Years after the death of their mother, the fourth son in an Australian family of five boys reconnects with his estranged father.
Matthew Dunbar dug up the old TW, the typewriter his father buried (along with a dog and a snake) in the backyard of his childhood home. He searched for it in order to tell the story of the family’s past, a story about his mother, who escaped from Eastern Europe before the fall of the Berlin Wall; about his father, who abandoned them all after their mother’s death; about his brother Clay, who built a bridge to reunite their family; and about a mule named Achilles. Zusak (The Book Thief, 2006, etc.) weaves a complex narrative winding through flashbacks. His prose is thick with metaphor and heavy with allusions to Homer’s epics. The story romanticizes Matthew and his brothers’ often violent and sometimes homophobic expressions of their cisgender, heterosexual masculinity with reflections unsettlingly reminiscent of a “boys will be boys” attitude. Women in the book primarily play the roles of love interests, mothers, or (in the case of their neighbor) someone to marvel at the Dunbar boys and give them jars to open. The characters are all presumably white.
Much like building a bridge stone by stone, this read requires painstaking effort and patience. (Fiction. 16-adult)Pub Date: Oct. 9, 2018
ISBN: 978-1-984830-15-9
Page Count: 544
Publisher: Knopf
Review Posted Online: Aug. 6, 2018
Kirkus Reviews Issue: Aug. 15, 2018
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Greer Walsh wishes she were one person...unfortunately, with her large breasts, she feels like she’s actually three.
High school sophomore and math whiz Greer is self-conscious about her body. Maude and Mavis, as she’s named her large breasts, are causing problems for her. When Greer meets new kid Jackson Oates, she wishes even more that she had a body that she didn’t feel a need to hide underneath XXL T-shirts. While trying to impress Jackson, who has moved to the Chicago suburbs from Cleveland, Greer decides to try out for her school’s volleyball team. When she makes JV, Greer is forced to come to terms with how her body looks and feels in a uniform and in motion as well as with being physically close with her teammates. The story is told in the first person from Greer’s point of view. Inconsistent storytelling as well as Greer’s (somewhat distracting) personified inner butterfly make this realistic novel a slow but overall enjoyable read. The story contains elements of light romance as well as strong female friendships. Greer is white with a Christian mom and Jewish dad; Jackson seems to be white by default, and there is diversity among the secondary characters.
A sweet, slow-paced novel about a teen learning to love her body. (Fiction. 12-18)Pub Date: June 23, 2020
ISBN: 978-1-9848-1524-8
Page Count: 352
Publisher: Dutton
Review Posted Online: March 29, 2020
Kirkus Reviews Issue: April 15, 2020
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A glimpse of the characters dealing with rebuilding and fallout after A Court of Wings and Ruin (2017).
In a change of pace from the usual epic struggle against powerful forces, this slimmer-than-usual volume follows the cast during the festive Winter Solstice holiday. Nods to trouble on the horizon (dissent in the Illyrian ranks, Fae courts eyeing for expansion, and a politically fraught situation among humans) remain distant, the lack of progress at times resulting in frustrating repetition. Cassian’s and Mor’s backstories are explored, and prickly Amren’s low-key relationship storyline is supplemented by her High Fae adjustments (including bodily humor). While Elain is becoming more comfortable, she still wants nothing to do with Lucien (who feels like an outsider nearly everywhere and has his hands full with a self-destructive Tamlin). Severely struggling Nesta self-medicates through alcohol, meaningless sex, pushing everyone away, and finding every last seedy corner of the otherwise utopian Velaris. While Rhys handles politics, Feyre’s storyline revolves around Solstice shopping and art’s potential for healing trauma—when the lovers aren’t telepathically sexting or craving each other. Aside from occasional minor characters, most of the inhuman cast seem white. Several plotlines are predictably resolved.
With introspection replacing battles, this extended epilogue gives breathing room between dramatic arcs but is best for readers who’d prefer downtime with the characters over high stakes. (map, preview of next title) (Fantasy. 16-adult)Pub Date: May 1, 2018
ISBN: 978-1-68119-631-2
Page Count: 272
Publisher: Bloomsbury
Review Posted Online: May 15, 2018
Kirkus Reviews Issue: June 1, 2018
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