, 1997

ISBN: 0-590-25506-1

Page Count: 32

Publisher: Scholastic

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Nov. 1, 1997

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